FALL OUT BOY’S ‘FROM UNDER THE CORK TREE’ STARTERS
feel free to change pronouns/etc!
OUR LAWYER MADE US CHANGE THE NAME OF THIS SONG SO WE WOULDN’T GET SUED
‘ take my advice: i am bad news. ’
‘ i will leave you high and dry. ’
‘ it’s not worth the hearing you’ll lose. ’
‘ it’s just past 8 and i’m feeling young and reckless. ’
‘ we’re only liars, but we’re the best. ’
‘ we’re only good for the latest trends. ’
‘ i’m only good cause you can have an almost-famous friend. ’
‘ i’ve got such good fashion sense. ’
‘ put these words down into your notebook. ’
‘ we’re friends when you’re on your knees. ’
OF ALL THE GIN JOINTS IN ALL THE WORLD
‘ you only hold me up like this cause you don’t know who i really am.’
‘ sometimes i just want to know what it’s like to be you. ’
‘ i used to waste my time dreaming of being alive. ’
‘ i used to waste my time dreaming of being alive. now i only waste it dreaming of you. ’
‘ turn off the lights and turn off the shyness, cause all of our moves make up for the silence. ’
‘ and oh, the way your makeup stains my pillowcase... it’s like i’ll never be the same. ’
‘ i’ve got headaches and bad luck. ’
‘ i’ve got headaches and bad luck, but they couldn’t touch you. ’
DANCE, DANCE
‘ you say you’re no good with words, but i’m worse. ’
‘ it can’t get much worse. ’
‘ i’m two quarters and a heart down, and i don’t want to forget how your voice sounds. ’
‘ dance. ’
‘ these are the lives you love to lead. ’
‘ you always fold just before you’re found up. ’
‘ drink up, it’s last call. ’
‘ why don’t you show me the little bit of spine you’ve been saving for his mattress, love? ’
‘ i only want sympathy in the form of you crawling into bed with me. ’
SUGAR, WE’RE GOING DOWN
‘ am i more than you bargained for yet? ’
‘ i’ve been dying to tell you anything you want to hear, cause that’s just who i am this week. ’
‘ i’m just a notch in your bedpost. ’
‘ we’re always sleeping in. ’
‘ sugar, we’re going down swinging. ’
‘ i’ll be your number one with a bullet; a loaded god complex, cock it and pull it. ’
‘ is this more than you bargained for yet? ’
‘ don’t mind me. ’
‘ i’m wishing to be the friction in your jeans. ’
‘ isn’t it messed up how i’m just dying to be him? ’
‘ take back what you said. ’
NOBODY PUTS BABY IN THE CORNER
‘ drink down that gin and kerosene, and come spit on bridges with me just to keep us warm. ’
‘ leave me be. ’
‘ i keep my jealousy close cause it’s all mine. ’
‘ if you say this makes you happy then i’m not the only one lying. ’
‘ keep quiet. ’
‘ nothing comes as easy as you. ’
‘ can i lay in your bed all day? ’
‘ i’ll be your best kept secret and your biggest mistake. ’
‘ so wear me like a locket around your throat; i’ll weigh you down, i’ll watch you choke. you look so good in blue. ’
‘ you look so good in blue. ’
I’VE GOT A DARK ALLEY AND A BAD IDEA THAT SAYS YOU SHOULD SHUT YOUR MOUTH (SUMMER SONG)
‘ joke me something awful, just like kisses on the necks of “best friends.” ‘
‘ we’re the kids who feel like dead ends. ’
‘ i want to be known for my hits, not just my misses. ’
‘ i took a shot, and didn’t even come close at trust, and love, and hope. ’
‘ the poets are just the kids who didn’t make it. ’
‘ the lies just won’t stop slipping. ’
‘ my reputation’s on the line. ’
‘ we can fake it for the airwaves. ’
‘ i’m not making any sense. ’
‘ my back has been breaking from this heavy heart. ’
‘ i’m hopelessly hopeful, you’re just hopeless enough. ’
‘ we never had it at all. ’
7 MINUTES IN HEAVEN (ATAVAN HALEN)
‘ i’m sleeping my way out of this one with anyone who will lie down. ’
‘ i’ll be stuck fixated on one star when the world is crashing down. ’
‘ i keep telling myself i’m not the desperate type. ’
‘ you’ve got me looking in through blinds. ’
‘ i’m sitting out dances on the wall, trying to forget everything that isn’t you. ’
‘ i’m not going home alone cause i don’t do too well on my own. ’
‘ i don’t too well on my own. ’
‘ the only thing worse than not knowing is you thinking that i don’t know. ’
‘ i just need a stronger dose. ’
SOPHOMORE SLUMP OR COMEBACK OF THE YEAR
‘ are we growing up, or just going down? ’
‘ it’s just a matter of time until we’re found out. ’
‘ i swear, i’d burn this city down to show you the light. ’
‘ i’m well-read and poised. ’
‘ i’ll keep singing this lie if you’ll keep believing it. ’
‘ i’m the kid you used to love, but then i grew old. ’
‘ i was condemned from the start. ’
‘ the best part of “believe” is the “lie”. ’
‘ i need to keep you like this in my mind. ’
‘ so give in, or just give up. ’
CHAMPAGNE FOR MY REAL FRIENDS, REAL PAIN FOR MY SHAM FRIENDS
‘ you are a getaway car, a rush of blood to the head. ’
‘ i keep you warm and won’t ask where you’ve been. ’
‘ strike us like matches, cause everyone deserves the flames. ’
‘ we only do it for the scars and stories. ’
‘ everyone is trying. ’
