#this was a great relaxing doodle after finishing my zines

[savvage-arts]

Hi I don’t think I’ve asked you yet, do you take drawing requests? Would you be willing to draw-

Teen-high-binder Transmasc Normal? :D

Only if Taylor can have a matching miku binder

[houseofvans]

ART SCHOOL | Q&A w/ THEO ELLSWORTH (Missoula, MT)

From DIY comics, art zines, animations, drawings to hand drawn woodcuts, artist Theo Ellsworth has doodled his way from childhood and high school to galleries and museums all over the world. One look at his body of works, you’ll find yourself drawn into a detailed, imaginative, stream-of-consciousness narrative realm, where strange creatures, surreal beings, and dreamy landscapes flow and blend into one another, with no beginning or end. Not only one thing, Theo also is the house artist for the London based electronic record label, Astral Industries, creating art for bands like Flying Lotus, Ramona Falls, and Algecow. Learn more about Theo Ellsworth’s art and what his early artistic influences are, what materials he loves to work with, and what he has coming for the rest of 2017.

Photographs courtesy of the artist

Introduce yourself?  Hello, I'm Theo Ellsworth. I draw a lot. Pretty much whenever I can. I live in Missoula, Montana.

My drawings take many forms: I make hand drawn woodcut art for galleries and museums, I also make comics and art zines. Sometimes I do large scale drawings on walls. I do illustration work of all kinds. I'm the house artist for the London based electronic record label, Astral Industries. I've also made album art for Flying Lotus, Ramona Falls, Skeleton Farm, and Algecow. I've been dabbling in animation and I'm currently excited to be learning woodblock printing. My work's been featured in Best American Comics, Cicada Magazine, The Treasury of Mini Comics, Smoke Signal, The Graphic Canon, and the upcoming book, America 2020.

When did you first get into drawing?  Was it a hobby turned career or something you knew from the start? I've loved drawing since I was a kid, but it was in high school that it really became an essential part of me. I started out just doodling a lot with straight sharpie on whatever piece of paper I had on hand. Something about just letting my hand run free to follow whatever shapes it wanted to make, really helped me relax my brain in this weird new way. It was never an absent minded kind of thing. It never felt I was spacing out. It felt more like the act of drawing helped me carve out a personal thinking space where I could concentrate and function more naturally. I got sent to the principal's office for drawing in class all the time in high school and I used to get bad grades in my high school art classes for not following the assignments correctly. Now, I feel lucky to be making a living making art. If I don't draw regularly, I get grumpy and hard to be around. Something about making art seems to keep me feeling intact and able to face the world.

Who were some of your early artistic influences? Reading comics and children’s books as a kid really had an impact on me. I always knew I wanted to make narrative work with my art.  When I discovered the world of self publishing, zines, and mini comics  at the Small Press Expo in San Francisco back in 2003, I realised that I could do it all myself. The first zine I ever printed was a series of drawings on receipts. I started a photocopied comics series called Capacity, which was eventually collected into a 335 page book published by the Brooklyn based small press, Secret Acres. My newest published book is a 128 page, wordless psychedelic horror comic called An Exorcism, published by the excellent Latvian small press, Kus Komikss.

What mediums do you love to work with? What are your essential art tools? I’ll use any kind of pen, but my favorite is the Rapidograph, which is a technical pen that can be refilled with india ink. I also love just drawing with cheap ballpoint pens.  I love to draw on folded paper. I like the idea of drawing on a sequence of pages as opposed to drawing on a single sheet of paper. The act of drawing becomes more of a thought process; a series of drawings that travel somewhere, as opposed to a single static image. Some of my folded paper notebooks have been reproduced as art zines, such as Logic Storm, Antidote, and Relax, We Have Alien Vehicles. These zines are probably fairly cryptic objects to any viewer expecting a narrative, but working on each one helped me navigate the time period they were drawn in. I carried them around with me and worked on each one a little at a time, until they were filled. I Like having an ongoing work like this in motion that I can take my time with and slowly build on. I like to draw on a folded paper size that can be easily reproduced on a photocopier and potentially made into an art zine and I draw on both sides of every page, so the zine is an exact reproduction of my notebook. Sometimes I only make a few copies or none at all of any given piece, but keeping that format keeps me locked into a sequence of pages that I have to work my way through.

