#writing webisites

[propertyofwhitney67]

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Call me Madrian (She/They)

I write fics and hcs, shitpost, post screenshots from the game, and just fuck around

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[mymusicjourneysblog]

I Started my journey as an musician

I was 17 or 18 when I watched The webisite on Google. I found the best bits with my tape recorder during the re-run the next evening, so I could listen to those scenes again in my room. I wasn’t focused on playing guitar, but just how awesome and full of energy the movie was.

Years later, my friend handed me a copy of Pirates of the Caribbean. I instantly felt that same action in the music and was quite amazed by it. Luckily I have to Invest my teen years writing, recording, and producing rap and metal artists (or anyone who wanted to have a demo ^^ ).

So I get myself in the best position where I had the skills necessary to start playing around with orchestral compositions. Metal Gear Solid again option enforced that drive to learn more about music and guitar chords. I was active on many events for a long time, but now just use youtube and facebook as resources. that's started to pick up a real book about music theory. It’s fun to highly understand what I have been trying to do for a decade and a half, and learning all the things I did wrong.

I started traditional guitar lessons aged about 15 and by the age of 19, got to about Grade 5 while also playing higher level guitar like Daquin’s “jimi hendrix” . After a teen rebellion and a few years rest from lessons, I started playing the piano again at College and continued to play more challenging pieces (e.g.Beethoven’s “Pathetique Sonata”, Liszt’s “Liebestraume”) while also trying my hand (literally) at playing sections from famous Piano Concertos…Grieg, Tchaikovsky, Gershwin etc. I eventually gained a Grade 8 distinction in piano and Grade 5 theory and continued to push myself further with my music studies.

After College and gaining an Art degree, in an effort to improve my sight reading, I practiced about 4 hours a day, almost every day, for about 18 months, soaking up as many different styles of music as I could. I would rent books from the library and sight read them from cover to cover in an afternoon. Eventually I went on to teach piano, have done accompanying for Woodwind exams and local amateur dramatics, have been in Music festivals and been the Musical Director of a couple of pantomine shows as well as singing in various amateur choirs and Musical Societies. 22 years later and I am still teaching piano for a living but in recent years have become more interested in composing (which I’ve always dabbled in from time to time). That brings me right up to date here, at Guitaa, where I am enjoying some moderate success with my own music for the first time ever.

Thank you guitaa.com!

baarishein chords

sa kabilang buhay

chords

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Noah's Ark on Broadway

LISTEN NOW (8 minutes):

Listen Now as Francis Douglas tells of when Noah's Ark was featured on New York City's Broadway stage.

PODCAST TRANSCRIPT:

Today on Celebrate the Bible:

NOAH’S ARK on BROADWAY in 1896

You are not likely to find anything about Noah's Ark on New York City's famous Broadway today … but, at one time, it was the "toast of the town".

Noah's Ark, and the great world-wide flood as recorded in Genesis, is perhaps one of the most easily identifiable events in all of the Bible. The most interesting aspect of this episode is not the illusion itself, but the fact that it attracted so many people from New York City's secular population: from every-day working families, to the City's upper crust … all were thrilled with the experience.

A few points of note:

Technical details of the illusion were featured in Scientific American magazine

The Olympia was the premiere entertainment showplace of the world

Biblical themes were very popular, with all NYC audiences at the Olympia

It was founded and built by famous Oscar Hammerstein

It was reported that audiences were left spellbound after each Noah’s Ark performance

It was so popular and well-received, that the highly respected science publication, Scientific American, devoted an entire page to this Biblically-themed entertainment attraction -- complete with stunning illustrations.

Let’s take a step-by-step look at the Noah’s Ark illusion. I will inter-space the steps throughout today’s presentation.

STEP ONE

Hammerstein's Olympia Theater and Music Hall was once celebrated as the foremost entertainment venue in the entire world.

Located at 44th and Broadway in New York City, it was only two blocks from what is known today as Times Square. The main theater held 2,800-seats. And the building took up an entire city block.

STEP TWO

The rooftop was just as famous as the theater and music hall. It had a 65-foot tall glass roof, and was illuminated with over 3,000 light bulbs. To provide electricity, there were four dynamos that generated 3,200 amps of power. These dynamos also powered a complete air circulation system, and pump, that brought refrigerated water from the basement to the rooftop area -- providing what was a very early version of air conditioning ... in 1896!

Not to be outdone by any other venue, the rooftop also had trees, rocks, and even a stream that eventually led to a 40-foot lake. There were swans, ducks, and even South American monkeys.

And, while you were enjoying all of this, you could walk around the perimeter of the roof, and take in views of Central Park and neighboring New Jersey.

At the time, the cost of admission for everything, including entertainment, was only 50-cents! However, keep in mind, with the rate of inflation from 1896 to 2025, that same fifty cent admission price would be equivalent to roughly $15 to $20 today.