‘ it’s such a shame. ’
‘ the sounds of this small town make my ears hurt. ’
‘ you want a war? you’ve got a war. ’
‘ who are you fighting for? ’
I SLEPT WITH SOMEONE IN FALL OUT BOY AND ALL I GOT WAS THIS STUPID SONG WRITTEN ABOUT ME
‘ i found the cure to growing older. ’
‘ you’re the only place that feels like home. ’
‘ some secrets weren’t meant to be told. ’
‘ i’m the first kid to write of hearts, lies, and friends. ’
‘ i am sorry my conscience called in sick again. ’
‘ i’ve got arrogance down to a science. ’
‘ douse yourself in cheap perfume — it’s oh-so fitting of the way you are. you can’t cover it up. ’
‘ you can’t cover it up. ’
‘ find a safe place. ’
‘ you will be missed. ’
‘ they call kids like us vicious and carved out of stone. ’
‘ i always weigh what i’ve got against what i left. ’
‘ progress report: i am missing you to death. ’
‘ i’m feeling borrowed and always blue. ’
A LITTLE LESS SIXTEEN CANDLES, A LITTLE MORE “TOUCH ME”
‘ i confess, i messed up. ’
‘ i know you dressed up. ’
‘ hey, kid, you’ll never live this down. ’
‘ you’re just the girl all the boys want to dance with, and i’m just the boy who’s had too many chances. ’
‘ you’re the girl all the boys want to dance with. ’
‘ why don’t you just drop dead? ’
‘ i don’t blame you for being you. but you can’t blame me for hating it. ’
‘ what are you waiting for? ’
‘ what are you waiting for? kiss me. ’
‘ i set my clocks early, cause i know i’m always late. ’
‘ write me off. give up on me. ’
‘ darling, what did you expect? ’
‘ i’m a lost cause, a long shot. don’t even take this bet. ’
‘ you said you’d keep me honest. ’
‘ you said you’d keep me honest, but i won’t call you on it. ’
GET BUSY LIVING OR GET BUSY DYING (DO YOUR PART TO SAVE THE SCENE AND STOP GOING TO SHOWS)
‘ this has been said so many times that i’m not sure if it matters. ’
‘ we never stood a chance. ’
‘ if you are the shores, i am the waves begging for big moons. ’
‘ your secret’s out. ’
‘ i know this hurts. ’
‘ i know this hurts. it was meant to. ’
‘ your secret’s out, and the best part is, it isn’t even a good one. ’
‘ you don’t matter. ’
‘ all us boys are just screaming into microphones for attention. ’
‘ i’m falling apart to songs about hips and hearts. ’
‘ i used to obsess over living. now i only obsess over you. ’
‘ tell me you’d like boys like me better in the dark lying on top of you. ’
‘ from day one, i talked about getting out. ’
‘ talking’s just a waste of breath, and living’s just a waste of death. ’
XO
‘ i combed the crowd and picked you out. ’
‘ i left my conscience pressed between the pages of the bible in the drawer. ’
‘ what did it ever do for me? ’
‘ love never wanted me. ’
‘ love never wanted me, but i took it anyway. ’
‘ choose love or sympathy, but never both. ’
‘ i hoped you choked and crashed your car. ’
‘ that’s all that you are and ever were from the start. ’
‘ i left my conscience pressed through the keyhole as i watched you dress. ’
‘ kiss and tell. ’
‘ loose lips sink ships. ’
SNITCHES AND TALKERS GET STITCHES AND WALKERS
‘ show me a starry-eyed kid, i’ll break his jaw. ’
‘ i will save you from yourself. ’
‘ don’t turn out like me. ’
‘ it’s only for your own good. ’
‘ i lost it, called it quits. ’
‘ this story’s getting old, the home wrecker with the heart of gold. ’
‘ i keep you locked up in the trunk of my mind. ’
‘ even when there’s nothing worth living for, you’re still worth lying for. ’
‘ no one has to know. ’
THE MUSIC OR THE MISERY
‘ i got my stitches fixed. ’
‘ i got your love letters. ’
‘ i got your love letters, corrected the grammar, and sent them back. ’
‘ it’s true, romance is dead: i shot it in the chest, then in the head. ’
‘ if you wanna go down in history, then i’m your prince. ’
‘ i’ve never seen a heart i couldn’t break. ’
‘ which came first: the music, or the misery? ’
‘ we’re high fashion, we’re last chances. ’
‘ i’m casually obsessed, and i’ve forgiven death. ’
‘ i’m every cliche, but i simply do it best. ’
‘ i went to sleep a poet and i woke up a fraud. ’
MY HEART IS THE WORST KIND OF WEAPON (DEMO)
‘ empty another bottle and let me tear you to pieces. ’
‘ i’m the kind of kid that can’t let anything go. ’
‘ you wouldn’t know a good thing if it came up and slit your throat. ’
‘ your remorse hasn’t fallen on deaf ears, rather ones that just don’t care. ’
‘ i’ll teach you a lesson for keeping secrets from me. ’
‘ take your taste back. ’
‘ you should try saying “no” once in a while. ’
‘ did you hear the news? ’
‘ i could dissect you and gut you on this stage. ’
‘ not as eloquent as i may have imagined, but it will get the job done. ’
‘ you’re done. ’
‘ every line is plotted and designed to leave you standing on your bedroom window’s ledge. ’
‘ everyone else that it hits, that it gets to, is nothing more than collateral damage. ’
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