#your husband begs you not to kill your evil snake god self

[oh-cool-a-burning-sword]

There's tons of reasons why I love Fire Emblem Awakening, but one very specific thing is that by marrying Robin to Chrom you automatically make your playthrough a thousand times angstier.

[evandearest]

The Garden of Eden Explanation

Series Masterlist: The Garden of Eden Series

Warning: Read After Part Two: Reflection!! SPOILERS AHEAD.

Hey guys, it’s Emilie (@evandearest)! So I’ve just decided to pop in here and make a post about my current James March x reader series, The Garden of Eden. This is just something that I’ve decided to do just to clear things up, both for any readers and for myself <3.

This series was requested by @etoile-writings , who is now one of my good friends here on tumblr :). This post will contain spoilers, so if you haven’t read part one and two I suggest you do! After I finish writing the entire series, I will do a separate review post to explain the symbolism and references in depth with the entire story. This post will just contain an explanation for the concepts and symbolism in the events so far.

JUXTAPOSITION:

The original request was juxtaposition, which is basically just an idea: the fact of two things being seen or placed close together with contrasting effect. It’s just simply a comparison - a contrast between two objects. In this story’s case, the two things are the reader and James. The contrast is revealed as the story goes, but it’s basically the fact that the reader constantly looks at everything in a religious view, while James is completely against religion, as we’ve seen in the show. This will get more prevalent in part three, which at this point in time is still being wrote.

READER’S DARKNESS:

As the story goes on, this will be revealed further, but there has already been multiple instances in which the reader has seemed passive towards violence/physical hurting, the seriousness of the situation seeming to go over her head; no empathy shown. This occurred in two instances: when James killed her husband, and when the man in the hotel was in pain. As I said, this will be explored further, but is to be kept in mind, as it ties in with the juxtaposition concept.

WHITE ROSES:

Now let’s talk about the flowers, which were included as part of the request as well. They mainly tied into the whole “Garden of Eden” biblical concept, which we will get into next. I specifically chose white roses as the flower of interest because of their symbolism:

“ White roses often represent purity, innocence, and youthfulness. White roses are sometimes referred to as bridal roses because of their association with young love and eternal loyalty. White roses can also symbolize a new beginning and everlasting love. ”

In part two, you find out the origin of James’ and the reader’s love; how it all started in the garden, with the roses. However, the roses are very prevalent throughout the entire story, as well as what the owner of the garden said about them:  “if you kill the rose, the rose no longer profits you.” (keep that in mind) 

They are what is known as a motif of literature.

The first and simplest symbolic thing about them is the fact that they are the readers favorite flower, which is explained in the flashback in part two. Since they symbolize purity and innocence, it’s only right for them to be the reader’s favorite flower, as she is the same symbolic representation.

So far, they have briefly appeared in part one when James arrives at the reader’s house, and then again throughout most of part two.

To recall to part one:

“ Before you knew it, the man you had dreamed of for so many years was standing before you. You gasped as your eyes met his, the same dark brown framed by his sharp masculine features. It was as if you had seen the sun after years in the dark. Your eyes took in his features before shifting to look at the object in his hands. A bouquet of white roses lay clasped between his hands; your flowers. He had remembered. He really had come back for you. Finally, you had your James again. “

Since white roses symbolize a new beginning and everlasting love, I thought it important and fitting to include them as a symbol of just that. James and reader have always loved one another; everlasting love. James has come back for reader and they are starting their relationship again; a new beginning. The new beginning symbolism also applies to when the reader and James first met, or began.

BIBLICAL REFERENCE:

Now here’s where ideas collide a little bit. The Garden of Eden idea intertwines both of the previous topics into one another. First I want to establish what the real Garden of Eden story from the Bible is for anyone who doesn’t know. (Disclaimer: There are many many many interpretations of this story, and I just tried to find the simplest one.)