Do you keep a sketchbook or work your ideas as you go along?  What type of sketchbook do you keep – disorganized chaos or neat and clean? Besides my folded paper drawing notebooks I keep, I don’t really keep a sketchbook. I don’t really do preliminary sketches of ideas for the most part. I always have this impulse to make everything a finished drawing.

What was the first show you ever exhibited in? What was your last show? My very first show was at a coffee shop called Butterfly Herbs in Missoula, MT. By most recent show was at Giant Robot in LA.

Where did you learn your knowledge of art or making art? Art School or Self taught.  For the most part, I'm self taught, though I'm currently learning woodblock printing from an incredibly print maker named David Miles Lusk and I've been learning a lot of great animation tips from my friend Stefan Gruber, who's a genius animator.

Describe your artistic process for us. It’s all pretty stream of conscious. It might be easiest to describe my process with my woodcuts. I started making the woodcut art, originally because I got tired of framing work for shows and wanted by gallery work to be something that felt really different from my illustration work. I got a scroll saw and started cutting out shapes in hard-wood plywood, drawing on them, then coating them in varnish.  I’ll go into my little woodshop in my garage and draw out as many shapes as possible on a big piece of plywood and cut out a whole pile of them, so I have a nice stack to work on. I never completely know what they’re going to look like until I’m working on. They just start out as these vague person, animal, or house shapes,and it’s a true joy to sit with each one and discover the details. I do a yearly solo show of my woodcut pieces at Giant Robot in Los Angeles that I usually make at least 75 new pieces for. I had a show there this past June. Right now I have 3 pieces in a group show at Grumpy Bert in Brooklyn, NY and 9 new pieces are about to go to a show at Radius Gallery in Missoula, MT.

What makes you smile when viewing art? What is it you’re looking at – composition, color, line? I'm inspired by all kinds of work. I love outsider art and folk art. I love weird art comics, but I also still have a huge love for 60s, 70s, and 80s superhero comics. I love ancient art and textures and patterns in nature. Any art that really feels like it was made from an inner artistic impulse usually ends up getting me excited and inspired. I love art that feels a bit crude or awkward but full of feeling and personal expression. That kind of art does way more for me than something super polished and calculated. I love children's art and I collaborate with my 2 young kids whenever I can.

What’s a common misconception about artists? I don’t think many people really understand the focus and effort that goes into a single work of art. I love having a studio that I can ride my bike to, close the door and have periods of time where I'm totally immersed with no distractions. I also like sitting up after everyone in my family has gone to bed and working on my zines or woodcuts. I get significantly less sleep than everyone else in my family, but making use of that quiet time is so essential. The most valuable thing to me about making art is simply the experience of focus and concentration; the satisfaction of putting care into something. The journey of following a vague impulse until something tangible and often unexpected has come into existence. It sort of feels like developing a photograph of something from my subconscious, like I'm actively engaging with something mysterious and beyond my understanding.

Do you have a favorite artist(s) that does a completely different medium than yourself? Oh yeah! I have a huge love for art environments. One of my favorites is Le Palais Ideal in France, made by Ferdinand Cheval. He was a Postman in the late 1800s who built a complex and beautiful homemade structure on his land. He had no prior experience with architecture. He simply followed this mysterious artistic impulse and made something startling and unique. There’s nothing else like it.

What are your favorite Vans? I like it when people draw on them and add personal touches.

How are you not just ONE thing? Everything I do feels like it’s part of the same world and comes from that same initial creative impulse, but I definitely need that variety of approaches and focuses. It keeps me inspired and seeing things from new and different angles..

What’s on the horizon for the rest of 2017? Right now, I'm working on a new series of folded paper notebooks called Thrill Mouth. It's more of a pure comic book, inner-space explorer adventure series drawn in ball point pen. I printed some copies of the first issue a few weeks back. Some of the copies have hand drawn glitter gel pen details on the covers. I usually can't stop myself from getting labor intensive and ridiculous with anything I make. I've been making zines and mini comics for about 15 years. It actually was relief when a publisher first contacted me, wanting to put out a book, and I love working with the publishers I've been lucky enough to work with so far, but making these little self published art booklets is an important personal practice and I always try to have one in the works.  I’m also working on a graphic Novel with author Jeff VanderMeer.

Follow Theo Ellsworth

Website | http://thoughtcloudfactory.com Instagram | @theoellsworth Etsy |  https://www.etsy.com/shop/theoellsworth Tumblr | http://theoellsworth.tumblr.com