STEP FOUR

The Scientific American publication was founded by inventor and publisher Rufus Porter in 1845. Contributors of note include Thomas Edison, Robert Goddard, Jonas Salk, Albert Einstein, and Linus Pauling -- just to name a few.

STEP FIVE: The SOLUTION

The answer to the filling of the Ark with water is a simple one … the water funnel on the top of the Ark is attached to a hose that runs down through the support beams, then empties under the stage. The water never fills the Ark in the first place.

Other than taking creative license with a few details (for instance, the real ark was never filled with water), it was a wonderful opportunity for audience members to experience one of the great Biblical events on the grand Broadway stage.

Perhaps one day we'll see a revival of the Noah's Ark Illusion, or a variation on the theme. In the meantime, I'm glad to have been able to bring it to you with this Celebrate the Bible 250 podcast.

So, until we meet again, and for celebratethebible250, this is Francis Douglas.


If you would like me to give a presentation and small exhibit to your church group, school, or organization, on the History of the Christian Holy Bible in America, I’ll place contact information below as the 2026 Semiquincentennial America 250 year approaches.

I will be available for Southern New Jersey, Southeastern Pennsylvania, and Northern Delaware.

Source: Noah's Ark on Broadway

[hizeroreadings]

9th Annual Sussex Poetry Festival - 29th-30th June

The Ninth Annual Sussex Poetry Festival will take place over Friday and Saturday, 29th and 30th June 2018.

This year the festival will take place at the Rose Hill, on Rose Hill Terrace, behind London Road, Brighton.

The festival, as always, will feature readings from some of the most exciting contemporary poets, and will host local, national, and international performers.

READERS:

Janani Ambikapathy

Janani Ambikapathy is finishing up a PhD at the University of Cambridge and working on a poetry pamphlet 'Are Language and I the Same People'. She is also a translator and assistant editor with Almost Island.

Kimberly Quiogue Andrews

Kimberly Quiogue Andrews is a poet and literary critic. She is also the author of BETWEEN, winner of the 2017 New Women’s Voices Chapbook Prize from Finishing Line Press. Her recent work in various genres appears in Poetry Northwest, The Shallow Ends, The Recluse, the Los Angeles Review of Books, ASAP/J, and elsewhere. She lives in Maryland and is Assistant Professor of English and Creative Writing at Washington College.

Ashley Barr

Ashley Barr is a current student at the University of Sussex and a recent graduate of Boise State University’s MFA program. She grew up in Boise, Idaho and once wrote a chapbook called Call the Bees to Come (dancing girl press).

Brandon Brown

Brandon Brown is the author of five books of poetry and several chapbooks, as well as three collaborative volumes of Christmas poems with J. Gordon Faylor, most recently The Cloth Bag. His poems and prose have recently appeared in Art in America, Open Space, Fanzine, Art Practical, New American Writing, The Poetry Project Newsletter, and Best American Experimental Writing. In 2015, he won a fellowship from the National Endowment for the Arts, and in 2018 was awarded the inaugural Toni Beauchamp Prize in Critical Art Writing. He is an editor at Krupskaya and occasionally publishes small press materials under the imprint OMG! His newest full-length book is The Four Seasons (Wonder, forthcoming 2018). He lives in El Cerrito, California.

Alex Connor

Alex Connor is a musician and poet who completed his bachelors in English Literature and Music this year. Inspired by the writing of Neruda, O'Hara, Cummings and Ginsberg, Alex is interested in minimalist, narrative and personal writing.

Leah Coughlan

Leah Coughlan is a 21 year old student flittering between North London and Sussex University. Her poetry is simply what a gal has to do to not have a mental break down. The world is fucking jarring, and this bitch is just tryna navigate through it. You’ll be surprised at the extent to which flowers and fucking relate to each other - and not just in a Georgia O’Keefe way. Expect to feel uncomfortable as an alternative perspective attempts to replace these repetitive narratives of power.

Amy De'Ath

Amy De’Ath’s most recent poetry publication is On My Love for Gender Abolition (New York: Capricious, 2016). She is Lecturer in Contemporary Literature, Culture and Theory at King’s College London, and is currently working on her first critical book, Unsociable Poetry: Antagonism and Abstraction in Contemporary Feminized Poetics. She has written a number of essays on contemporary poetry, gender, and value-form theory.

Helen Dixon

Helen Dixon is a britacananica queer feminist writer. Much of her work is bilingual Spanish/English and she’s also worked in theatre, radio and TV drama. She has two books of poetry and poetic prose: Flight Over the Abyss/Vuelo sobre el abismo (Nicaraguan Writers Union CNE Managua 2003) and Olimpia/Olympia (beyond borders, Reykjavik 2006). Her writing has been included in five anthologies and in literary publications in Canada, Canary Islands, Mexico, Nicaragua, Brazil, Cuba, and the UK. Helen is also part of the Devil's Dyke Network.