The Garden of Eden was essentially paradise. God placed an innocent Adam and Eve in the garden and tells them that they can eat freely from all of the trees in the garden, except of a tree of the knowledge of good and evil. When they are coerced by snakes of evil and eat the fruit, they gain the knowledge, and God banishes them from the garden as punishment for disobeying him. They were both sent down to Earth as God’s representatives. In some interpretations, Earth is often thought to be hell. So in a way, they were sent to hell.

That being said, here is how that fits into the story. James and reader meet in a white rose garden when they are young, which implements both the roses as a symbol of youthfulness and the innocence that is said to come with that, as well as a comparison between James & reader and Adam & Eve. When James and reader get older and gain more knowledge, they are forced apart, are no longer together in love, and their paradise is lost. This compares to Adam and Eve’s banishment to hell, when their paradise was lost. So in a biblical way, James and reader have been forced apart (losing paradise) to live in hell (which is just living without one another) as a punishment or consequence for gaining knowledge, or getting older. (Read that a few times to process it lmao)

As a side note, reader’s mother had also warned her of this. In the flashback, reader recalls her mothers words, “One day when all the distractions of young age are gone, you’ll realize why you need to be prepared.” You can assume that she had known that reader would be married off by her father, signifying that the same thing happened to her (it was common in the time), which ties into the “cycle of life“ concept (more about that down below). This is also basically saying that when you get older and become no longer oblivious (gain knowledge), you won’t live life the same carefree way. You loose your inner child. Reader’s mother was just trying to prepare her for that.

GOD CONCEPT:

Now we get to the reader and James’ new beginning, where all James wants is to recreate that paradise for the reader. The reader in turn views James as a God because of multiple reasons: he saved and freed her from hell, returned to her, he’s always been the one she can rely on and always loved (chose) her, made her feel like she was invincible when by his side, and also the fact that he went from being a poor boy to a rich man and built an empire (the hotel) on it.

And from here I’d like to talk about just a few more things; first being the last little bit of part two. I just feel like I need to explain the meaning of that part’s ending in conclusion to everything, to wrap everything up.

To recall once again:

“ You smiled once more at his words, thinking back to that day in the garden once more, and to your mother’s words. The feeling you had now was a reflection of the feeling you had then. He’d always made you feel so incredibly self-assured. You felt like no matter what happened to you and James, nothing could break you at this point and time. And your mother had been right: gaining the knowledge was important.

Now that you’d ate the fruit of the garden and survived hell, what could possibly stop you?

You felt invincible, so long as he was by your side. You no longer feared the past or the future; you were completely centered present, all cycles broken. And it had took James less than a day to make you feel this way. Your excitement soared as you thought about your future with James. You knew that so long as you had him, you were unstoppable together. You were gods.

You didn’t need the garden, after all. Paradise lost stood no match to you, because with James, you could survive anything. “

I’m going to specifically talk about the bold parts. Okay, so “eating the fruit of the garden” means gaining knowledge, as we’ve discussed, and for James and reader that represents their separation when they got older. So it’s basically saying that now that the reader and James have survived everything (from being separated to surviving without one another {hell} to then finding their way back to each other), what else could they possibly face that would break them?  And the last line is similar: the reader realizes that they have survived so much already, and feels that they can take anything. They don’t need to “go back” to anywhere; they can survive in any circumstance; they do not need the garden or paradise.

More about the god concept: since the reader views James as a god, and then feels invincible by his side, she feels as if they are now gods together.

CYCLE OF LIFE:

The cycle of life idea was not apart of the request, but upon approaching part one, I just kind of threw it in, as it added to the story quite a lot. The cycle of life ties straight into the whole reflection part of the story, with the reader having flashbacks to the past events that seemed to almost mirror the current events. This happens mainly in the two situations in which it was pointed out: when the reader was being abused by James father in the past and her husband in the present, and the feeling the reader had when she first met James being the same as she feels for him now in this new beginning. It’s a repetition. In the beginning of part one, it also begs the question: do the lessons we’re really meant to learn in life recur without us noticing?

