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parchamtutorial · 2 years

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TET Exam Pattern 2022

TET (Teacher Eligibility Test) can be beneficial to you if you wish to pursue the prestigious profession of teaching and contribute to the country's better future. It may allow you to pursue your passion for teaching while also providing you with a solid government employment. One of the significant mentions in the list of 12th pass jobs is this exam. TET is a state-level admission exam that selects qualified individuals to teach pupils in grades I through X. Every year, the exam is organised by the federal government in collaboration with the states. If you want to give it a shot, here's a blog that strives to explain all of the related issues that come up frequently in the exam.

TET Exam Pattern

Paper 1 and Paper 2 are the two sections of the exam. Applicants who pass paper 1 will be qualified to teach primary school students (1-5). Those who pass paper 2 as well as paper 1 will be qualified to teach upper primary classes, ranging from 6th to 10th.

Eligibility Criteria

Aspirants must meet the entry requirements for both papers, 1 and 2, in order to sit for the test. Candidates who do not meet the established criteria for each exam will not be permitted to take it. Applicants should keep in mind that the exam's minimum age requirement is 18 years, with a maximum age limit of 53 years. If there is a discrepancy, the authorities have the authority to cancel a student's candidature. Consider the following eligibility criteria for both TET 2022 paper:

TET Exam 2022 - Paper I

1. Applicants must have received at least 50% in class 12th and must have completed the final year of a two-year elementary education diploma or be in the final year of a two-year primary education diploma programme.

2. Candidates must have obtained a minimum of 45 percent in class 12th and appeared or passed the last year of a two-year primary education diploma, as defined by the NCTE Regulations of 2002, or

3. Applicants must have a minimum of 50% in class 12th and have completed or appeared in the last year of a 4-year bachelor's degree in elementary education or a related field.

4. Those who have earned a bachelor's degree while also qualifying for a 2-year elementary education diploma or are in the final year of a 2-year elementary education diploma or are in the final year of a 2-year elementary education diploma or are in the final year.

5. Candidates must have completed high school and be in the last year of a two-year elementary education diploma programme.

TET Exam 2022 Paper II

1. Students must have completed or be in the last year of a two-year elementary education diploma programme.

2. Candidates with a graduation rate of at least 50% who have appeared or passed the 1-year bachelor's degree in education or

3. Applicants must have received a minimum of 45 percent in their graduation and be eligible or enrolled in a 1-year bachelor of education programme in accordance with NCTE standards.

4. Applicants must have a minimum of 50% in class 12th and have completed or appeared in the final year of a four-year bachelor's degree in elementary education or a related field.

5. Students who received at least 50% in class 12th and passed or appeared in the final year of a 4-year programme such as BA/BSc.ED or BA.Ed/BSc.Ed or BA.Ed/BSc.Ed or BA.Ed/BSc.Ed or BA.Ed/BSc.Ed or BA.Ed/BSc.Ed or BA.Ed

Essential Documents For TET Exam 2022

If you plan to take the test this year, you'll need a few documents or certifications to complete the registration process. Along with the application form, candidates must upload an e-copy of their documents. Applicants for the TET 2022 must have the following necessary papers.

1. Identification proof 2. Photograph taken recently 3. A proof of age 4. Certificates of Qualification 5. Caste Certificate 6. Experience Certificates 7. Academic Records

Application Process

Registration is one of the most important aspects of the application process since students must ensure that all of their information is input correctly. In addition, applicants who want to take the exam in 2022 must register as soon as possible. Candidates may encounter some inconsistency in the days leading up to the application deadline owing to increased website traffic. The methods outlined below will assist you in completing the TET Exam application form.

1. Go to the official website of the state where you want to take the exam. 2. Click on the online application link. 3. Carefully fill out the form with all of your personal information and double-check everything.

Exam Pattern

The test is divided into two parts, and applicants must pass both to be considered. Students must complete 150 multiple-choice questions in 2 hours and 30 minutes on both papers (for each paper). Candidates will be given four options for each question from which to choose the best response. There will be no negative marking for incorrect responses, and candidates will receive one mark for each correct response.

TET Syllabus

The precisely developed syllabus seeks to assess the entire abilities of outstanding persons interested in pursuing a career as a teacher. The country's future teachers are required to have a good understanding of the subjects on which they will be examined. Because the TET exam is administered at the state level and separately for each state, each state's syllabus varies.