Honor Gavin

Honor Gavin takes a multi-platform approach to the creative and the critical, involving music, performance and collaborations with groups such as Theatrum Mundi. She is the author of a monograph on modernist literature and film, and of an exuberant, experimental novel, Midland (2014), which was shortlisted for the Gordon Burn Prize. Uncommon Building (2017), her most recent publication, documents a collaborative exercise in speculative fiction, a collective 'excavation' of a fictional building.

Jean-Marie Gleize and Abigail Lang (trans.)

Jean-Marie Gleize is the author of over twenty books in France. He published his first book (on Francis Ponge) in 1981, and became a professor at l’Université d’Aix-en-Provence as well as at the prestigious l’École normale supérieure de Lyon, where he would direct the Centre d’études poétiques from 1999 to 2009. In addition to his scholarly work on modern and contemporary French, Arabic, and American poetry, he would enter the first rank of French poets (or “post-poets,” as is sometimes said), aesthetically affiliated with peers such as Emmanuel Hocquard, Anne-Marie Albiach, and Claude Royet-Journoud. The first full-length translation into English of his writing, Tarnac, a preparatory act, is the most recent volume in a cycle of works published in France by Editions du Seuil’s series Fiction et Cie, created in 1974 by the poet Denis Roche. A seventh volume, titled Le Livre des cabanes, will be published in 2015, also by Seuil. Tarnac, a preparatory act was translated by Joshua Clover, Abigail Lang, and Bonnie Roy and published in January 2014 by Kenning Editions.

Ágnes Lehoczky

Ágnes Lehóczky’s poetry collections are Budapest to Babel (Egg Box, 2008), Rememberer (Egg Box, 2012), Carillonneur (Shearsman, 2014), Pool Epitaphs and Other Love Letters (pamphlet, Boiler House, 2017) and Swimming Pool (Shearsman, 2017). She was the winner of the Jane Martin Prize for Poetry at Girton College, Cambridge, in 2011. Her collection of essays, Poetry, the Geometry of the Living Substance, was published in 2011. She co-edited Sheffield Anthology (Smith / Doorstop, 2012) with Adam Piette, and recently The World Speaking Back to Denise Riley with Zoë Skoulding (Boiler House, 2018). She is currently co-editing Wretched Strangers, a transnational anthology with J. T. Welsch (out by Boiler House in 2018). She is Lecturer in Creative Writing at the University of Sheffield where she is co-director of the Centre for Poetry and Poetics.

Polly McCormack

Polly McCormack is a West Yorkshire poet currently in her first year reading English Literature at Sussex. She regularly performs around both London and The North, having been featured at Manchester Fringe Festival, performing for the Northern Beat Poets Society and Soho Poetry Nights. Her work is mostly observational. Her influences include Anne Sexton and Nick Cave. She is currently working on her debut pamphlet.

Eva Poliszczuk

Eva is a passionate, bi-racial graduate whose uni life far from her white home has awoken her to the world of post-colonialism and seasoned food.

Alison Rumfitt

Alison Rumfitt is a transgender poet living and working in Brighton, UK. Her work was nominated twice for the Rhysling Award 2018. Her poetry is citric in taste, best paired with either a vintage red or a glass of port. She writes about LGBT history, the terror of the human body and the guilt of existing but hopefully in a way that's a bit funny. Find her stream-of-thoughts on Twitter, @gothicgarfield, and see her work in Glass Poetry's 'Poets Resist', Eternal Haunted Summer and more.

Angus Walker

Angus Walker lives in Brighton and has just finished his BA in English Literature at the University of Sussex. His poetry has been published by the student poetry site “The Stanza”.

Jackie Wang

Jackie Wang is a queer poet, essayist, filmmaker, performer, alien, and prison abolitionist. She lives in Cambridge, Massachusetts, where she is pursuing a PhD at Harvard University.

Steven Zultanski

Steven Zultanski is the author of several books of poetry, most recently On the Literary Means of Representing the Powerful as Powerless (Information as Material, 2018), Honestly (BookThug, 2018), and Bribery (Ugly Duckling Presse, 2014). He lives in Copenhagen.

The Sussex Poetry Festival Webisite:

https://sussexpofest.wordpress.com/

ACCESSIBILITY:

The Rose Hill is a wheelchair-accessible venue, but unfortunately does not (yet) have wheelchair-accessible toilets. There are, however, accessible toilets yards from the venue, inside The World's End pub on London Road. The festival will be seated. There is a bar in the venue, and an outside smoking area.

As part of this year's festival, we will be helping the Rose Hill to raise funds to install wheelchair-accessible toilets so that we can continue to develop our relationship with this wonderful community venue.

[micaelatanner2-blog]

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