END NOTES:

And that’s it! I hope that cleared some things up if you were confused! Let me know any questions you may have and I will certainly reply as quick as I can! I’m so unbelievably excited to finish part three! Thanks so much to everyone for the support <3. Happy Holidays if you celebrate! Sending love to all~ xoxo

[ryukoishida]

LiuShen Week 2019 | Day 4 | In which they share kisses in different situations.

Written for LiuShen Week 2019  @liushenweek

Day 4: Loved (Free Day)

Title: And the Reason is You Fandom: Scum Villain’s Self-Saving System Characters/Ships: LiuShen Rating: Slightly NSFW Summary: Three times Shen Qingqiu kissed Liu Qingge, and that one time Liu Qingge initiated the kiss. A/N: Holy shit. Am I writing again? I know, I’m shocked at myself too.

-

i.

“Liu-shidi, I—”

There was a hint of strain in his usually calm, assured tone, as if he was using his last ounce of strength to hold himself back from reaching out to the man sitting so close to him.

His shivering fingers lightly wrapped around the back of the other man’s neck, and he pulled his head down, their breaths mingling for just a brief moment, hearts thundering and drowning out everything else.

Even when he was slightly under the influence of the venom, Shen Qingqiu still somehow managed to kiss him with such careful precision and control. The mesmerizing taste of his osmanthus-scented breath — a clear sign of him being poisoned — was overwhelmingly saccharine when he touched his lips gently against Liu Qingge’s, who could only widen his eyes at the unexpected turn of events.

Two hours ago, they had dragged their exhausted bodies back to the inn after exterminating a group of high-level flower demonesses who had enchanted and kidnapped the town’s young men in order to suck their vitality in aid of their cultivation.

It wasn’t a particularly difficult encounter they had in terms of an extermination mission, but the leader of those demonesses had been cunning, enough that Shen Qingqiu – who, at least according to a scoffing Liu Qingge, had been too easy on them as the lord of Qing Jing Peak had initially planned to extract the kidnapped victims in a more polished means without causing too much of a mess – had fallen into the demoness’s trap.

Neither of them was seriously injured in the end, but Shen Qingqiu inhaled some of the dangerous sweet pollen, which as he soon found out to be a very potent aphrodisiac, and no long cold soak in the bathtub was able to completely erase the devastating effects of such venom. Tendrils of tantalizing heat and sparks of prickling sensation snaked up from within the depth of his body and spread to the surface of his skin, making him slightly flushed and breathless, almost as if he had a fever.

Shen Qingqiu had been absolutely vigilant of any physical contact since they came back, but it was all over the moment Liu Qingge’s fingers brushed against the back of his hand — swelteringly warm and over-sensitive – when he was handing him a cup of warm tea in an attempt to sooth the twitching, pulsing desire within him.

It took Liu Qingge much longer than he was willing to admit to react to the kiss, for the initially chaste touch of their lips quickly turned into something much more intense, something that threatened to rip Liu Qingge’s breath and last strand of logic away.

Then the acute, unnaturally sweet floral taste of Shen Qingqiu’s tongue shattered the illusion when he tried to deepened the kiss, and Liu Qingge quickly staggered back, shoving away the slightly shorter man, who was putting up quite a fight for someone who was supposedly poisoned and weakened.

“Shen. Qing. Qiu.”

With each syllable of the man’s name, Liu Qingge’s voice dripped with icy impassivity and quiet fury: a warning, or a subtle sign of fear.

“Damn it, Shen Qingqiu! Wake up!”

Shen Qingqiu’s eyes were clouded with raw lust stirred up by an artificial source, but the kiss had been real, the little noise of discontent rolling from the back of his throat when Liu Qingge pushed him back had been real, the desperate grasp of his sleeves when he attempted to come closer once more, and the eager way with which Shen Qingqiu called for him had also been real.

But…

You are not yourself, Liu Qingge thought.

