#tyler lawrence gray gif hunt

[galaxygifs]

CLICK  THE  SOURCE  LINK   to  access  381 gifs  (268 x 150)  of  the  actor   tyler lawrence gray  in    wolf pack (season one, episodes 1-4).  please  like  &   reblog   if you’re using.   feel  free  to  crop  into  gif  icons   ( 80x80 )     &   do  not  take  credit  for  my  gifs.

[jofridapettersen]

click the source link to find 52 gifs of TYLER LAWRENCE GRAY in WOLF PACK EPISODE 1. please reblog if using! FLASHING LIGHTS TW

[senatushq]

NAME. Elias Van Kirk AGE & BIRTH DATE. 21 & July 9th, 2002 GENDER & PRONOUNS. Male & He/HimSPECIES. Eladrin OCCUPATION. Busser at Killjoys FACE CLAIM. Tyler Gray Lawrence

biography

Elias was different from other kids in ways he could observe but never understand. He was simply better than them. That was the explanation his mother gave when he questioned why none of the other kids could play as he could, or why he had to “hold back”. She told Elias that he was special, different, or simply better without much explanation until he grew too old for vague non-answers. When she finally began to open up about where he came from, Elias fell in love with the fantasy of his father and never looked back. Every night he’d need a new story about how amazing and powerful the faerie his mother fell for was. There was no way for him to discern between truth and fabrication, and to satisfy her over-eager child she definitely embellished some facts, but regardless those stories helped to craft his worldview. Elias no longer rejected his power but embraced it. He was a miracle child, powerful and strong, beautiful and glimmering like the parent who wasn’t there to challenge the pedestal Elias’ mind had placed him on. He was superior and it wasn’t him that needed to hide from the world but the world that needed to embrace him. 

  However, a faiman child unable to let go of the fantasy world he lived in to step into the real one was not something to be praised. It was his notions of grandeur that brought ruin to his and his mother’s lives, but the damage was already done. Once she taught Elias to love his power it became impossible to teach him to dull his shine for anyone. Sure he understood the necessity for discretion and when they moved he knew how to blend in, but without fail, Elias would find a chance where he felt he was justified in using his powers openly. Whether it be stopping a neighborhood bully or showing off to a new friend, he could never keep a lid on his halfblood status. And every time he exposed himself, his mother made them pack up and move. Attention would lead to danger, for there was no guarantee that he’d be strong enough to protect himself from any who’d want to cause him harm. There was no faerie there to protect them, so staying on the move was the best way to ensure Elias wasn’t hunted. This was always difficult for him to grasp, and eventually, he realized what the issue was. Elias wasn’t human, so pretending he was to live amongst them would never fulfill him. He may have been young, but he had no choice but to set out on his own. Elias needed to live among his own kind so he’d never have to hide his true power again. 

  The day he left his home and mother behind was supposed to be the start of his self-actualization journey. In many ways his journey was just that, but not in the ways he imagined. From major city to major city, he embarked on his “faerie hunt” to hopefully learn more about his heritage and where he came from. What he found were horrible truths and hard lessons, but none of the answers he sought. But he learned, Elias learned fast because he had no choice but to. Witches were deceitful and constantly taking advantage of his wanderlust to trap him. Vampires were vicious and cruel, treating him like a slab of meat for their benefit. Hunters were the worst, and he encountered a couple who chased him across state and country lines as if he didn’t have enough to worry about without a pursuer. He fought them all off, because he was stronger and got stronger with each near-death encounter, but his experiences turned him into something he never wanted to be: a survivor. Elias realized that the entire realm was out to get a faiman like him, and he was only able to keep his head due to sheer force and lots of luck. When he did find another faiman, they were able to give him tips but no answers because they knew little more than he did, if anything at all. Elias knew he’d die ignorant and alone if something didn’t change, so he decided to shift his perspective. If he couldn’t get what he needed through traveling, then he’d make a pilgrimage to the place that was overflowing with magic. Rome was going to be his salvation. 

  What he found was absolutely soul-crushing. Upon the time of his arrival, halfbloods were seen as commodities by almost all the other species. Additionally, the very eladrin he believed would embrace him for his strength rejected him for his mortal weakness. Rome was able to finally teach Elias the true plight of faimen in the realm, and he rejected it all. He was better than that, better than them all. He’d been told since he was young. So instead of lamenting, he put himself to work so he could cement his greatness and finally get his due in the place that seemed to be the height of supernatural life. Working at Killjoys was dangerous work indeed, but it was also the best place for him to network. All manner of mortal and immortals frequented the bar and some of them were willing to pay under the table for various odd jobs. Nothing was off limits for Elias, so long as it sounded like something his abilities would make easy. He took risks and did many things he wasn’t proud of, but eventually Elias started to garner a reputation in the city as a capable, powerful mercenary of sorts who seemed to be able to get anything done. His work kept him busy, too busy to care about the rise of the halfbloods on the Senate. Why would he care about them? He didn’t need their help to gain some respect in Rome. Mutat Domun became a representation of weakness that Elias wanted no part of. He was above them and whatever they were doing on the Senate, however his opinions changed when his body did. He became something more than a halfblood, something he couldn’t fully understand on his own. He knew he needed to be with his kind if he were to step into his new eladrin status. Elias answered the call and joined the others in the Fey Forest, finally accepting the authority of the eladrin representatives on the Senate. 

personality

+ Proactive, Idealistic, Courageous - Arrogant, Snarky, Selfish

played by zen. est. He/him.