#tetexamsyllabus #tetexampattern #tetsyllabus

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supernoondles · 3 years

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2020

A lot happens in a year, even when nothing seems to happen at all.

There's nothing new my commentary about a global pandemic (and the particularly frustrating experience of living in America during it, even with all my privileges of continued employment, owning a car, rent stability, and living in the bay area) will bring to the reader, but I will underscore this: my feelings aren't that 2020 is any kind of exceptional year, but the point where, hopefully, we finally realize that economic/climate/racial injustice has been a terrible problem for a long time, and will continue to be unless we enact massive collective change. A vaccine is not going to make any of those issues disappear, and I worry the people in power (including myself) will return to their comfortable life styles as if the next decade won't be even worse.

Anyway, general DOOM aside (RIP man), here's my year in specific!

From looking through my photos: January was off to a great start. I celebrated the new year with dim sum with J/M/M, as per tradition, and went on a foggy hike through SF with my family that involved my dad and J getting hilariously lost. Soon after I went to Sonoma with J/M -- for all my years in the bay, I had never explored north of the Golden Gate that much -- which was a wonderful trip seeing J's hometown. I helped my lab demo research at the Exploratorium, started growing my own microgreens, and went on more (to become semi-regular and my only source of cardio through the pandemic) bike rides with my lab mates. I finally saw Hamilton (though feel a need to justify here how "cringey" I think LMM is). I went to Genesis, my first gaming-related convention, and it was a lot of fun despite seeing no women. I did so many things, was making progress on research (I think? I don't recall any breakdowns) and my mental health was generally good.

The doing of things continued in February. After not going last year, I went to the Tet Festival in SJ (which was kind of sad). I joined a Chinese learning club and a crafts club and had a delicious omakase. N visited again, I went ice skating and tried to rescue a giant rat from string lights, and saw the Sonic movie in theaters (which would have been my last movie in theaters, sigh). After having a drink at Wursthall with T, I felt terrible (to the unaccustomed reader, not only do I Asian glow, my hands/feet itch whenever I drink and I feel like I want to die), and decided that was the last drink I'd ever have -- thanks to the pandemic that's stayed true. I went on a ski retreat with the lab that felt particularly special (and not just because I didn't have to pay). We (I, in convincing my mostly Asian office) wanted to make 元宵 on the eve of E's birthday, but it turns out that a bunch of CS PhD students really love singing karaoke for like 4 hours straight into the night, and at some point I was like, okay y'all, time to go to bed. So I hosted 元宵 making at my apartment the next weekend, and we watched another Bong Joon-Ho movie (The Host) to celebrate his Oscar win. Typing this out, it seems wild that this was even in this year. I also did sh*** for the first time, hallucinated white woman in the edges of my vision like a GAN, ate a lot of shaved parmesan from TJ, and let go of any stress I had about the UIST deadline to the abundance of nature and the world.

I break from the month-per-paragraph format now because we all know what happens next. M and I biked around campus to film a virtual tour for the newly virtual admit weekend. Being in Gates that Friday (three days before the bay area wide shelter-in-place order) was the last time I'd be on campus for a while. The next day I adopted 3 wonderful baby rats (my biggest brain move this whole year) and the day after that I moved home. I was counting down the days until Animal Crossing and then J and I were duplicating royal crowns in ACNH. At some point my hair got really bad. The months blurred together. Adjusting to WFH was extremely challenging for me, someone who had structured their whole life around the "I only do work in the office and I leave the office when I get hungry for dinner" logic. I would stop working at 6pm but spent the entire afternoon mentally prepping myself to do maybe 30 menial minutes of it. I binged AtLA. I gave up submitting to UIST. In May I hung out in the park with J, who came home from Seattle, which was the first time I saw anyone outside my family. Sometime in there I decided to become a Twitch streamer and had a brief revival as DJ Noon before I felt bad for roping my friends into listening to my music and ran out of interesting songs I wanted to play. In June I, like many others, took to the streets. For two weeks I donated $50 a day to a different organization. I couldn't get any work done at all and spent an entire advisor meeting sobbing so intensely that they felt bad and canceled it after 10 minutes. I emailed the university and got my housing back for the summer and I moved back to start my internship.