He wondered why his heart was hurting so much when he finally lost the will to fight and simply allowed Shen Qingqiu to embrace him as if it was the most natural thing in the world.

And I am not the one you truly want.

-

ii.

“Liu-shidi, stay exactly where you are and don’t move!”

As soon as the Sha Lu Er flopped lifelessly onto the ground with a thundering thud, its gaping jaws twitching a few seconds more as human blood dripped from its yellowing fangs before it laid completely still, Shen Qingqiu returned Xiu Ya sword back into its sheath and ran towards his companion, his furrowing brows and hastened pace the only signs of his unease.

“Are you all right? Dear god, your arm…”

“I am fine,” Liu Qingge would roll his eyes at his shixiong’s melodramatic antics were he the type to do so; instead, he just acted how he usually would – avoided eye contact at all costs and pretending everything was fine, like the flesh and bones of his left arm weren’t crushed into a bloody, mangled mass by that damn fifteen-feet-long shark-deer monster that had been wreaking havoc and endangering the villagers in nearby towns. “Shen-shixiong has no need to be overly concerned for me.”

A pause, and then something hard hit the back of his head.

Liu Qingge uttered a pained groan and glared at the other man through the messy fringes of his forelocks, his iron-grey irises blazing in irritation despite his pale complexion due to blood loss from his injury.

Shen Qingqiu’s grasp on the handle of his fan tightened until his knuckles turned white, his lips pressed into a firm line as he maintained their eye contact.

“What the hell was that for?”

“What do you mean — that I don’t need to be concerned for you?! Liu Qingge, I thought we’ve gone over this already! What you did just now, throwing yourself so carelessly into the fight, I—” Shen Qingqiu exhaled harshly, turning his head away as uncomfortable warmth crept up from his neck to his cheeks when Liu Qingge continued to stare at him with a hint of curiosity laced within the initial frustration. “That was for making me worried sick!”

Liu Qingge blinked once, twice, finally comprehending what Shen Qingqiu was insinuating, and he stumbled the two steps forward to close the distance between them, leaving a trail of blood behind him.

“Shen Qingqiu…” he murmured, eyes lowered in a silent apology.

Shen Qingqiu lifted his arm and gently gathered a strand of Liu Qingge’s ink-black hair in between his blood-stained fingertips.  He kissed his locks with a warm, tender light in his eyes that Liu Qingge had never seen before.

He didn’t dare imagine; he didn’t dare hope; he didn’t want to be disappointed.

“I cannot bear the thought of losing you, so please, Qingge, I beg you, don’t put me through that again.”

-

iii.

Shen Qingqiu kissed the back of the other man’s hand reverently, lips lingering on the skin marred with battle scars and tongue gliding over callouses hardened by swordsmanship training over the years. He traced his lips over the elegant structure of his fingers until he reached the tip of Liu Qingge’s middle finger, which he then took into the wet cavern of his mouth in its entirety, until the fingertip grazed the back of his throat, and he swallowed hungrily around it.

It was shameful: the wet sounds of Shen Qingqiu sucking on his skin like he couldn’t get enough of his taste reverberating in his ears, those mesmerizing red, swollen lips wrapping around his fingers, the trembling eyelashes surrounding the darkened irises that looked like Shen Qingqiu wanted nothing more than to consume him whole.

It was shameful, and Liu Qingge wanted to turn away from this unbecoming sight, but he couldn’t stop noticing how Shen Qingqiu’s chest was rising and falling deeply with each breath, or how his long hair, freed from the length of his hair tie, flowed like rivers of ink over the pale canvas of his shoulders.    

“Mnn… Shen Qingqiu, stop playing around and get to it…” he’d meant to sound menacing, but the breathless way with which he uttered the threat betrayed the swelling desire barely contained within his shivering body.

At long last, as if finally satisfied by the teasing he’d instigated against his beloved shidi, Shen Qingqiu pulled his head away with a knowing smirk, a thin string of saliva still connected from his lower lip to the tip Liu Qingge’s finger.