[hlfling-testing]

‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ a percy jackson multi-muse, mutually exclusive ! ‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ ‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ ‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ ‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ 𝚖𝚞𝚜𝚎 𝚌𝚘𝚞𝚗𝚝: 06

‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ ‎ ‎CANON & ORIGINAL CHARACTERS. ‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ ‎‎ ‎ ‎‎‎ ‎ 𝚒𝚌𝚘𝚗𝚕𝚎𝚜𝚜.

the sun illuminates only the eyes of the man but shines into the eye and the heart of the child. ‎‎ ‎ ‎‎‎ ‎ — ralph waldo emerson

⁍ barret "bear" hunt, ㅤpercy jackson, ㅤcody christian : ㅤroman demigod ㅤ& ㅤson of aquilon, ㅤ25

⁍ ㅤbriar blanche, ㅤpercy jackson, ㅤvince mattis : ㅤgreek demigod ㅤ& ㅤson of hecate, ㅤ17 ㅤ& ㅤhe/they

⁍ griffin ( griff ) friloux, ㅤpercy jackson, ㅤarchie renaux : ㅤgreek demigod ㅤ& ㅤson of eris, ㅤ23 ㅤ& ㅤhe/they

⁍ ㅤholland "holly" pierce, ㅤpercy jackson, ㅤwillem de schryver : ㅤgreek demigod ㅤ& ㅤson of hermes, ㅤ17 ㅤ&ㅤ he/him

⁍ ㅤraimundo "rai" cava, ㅤpercy jackson, ㅤchance perdomo : ㅤroman demigod ㅤ& ㅤson of apollo, ㅤ20 ㅤ&ㅤ he/him

⁍ㅤ rhys dumont, ㅤpercy jackson,ㅤ tyler lawrence gray : ㅤ ㅤgreek demigod ㅤ& ㅤson of atlas, ㅤ18 ㅤ& ㅤhe/him

[beyond-the-yellowbrickroad]

movies watched in 2020 (part one)