The internship was the break I needed -- working with W was a godsend compared to the struggle of my advisors. After reaching new lows at the start of the summer, my mental health was sloping positively again -- working on a new research project helped clear the emotional baggage of the last one. I was also getting more outdoor social interaction -- I went to Ocean Beach with M/D, Half Moon Bay with my family, and going on weekly bike rides with M. At the end of June, M, my roommate, her boyfriend M the clown (there are now 3 different Ms) and I waited for negative COVID results before going on a 2 day camping trip to Mt. Lassen, which felt completely surreal, and, at that time, completely necessary.

The summer dragged on and my mental health, at some point, began to slip. If I were to graph it it would probably look like the inverse of COVID cases in the US -- gradually decreasing, but with high variance from the day to day. I got an embroidery machine, I attended a workshop on docu-poetics with CPH that was so ripe with information my brain physically ached, I saw my lab mates again for the first time as we sat in a very, very wide circle to say goodbye to a post-doc who got a faculty job in Israel. Most weekends I drove to my parents' house and would take J on various hikes around East Bay so he could better appreciate his roots before he went off to Boston for college. He was taking the Switch with him, so in August I bought myself a new one and planned out my entire second ACNH town, which kept me busy for a while -- but surprisingly not as long as I thought, as with planning (and money from my old account) the whole project took I think less than 50 hours. The camping itch came back and the day before my birthday, which was also the day before J would leave for Boston, we went camping at a small state park in San Jose where he got heat stroke and we slept on top of fire ants. The entire experience reminded me how much I disliked camping -- but what else was there to do? I had a wonderful (and long, bless the folks who stayed) Zoom birthday party where I wore a mesh shirt I made and covered with worms on a string. The day after my birthday someone backed into my car, which, following the demands of a racist letter from the HOA, was parked in guest parking. (Ultimately this would be a blessing of insurance money, as the damage was mainly cosmetic and the person kindly left their contact information.) At this time I was also unironically watching ASMR videos to fall asleep, so I painted a two Bob Ross style paintings, one in my virtual art club, to pay homage.

Fire season this year was worse than it's ever been. Being trapped inside the house combined with my roommate moving out at the start of fall quarter and now living alone marked the second downward spiral of my mental health. The bad days were more frequent. I TA'd a game design course, my first time teaching at this university, where many students messaged me to complain that their 95s were not 100s. In the end the lowest grade in the class was an A- and 20% of the class got an A+. At some point I submitted a summer-long project I did with J and S to CHI; it is so much easier to produce work when I do not have to wrangle with M. (This paper gets accepted, but my silly grad student excitement is tampered both by general "why are we still trying to publish when society is crumbling" pandemic feelings and the fact that CHI will not be physically in Japan next year.) Maybe once a month I go birding. I feel increasingly as if there is nothing novel in my life; I am tired of it all and my body feels fatigued even though I don't do anything with my days. Some days it feels like if I don't touch someone I will explode. My use of recreational marijuana skyrockets. I start doing exercise videos semi-regularly with A. I briefly consider moving to Seattle with E, who is about to defend, before it's clear we have, as always, different boundaries and expectations. I look for places in Sunset/Richmond with M to little success.

In October I somehow pull it together and organize student volunteers for a 3 day conference that requires waking up before 5am every day. I do nothing the rest of the week. After we get flu shots and I let someone into my apartment for the first time since the pandemic started, I help E move up to Seattle. The trip is comfortable and we get to take care of each other; this fulfills a need in me. On Halloween J and I dance in a soccer field next to a combination anarchist recruitment center and homeless encampment -- now cleared by the cops -- and eat a mud pie that is too sweet. On my last day in WA I ask E if he would like to have sex, as friends, and he politely declines. I am pleased with how easily I emotionally accept this answer, how through time and therapy I've finally come to cherish our friendship without always looking for what could have been. I am extremely nervous on the flight home, and it's the first and only flight I will take during the pandemic, and the N-95 squishes my face so my head looks like a balloon, but I have the privilege of free 5 minute weekly tests through the university and I collect another negative result.