On the battlefield, Liu Qingge incited fear in his enemies and admiration in his allies simply by his presence and the powerful arcs and sweeps of his Cheng Luan sword; in the privacy of their shared bed while lying underneath Shen Qingqiu, Liu Qingge somehow lost the prideful and confident air that made him one of the strongest combatants in the cultivation realm. Instead, he would relinquish all his control to Shen Qingqiu, who would then patiently guide him between the valleys and peaks of pleasure through agonizingly gentle touches and ferocious, carnal ecstasy.  

“Qingge, is this how you ask your shixiong for something? Where are your manners, hmm?”

Shen Qingqiu had a light grip of Liu Qingge’s chin so that the other man couldn’t turn away as Shen Qingqiu had suspected he would.  

With bloodshot eyes and lips that’d been bitten raw, Liu Qingge muttered a fairly impressive, “fuck you.”

“I thought that was the plan, was it not?” Shen Qingqiu laughed, amused by Liu Qingge’s lackluster insult as he placed a soft kiss on the other man’s forehead. “Or are you having second thoughts?”

“Never.”

-

+i.

Shen Qingqiu was not good at cooking. He wasn’t awful at it per se, as he had the skills of making instant noodles with various toppings back in the good, old days without burning down his tiny apartment, but he’d choose to go exterminate a bunch of evil demonic beings over doing this any day.

But for his cultivating partner — the light and love of his life, his newly-wedded husband — he would cook him a proper meal even if it killed him.

Perhaps he was being a little over-dramatic in this matter.

Shen Qingqiu chopped the tofu half-heartedly, trying to recall the specific way Luo Binghe had taught him, but all his effort only resulted in uneven chunks of the silky white curds, one-fourth of the portion he was certain he’d turned into useless mush that couldn’t be pan-fried in the wok.

On second thoughts, maybe he should have taken actual notes when Luo Binghe had been teaching him how to make a few homely dishes just a few days ago.  

He was about to get another cube of tofu sitting in the wooden tub of cold water when Liu Qingge’s voice could be heard from the kitchen’s entryway.

“Shen Qingqiu, there you are,” the lord of Bai Zhan Peak had a slight, confused frown to his brows when he stepped into the kitchen and gradually made his way towards his partner. “I have been looking all over for you… what in the world are you doing?”

He raised one of his brows in puzzlement. “What is this? Are you… are you making dinner?”

“Trying,” Shen Qingqiu emphasized the keyword in this matter. “And failing miserably, as you can see.”

He stepped away from the counter to let Liu Qingge observe his progress — or lack thereof, rather.

Shen Qingqiu sighed, placing the knife down on the cutting board.

“Binghe spent almost four hours the other day teaching me how to make this dish, too. Now I feel terrible for wasting his time. It seems that I have learned nothing from our culinary lessons.”

Liu Qingge’s eyes flashed dangerously at the mention of Luo Binghe.

“Wait, you were with that brat? On your own? When was that? How many times have I told you to stay away—”

“Oh, calm down,” Shen Qingqiu chuckled, swiftly going over to his partner and wrapping his arms around the taller man’s shoulder, pulling him closer as he continued, “he’s just a mere child, Qingge. Why must you two always act so childish and hostile to each other every time you meet? It’s understandable for him to act this way since he’s still a teenager, but Liu Qingge, you are the renowned, respectable Bai Zhan Peak Lord. You don’t have to stoop down to a child’s level like that. I know you are better than that.”

“Hmph. I do not understand why you are so protective of that brat, but he is your disciple after all. Just… promise me to be careful of his intentions when you are around him by yourself.”

“Duly noted,” Shen Qingqiu noticed the genuine worry in his partner’s eyes, and he nodded solemnly in response. With the ill-chosen topic out of the way, Shen Qingqiu once again glanced over at the atrocity he’d created in the short span of twenty minutes of meal preparation. “Now then, I suppose I should clean up this mess and let the kitchen staff reclaim their space.”

