#violet ends up with hmmm...winkelmann?? idk?

[bookworm555]

*Reuploaded FOR THE THIRD TIME because I realized that this never showed up in any of this fandom’s tags the first two times I posted it :/ Now I am trying this as a text post with images instead of a typical art post because nothing is freaking working and I am so frustrated.

Because read-mores apparently make my post glitchy, I apologize in advance for the length of this post, and hopefully, it doesn’t clog your dashes/the tags too badly.*

Another CatCF/WWatCF sketchdump~

The top drawing is the characters from the 1971 adaptation ten years later (which was an excuse to draw 80′s fashion, haha).

Ten years later doodles (from left to right) Top row: Violet and Veruca Second row: Mike, Charlie, and Augustus

(I think Violet turned out to be the best of these doodles!)

Some headcanons for the ten years later drawings (this would have been the section under the read-more, if it worked :/ ):

I always headcanoned the characters in the ‘71 version to be thirteen, minus Mike, who I saw as eleven. So basically everyone in the drawing is twenty-three except for Mike, who is twenty-one.

Violet: For years after the nightmare that was the factory tour, Violet struggled with major body image issues, especially about her blue skin. (And is homeschooled because of this.) However, eventually, her mindset basically became ‘Wonka thought this was a punishment? Fuck that; I’m going to embrace it’, so she became more confident.

Once this confidence hits during her late teens, she uses her unusual appearance to her advantage (especially when it comes to attracting visitors/potential buyers to her dad’s car dealership).

She doesn’t go to college; instead, she works at her dad’s place, and basically learns how to be a mechanic.

She hasn’t chewed gum since the factory tour.

When Charlie contacts her and the others, she is hesitant to respond back, but ultimately does (to sass him, at the very least). During the group’s future meetups, she’s basically the glue that keeps them together.

Veruca: Unlike Violet, Veruca carries a lot of guilt about what happened during the factory tour, since her father was punished along with her. He fell wrong, and as a result, was paralyzed from the waist down, and is now in a wheelchair. Veruca was lucky; aside from a broken ankle, she did not suffer any worse injuries.

Because of this, Veruca becomes mute (her mouthing off and constantly asking for things is what led to her–pun not intended–downfall, so she decides that it would be for the best if she stops talking altogether.)

Despite the Salts being wealthy, Wonka paid all of their medical bills. Even though it would have made sense for them to take him to trial, they decided not to (Henry did not want anyone to see him in his new state, and Veruca’s anxiety spiked even thinking about the factory).

When Charlie contacts the four ‘rejects’ ten years after the tour, Violet starts to bring Veruca out of her shell. Though it is ultimately Augustus who helps her feel comfortable speaking again, due to his soft-spoken personality.)

Mike: Like the others, Mike was very traumatized by what happened to him during the tour. (Especially since he was younger than the rest of them.)

While Violet embraced her altered state, and Veruca withdrew from the world, Mike became bitter. Very bitter. Because, while sure, Wonka and co. were able to get him back to about normal size [after stretching him waaaay too tall and thin the first time; his mother fainted, then had plenty of choice words for everyone involved when she came to], the process was incredibly painful, and involved basically rubber-fying his bones and muscles temporarily (yeah, he still had no idea why Wonka would even create a candy that did that).

Because of that, he has scars all over his body–the most on his arms, legs, and torso–so he always wears long-sleeved shirts or jackets, and long pants.

He is pissed that his life was ruined at age eleven; sure, he was obnoxious, but he was a KID. Now he’s stuck with chronic pain, not to mention the occasional breakdown because he has no idea if he’s actually HIM, or just a copy that was beamed through Wonka’s television room that managed to keep his soul. (Yeah, he doesn’t like to dwell on that; he prefers to think that that would be impossible.) [A/N: That part comes from the fact that Wonka stated that the chocolate that appeared in the TV screen was a copy of the much larger chocolate bar that was beamed through the air, and not the original bar itself]

When Charlie contacts him, he almost sends a nasty letter back, but something in him pauses, and he ends up sending a civilized response. It wasn’t Charlie’s fault all this happened to him; Charlie was the nice one, and, though he would never admit it to anyone, on the tour, he thought Charlie was cool. Goody-two-shoes, but in the ‘Lovable TV Protagonist’ sort of way.

As the five of them start meeting/corresponding through letters, he lets Charlie past all the walls he put up, and is definitely the closest to him in the group.

Charlie: Happily becomes Wonka’s protege after the tour. He is ecstatic that he not only gets to live and learn to work in this magical place, but he and his family are finally out of poverty!

He goes to school during the day, then learns the tricks of the candy trade in the afternoons and evenings.

However, about ten years after winning the tour, Wonka just…vanishes. And that’s when Charlie finds the videos showcasing what happened to the other four Golden Ticket winners after their mishaps.

Charlie is appalled; looking back, they were all so young. Of course, they were bratty; that’s how kids ARE. (Sure, some of them were worse than others, but they didn’t deserve their fates! Essentially, the four ‘losers’, plus Mr. Salt, were toyed with and tortured, and their parents could not help them.) Mike’s was especially horrible, to him; it was the only tape he couldn’t finish.

This makes Charlie feel a little guilty; he got off easy, even though he also disobeyed the rules.

He is also torn; on the one hand, Wonka was a great mentor, and he was fond of the man–he made a good father-figure, for him. But on the other hand, this was a man who thought the way to get rid of a kid’s bad habits was to torture them.

Before he could think otherwise, Charlie writes letters to the other Golden Ticket winners. He doesn’t expect anything nice back, but is surprised to find that they are all willing to talk to him.

He is relieved; he wants to right the wrongs done to them.

Augustus: The poor guy falls into a deep depression after the tour. Sure, he was thinner, but he had no problem with how he looked before. Not to mention, even the smell of chocolate and other sugary sweets makes him very nauseous. Oh, and there’s the not-so-small fear of drowning that he picked up, as well as severe claustrophobia.

He felt like a part of him was lost, since he could no longer enjoy his favorite foods. Or food in general. He ate to not starve, but that was it.

He was already quiet, but after the tour, he withdrew into himself even more, preferring to spend time with the neighborhood cats rather than people. (Yes, he is definitely a cat person.)

But he still has his kind heart, so when Charlie Bucket sends him a letter, he responds right away (and is the first one to do so).

When they start writing more letters to each other, and eventually meeting, he helps the others through their trauma, while ignoring his own. He thinks he’ll always be stuck this way.

Veruca disagrees.

And in terms of schooling, only Augustus went to college. As for high school, Violet and Mike were homeschooled, Veruca went to an exclusive, posh academy, Charlie stuck with public school, and Augustus went to a private school.

-

Now, if anyone was interested, these are the outfits that inspired the ones I drew (though, obviously, I took artistic liberties with some of them). I wanted to give them each a different style: Violet’s is the outlandish fashion the 80s are famous for, Veruca’s is demure and preppy, Mike’s is pretty unassuming, but with a slight edge, Charlie’s is comfortable/casual, and Augustus’s is comfortable/slightly formal.

Left to right: Violet, Veruca, Mike, Charlie, Augustus

(And I imagine the back of Mike’s jacket looking like this, aka with a vent, which is why the back of the jacket isn’t visible in the gap of his legs):

WOW, that got so long (oops…), but those were just my ideas for how these characters would interact and act ten years later. Hopefully someone enjoys this, XD