In November I fully embrace the hyperfixation lifestyle. My brain, always looking for novel stimuli, has given up on doing work entirely and instead thinks of Thanzag constantly. There is one day where I play Hades for 8 hours and I feel gross, as if I've completed my regression to my high school self. It takes 90 hours until I achieve all my goals, and with no more runs necessary to roll for RNG-based conversational triggers, I finally feel a sense of freedom. (My Switch tells me I have used it for 580+ hours this year, which is more than double last year.) The second SwSh DLC is a struggle for me to complete as I do not find catching legendaries enticing. J comes back early from university at my urging to avoid the travel surge, a week before Thanksgiving, and starts living with me. This helps a lot. My next hyperfixations come overlapping and staggered: I write 25k words of a second iteration of my 2015 NaNoWriMo with the protagonist I had developed in high school before I get bored with the story and realize I need yet another iteration; I buy a combination air fryer pressure cooker and ask my parents for a functional vacuum and bidet as early Christmas gifts and become obsessed with immaculate inside living spaces. This carries on to re-decorating my room at my parents' house, after installing a shelf in the closet and a curtain to close it off from the living room, and spending roughly 30 hours over December break organizing and cleaning their entire garage--they have not thrown out a single piece of paper or article of clothing since they set foot in this country over 20 years ago. My therapist quits the practice and my relationship with my advisors improve. I watch a few housewife vlogs and make my own. I have the revelation that doing research in a pandemic is basically just like any other creative project -- no one really cares that much if I get it done, it's just harder to do than, say, putting together a vlog in a few hours. This shift in mindset feels life changing to me, having before thought of research more as work, a taboo thing to pursue in a pandemic, and when W compliments me for the progress I've made in both the system and managing our meeting with M I do not know how to respond because no one has ever done that before. In the last two weeks of the year I start tracking my time. In our last session (that I almost sleep through), my therapist tells me that I seem stable to her and she is not worried about me. I believe her.

In 2020 I made a marked point to let everyone know that I didn't have goals. It felt lofty to have personal ambitions in the face of everything at a global scale. With this said I will now revisit the 2020 resolutions I wrote last year: (1) Intentionally seek out love: absolutely not, (2) Do enough work such that I don't feel guilty: also no, (3) sew one thing a month: no, but in the end I sewed 11 things total this year so I was close, (4) improve my Chinese: this was actually the only thing that did happen, and now my mom and I have better conversations because of it and I'm so thankful.

In 2021, however, I feel like I finally have it in me to have goals again. They are simple. (1) Get laid. (2) Submit the two research projects I've been doing forever. (3) Commit to writing down my thoughts that make me think, "Oh, that's interesting, I should write it down." Ideas are unfortunately such currency in what I do.

Last year I wrapped up this post with some candid, but embarrassing, optimism. I will offer no such high hopes for 2021, but I do ask the reader if they have noticed that I switched tenses from past to present halfway through this post. And that's 2021: an incidentally unintentional, but then consciously controllable, shift to the present.

#noon's shitty end of the year summary posts #my last post on this blog was my 2019 post lmao

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buszbam · 4 years

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Do Beats Dream of Beatmakers?

01 Dday One - Distant Memory (2Tall Remix) 02 Inner Science - Vent 03 Thes One - Gate City Savings and Loan 04 Neroche - Nightshade 05 Fred Yaddaden - Song About a Rose (Panda’s Shadow of a Beat) 06 Pasobionic - Black Ink Concerto 07 Duke Ellington - Million Dreams (interlude) 08 Backini - Dreamer 09 Opgave - Writing The Silver 10 Sage Francis - Civil Obedience (Mr Copper’s Instrumental) 11 Mat Young - Barn Burning 12 Dj Brace’s Electric Nosehair Orchestra - NH24 13 Blockehad - Never Forget Your Token 14 Dj Zeph & Dj Quest- Unsubtractable 15 Nujabes - Luv (Part 3) 16 Soul Position - No Excuse For Lovin' (Instrumental) 17 AWOL One & Daddy Kev - Danyell's Song 18 Ours Samplus - Le Pouvoir Des Oiseaux 19 Dj Frane - Birdwatchers 20 Metaform - Rockit no.9 21 Elektro4 - Alfi’s Song 22 Deltron 3030 - Things you can do (Instrumental) 23 Clutchy Hopkins - 3.02 24 Dj Nu-Mark - The Way I Think (skit) 25 Nobody - Wake Up and Smell the Millenium 26 Blue Sky Black Death - Forgive Me 27 The QuadraphoniQuartet - One Of These Days 28 Long Arm - 4 Am 29 Maker - Everybody else 30 Buccc - Our Life is on paper 31 Glen Porter - 5 Am 32 Mojib - My Love 33 Guts - I Love You (So Hard To Say) 34 Little People - Unsaid 35 Jiony - Everything’s Fine