1. Little Italy (2018) Directed by Donald Petrie

2. Mr. Magorium’s Wonder Emporium (2007) Directed by Zach Helm

3. Super Size Me 2: Holy Chicken! (2017) Directed by Morgan Spurlock

4. Along Came Polly (2004) Directed by John Hamburg

5. Frozen II (2019) Directed by Chris Buck, Jennifer Lee

6. Maleficent: Mistress of Evil (2019) Directed by Joachim Rønning

  7. The Two Popes (2019) Directed by Fernando Meirelles

8. It Takes Two (1995) Directed by Andy Tennant

   9. Last Christmas (2019) Directed by Paul Feig

10. Christine (2016) Directed by Antonio Campos

11. Head Over Heels (2001) Directed by Mark Waters

12. The Babysitter (2017) Directed by McG

13. Fry Day (2017) Directed by Laura Moss

14. Hair Love (2019) Directed by Bruce W. Smith, Matthew A. Cherry & Everett Downing Jr.

15. The Terminal (2004) Directed by Steven Spielberg

16. Bombshell (2019) Directed by Jay Roach

17. Thanks for Sharing (2012) Directed by Stuart Blumberg

18. The Edge of Democracy (2019) ‘Democracia em Vertigem’ Directed by Petra Costa

19. Klaus (2019) Directed by Sergio Pablos   

20. Little Women (2019) Directed by Greta Gerwig

21. Life Overtakes Me (2019) Directed by Kristine Samuelson, John Haptas

22. The Lego Batman Movie (2017) Directed by Chris McKay

23. A Beautiful Day in the Neighborhood (2019) Directed by Marielle Heller

24. Simply Irresistible (1999) Directed by Mark Tarlov

25. Airplane Mode (2020) ‘Modo Avião’ Directed by César Rodrigues

26. American Factory (2019) Directed by Steven Bognar, Julia Reichert

BONUS  

27. American Factory: A Short Conversation with the Obamas (2019) Directed by Julia Reichert

28. Jumanji: The Next Level (2019) Directed by Jake Kasdan

29. Cats (2019) Directed by Tom Hooper

30. Pain and Glory (2019) ‘Dolor y gloria’ Directed by Pedro Almodóvar 

   31. Missing Link (2019) Directed by Chris Butler

32. Nefta Football Club (2018) Directed by Yves Piat

33. Richard Jewell (2019) Directed by Clint Eastwood

34. Troop Zero (2019) Directed by Bert, Bertie

35. 1917 (2019) Directed by Sam Mendes

36. Labor Pains (2009) Directed by Lara Shapiro

37. Love Wrecked (2005) Directed by Randal Kleiser

38. I Lost My Body (2019) ‘J'ai Perdu Mon Corps’ Directed by Jérémy Clapin

39. Breakthrough (2019) Directed by Roxann Dawson

40. The Cave (2019) ‘غار’ Directed by Feras Fayyad

41. Corpus Christi (2019) ‘Boże Ciało’ Directed by Jan Komasa

42. For Sama (2019) Directed by Waad al-Kateab, Edward Watts

43. Harriet (2019) Directed by Kasi Lemmons

44. Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (2020) Directed by Cathy Yan

45. Ad Astra (2019) Directed by James Gray

46. To All the Boys: P.S. I Still Love You (2020) Directed by Michael Fimognari

47. Charlie’s Angels (2000) Directed by McG

48. Charlie’s Angels: Full Throttle (2003) Directed by McG

49. Charlie’s Angels (2019) Directed by Elizabeth Banks

50. Overboard (2018) Directed by Rob Greenberg

51. Jenny Slate: Stage Fright (2019) Directed by Gillian Robespierre

52. The Rewrite (2014) Directed by Marc Lawrence

53. Looper (2012) Directed by Rian Johnson

54. Signs (2002) Directed by M. Night Shyamalan

55. Margaret (2011) Directed by Kenneth Lonergan

56. All the Bright Places (2020) Directed by Brett Haley

57. Beauty & the Briefcase (2010) Directed by Gil Junger

58. When in Rome (2010) Directed by Mark Steven Johnson

59. Beauty Shop (2005) Directed by Bille Woodruff

60. Vampires Suck (2010) Directed by Jason Friedberg, Aaron Seltzer

61. So Undercover (2012) Directed by Tom Vaughan

62. Think Like a Man (2012) Directed by Tim Story

63. Think Like a Man Too (2014) Directed by Tim Story   

64. Sonic the Hedgehog (2020) Directed by Jeff Fowler

65. Across the Universe (2007) Directed by Julie Taymor

66. Bring It On Again (2004) Directed by Damon Santostefano

67. Bring It On: All or Nothing (2006) Directed by Steve Rash

68. The Invisible Man (2020) Directed by Leigh Whannell

69. The Hunt (2020) Directed by Craig Zobel

70. Step Sisters (2018) Directed by Charles Stone III

71. Swiped (2018) Directed by Ann Deborah Fishman

72. Just Friends (2005) Directed by Roger Kumble

73. Love Don’t Co$t a Thing (2003) Directed by Troy Byer

74. The Gentlemen (2019) Directed by Guy Ritchie

75. Onward (2020) Directed by Dan Scanlon

76. Dolittle (2020) Directed by Stephen Gaghan

77. Love Jacked (2018) Directed by Alfons Adetuyi

78. Two Night Stand (2014) Directed by Max Nichols

79. Hot Fuzz (2007) Directed by Edgar Wright

80. Nine Months (1995) Directed by Chris Columbus

81. Locke (2013) Directed by Steven Knight

82. The World’s End (2013) Directed by Edgar Wright

83. Imagine Me & You (2005) Directed by Ol Parker

84. Little Shop of Horrors (1986) Directed by Frank Oz

85. Bad Times at the El Royale (2018) Directed by Drew Goddard

86. Ibiza (2018) Directed by Alex Richanbach

87. Emma. (2020) Directed by Autumn de Wilde

88. Jexi (2019) Directed by Jon Lucas, Scott Moore  

89. Airplane! (1980) Directed by Jerry Zucker, Jim Abrahams, David Zucker

90. The Half of It (2020) Directed by Alice Wu

91. The Wrong Missy (2020) Directed by Tyler Spindel

92. Possessor (2020) Directed by Brandon Cronenberg

93. Ingrid Goes West (2017) Directed by Matt Spicer

94. El Revenge (2017) ‘La Vingança’ Directed by Fernando Fraiha

95. Unfinished Business (2015) Directed by Ken Scott

96. Rough Night (2017) Directed by Lucia Aniello 

97. Ben Platt: Live from Radio City Music Hall (2020) Directed by Alex Timbers, Sam Wrench

98. Miss Americana (2020) Directed by Lana Wilson

99. The Lovebirds (2020) Directed by Michael Showalter

100. Hannah Gadsby: Douglas (2020) Directed by Madeleine Parry