- gondolsz-e arra, hogy egy halálnak képei vannak? játszol-e, mondd csak, ezzel a képpel?

tavasszal, a bimbózó rügyek és szerelemek idején, amikor az újjászületésről szól minden, pont egy sötét és depresszív mixet csinálni, ami a halálról és az elmúlásról is szól: ez rám vall. az meg pláne, hogy húsvét vasárnapján (!) kerül adásba, pont délben, holott ez inkább az éjszakát járja körbe... mindenesetre évek óta tervezgetek egy efféle mixet, és eddig leginkább az volt fontos, hogy mi az ami felkerül majd rá. most, hogy egyfajta ‘kész van’ hangulatban feltötöttem, és elbúcsúztam a készítés bizsergető izgalmától, rámtört a hiányzók szomorúsága. mint azokon az éjszakákon, amikor az idő körbe körbe jár, és a gondolatok újra és újra arra találnak rá, ami nincs, mint azokra amik vannak, menthetetlenül. ennek jegyében most is azzal kezdeném ami nincs itt, ráérünk még arra ami van; leginkább fájó Josh Furrey hiánya, gyönyörűen kimunkált, audiovizuális melankólia, az első lemeze ráadásul ingyenes:

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aztán nincsenek itt a ‘nagyok’: Pretty Lights, Grammatik vagy például Emancipator sem; ez inkább csak elviekben problémás, viszont Berry Weight, Giyo és Tor is hiányzik, amikért nagyon kár.

a hiphoppal való ismerkedésem zsenge korszakában az egyik legizgalmasabb dolog a hangmintázás volt; amióta van a whosampled oldal, már lényegesen könnyebb levadászni egy-egy hangmintát, de még így is sok van, amit az istennek sem tudok megfejteni; pl rögtön az első számnál fogalmam sincs hogy honnan van a gyerek (kislány?) beszéde, az eredetiben ez nincs benne, pedig az is zseniális. a neroche dúdolását is nagyon szeretném tudni, de azt sem tudom. az első konkrét dal az ez, aminek gitártémája nagyon komoly dallamtapadásokat tud okozni:

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aztán egy tökéletes példa arra, hogy a hangmintázás mennyivel több tud lenni, minti szimpla ‘lopás’, és okosan használva teljesen új kontextusba tudja emelni az elemelt részletet; arról nem is beszélve, hogy ha nincs ez a hangminta utánjáró perverzióm, talán sose ismerem meg ezt a darabot, amiben talán az a legmeglepőbb, hogy a hatvanas években készült, szóval ilyen is tud lenni egy un. kortárs klasszikus mű:

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egy kis közjáték, attól, akit tényleg Duke Ellington hangszerelt:

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a következő Backini szám is egy mestermunka hangmintázás terén; két Cleo Laine dalt párosított egy Ella Fitzgeraldal, csinálva belőlük egy negyediket; az álmodozó vagyok és a boldoggá akarlak tenni hogy boldoggá tegyél Cleo dalok:

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amire úgy válaszol Fitzgerald nappal az ellenségem, de az éjszaka a barátom sora, mintha mindig is egy dalhoz tartoztak volna. Manchini klasszikusából - ami egyébként a Thomas Crown ügy zenéjeként is ismerős lehet - csinálnak bólogatós deszkás triphopot a következőkben, de engem a szövegrészletek is érdekelnének, sajnos azok nem derültek ki hogy honnan vannak:

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hetvenes évek elektromos orgonája, és a fekete lovasok a Gyűrűk Urából találkoznak Mr Cooperrel a következőben; ez utóbbi producernek az ‘Amongst Strangers’ című lemeze egy az egyben felmehetett volna erre a mixre, annyire ez a magányosan ülök és nézem a város fényeit hangulat.

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még mindig a Projekt Mooncircle kiadó korai időszakánál maradva, és megint csak egy hetvenes évek eleji minta; érdekesség, hogy ugyanezt a 'gondolkozás fejfájást okoz' mintát már sikerre vitte egy hiphop csapat:

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Brace bendzsó szerű hangszerére sajnos nem jöttem rá honnan van, így a következő Blockhead szám megint csak hatvanas - hetvenes évekből merít, rögtön itt az elején az a bizonyos orgona (érdekesség hogy ennek a dalnak az éneklős részét Four Tet használta zseniálisan). viszont minket alighanem a vokál érdekel jobban, annál is inkább, mert a fene gondolná hogy eredeti formájában egy fáradt férfihang énekli ezt a metrózás a koponyád körül részt:

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megint csak ugrunk egyet, ezúttal Nujabesre, ez a hangminta felhasználás is bizonyítja hogy mekkora zseni volt a csávó, isten nyugosztalja, gyönyörű amit művelt vele, és gyönyörű az eredeti is:

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maradunk a gyönyörű, ritka kincseknél, és a zseniknél, utóbbi RJD2, az előbbi pedig ez a fütyülős - összebújós Bonfa dal:

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a 'Wild is the Wind' esetében a Daddy Kev-es beatboxos megoldás inkább egy remix, a jutub szerint a Nina Simones változatból amit én mondjuk kétlek - főleg ha meghallgatjuk az eredetit. akárhogy is, valószűsíthető hogy a következő francia Ours Samplus is ugyanonnan mintázott - ami szerintem Barbara, de nem lehetek biztos benne:

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ahogy sajnos Dj Frane mintáiban sem. ez a szám tök jó példa arra, hogy mennyire nehéz hangmintákat megtalálni; a repülj repülj kismadárra rákeresve túl sok lehetőség jön fel ahhoz, hogy az ember rájöjjön hogy pontosan mi ez, csak az utolsó pár másodpercnyi Petula Clark dalban lehetünk biztosak, ami viszont egy macskáról (!) szól:

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ki gondolná, hogy ebben a boldogságrohamos Metaform számban talált marimba témát ugyanaz az ember írta, mint aki ezt? érdekesség, hogy ezt a mintát felhasználta az ukrán The Cancel is, és sokáig úgy volt, hogy az ő változata fog bekerülni a mixbe...

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marimbák szólnak a következőkben is, de azoknak eredete sajnos ismeretlen, nem úgy a Kid Koala és Dan The Automatort takaró Deltron 3030 által teljesen átformált szomorkás hippi dalnak - rendesen figyelni kell hogy megismerd a felhasznált mondatot:

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megint ugrunk párat; a következőnél a dátum ismét csak 68, a hangszer mit ad isten, újra egy orgona. viszont elképesztő, hogy ha az ember meghallgatja az eredetit, már az is kész hiphop szám, Nobody csak egy kicsit felpumpálta a Millenium Perludejét:

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elsőre hihetetlennek tűnik, hogy ez a klasszikus blues ott bújkál a következő számban, pedig ha figyelünk a végére, ott van az tényleg (ahogy ez az idegesítő orgona hang is- csak nem hatvanas évek? egyébként majdnem, de ez még ötvenkilenc)

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az évszám marad a következőben is ötvenkilenc, a mikrofonnál pedig Ray Charles személyesen - érdekesség, hogy ennek a dalnak a Donny Hathaway feldolgozását rengetegen mintázták, többek között olyan nevek is mint a Wu Tang Clan

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volt már pár mestermunka az eddigiekben, de még ezek közül is kiemelkedik ez a Long Arm felvétel, már csak azért is, mert senki nem tudja honnan vannak pontosan a hangminták. valaki szerint ez a Debussy is benne van, én például ezt nem hallom. nem tudom a Maker mintát sem hogy honnan van, ahogy Glen Porternél sem jöttem rá hogy honnan van a 'Life just doesn't mean a whole lot to me…It's just tearing me up inside, and I just want to die' sor. az orosz Buccc viszont a 'Bármi Megteszi' című Woody Allen film részletét használta fel, Mojib pedig 'Az Élet Nélkülem'-ből mintázott, illetve a 21 Gramm zenéjét is felhasználta:

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én meglepődtem, amikor kiderült hogy a kedvenc Guts számomban valójában egy férfi énekel, nővé pitchelve:

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azon viszont már nem annyira, hogy a Little People Shirley Basey-t használt fel, viszont úgy, hogy ez megint csak egy iskola példája annak, amikor egy sample elkezd külön identitásként viselkedni, és teljesen megváltoztathatja mind az eredeti dal hangulatát, mind azét, amiben felhasználják:

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és a végére egy bónusz, ha már húsvét van; mindig is ez volt a kedvenc dalom a Jézus Krisztus Szupersztárból, az meg külön zseni, ahogy Jiony kihagyta belőle szegény Júdást:

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a borítót, és a bejegyzés képeit Fülöp Schmal készítette

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