“Wait,” Liu Qingge placed a hand over Shen Qingqiu’s as the Qing Jing Peak Lord was about to reach for the knife.

“Hmm?” Shen Qingqiu turned to look at his partner, his head tilted to the side slightly in question. “Qingge, what is it?”

“I…” Liu Qingge bit his lower lip as he struggled to put his thought into words, his cheeks gradually turning pink. “I would like to try your cooking, i-if you do not mind, that is.”

Almost as an afterthought, Liu Qingge lowered his head and pressed a firm but gentle kiss against Shen Qingqiu’s lips before he stood up straight once more, the tips of his ears burning such a bright red that it was impossible for either man to ignore.  

“Um,” Shen Qingqiu lost the ability to process for a good five seconds before he said with a bright smile that made his entire being glow with pure happiness, “sure.”

[tumblunni]

Ah, here’s the pillowsnake! It’s called Rashab, I totally forgot!

beware, like 40 paragraphs of long rambling about the game below:

I never realized how the naming schemes actually work. All the different variants of a particular genus share a name ending- Nushab is the weird 8 shaped long neck snake, Rashab is the super rectangular chubby one, and Mukshab is the sticklike one that just looks like a real snake but with the trademark weird head that this monster has. And then the sub-breeds of each sub-breed have a totally different naming scheme! Only the main Rashab is Rashab, the other three elementals are all something-moaj instead. And Nushabs are something-oots, and Mukshabs are something-mines. Its an interesting way to do it, though it’s pretty hard to actually figure any of it out ingame when all the pure sub-breed forms only appear as enemies and you’re gonna be fusing your own variations for your party. I think pretty much anything fuses well with the snakes, they look awesome with any texture! And when they fuse with bugs they can actually gain lil wings and look like Dunsparce!

OH OH OH and ALSO I love how monsters in this game actually grow up! Like, they dont evolve, they just grow up like actual animals! They have very very subtle model changes in size for the first 20 or 30 levels, to symbolise reaching maturity. Its hard to even notice it happening unless you compare save files! And often you’ll be fusing monsters rather than keeping them in your party for a long time anyway. So I’m glad that the Shabs have some of the more noticeable changes! Their baby selves start off looking a lot more similar, and they only gain their giant variation in body shapes when they’ve matured. (Though you can still tell what one its gonna become)

OH AND ALSO ALSO The shabs look even cuter in the concept art, yo!!! Ingame it maybe loses a bit of the appeal cos of the low resolution and how everything is textures rather than model detail. (A necessity considering how the fusion system works, yknow?) On the concept art their faces look less like an eyeless snake with dot patterns, and more like a snake with eight buglike eyes. ITS REALLY CUTE!! Thats why I said they look like leeches! Cos they have the super light coloured undersides and the three-pronged jaw and the bug eyes! They’re scaly big leeches! they’re leechly small snakes! THEYRE THE BEST OF MY TWO FAVOURITE LONG ANIMALS!!!!

OH AND its good worldbuilding but I’M SAD The shabs The shabs get the honor of being in the worldbuilding in A SAD WAY The basic MP restoration item is called a Shab Liquer :( Yeah, its nice to know that they thought about how these magical monsters might be a part of everyday life even outside of a battle setting. But its sad to think about how they’re killed and used in medicine! And you have to use hundreds of this medicine, there’s no way to survive without MP restores! I DONT WANNA MAKE MY SNAKE FRIEND A CANNIBAL Tho I do appreciate how the name Shab Liquer just implies a lot of worldbuilding on its own. Like, you don’t just know that they make a medicine from the snakes, its implied its quite literally a snake oil. Like, does that mean snake oil is an idiom for a totally reliable and true thing in this universe? And Liquer is just a rather archaic and fancy way to phrase it, it fits very well with the setting! But seriously WHY DO I HAVE TO FEED MY SNAKE BABY DEAD SNAKE BABIES TO KEEP THEM ALIVE

OH OH OH AND that reminds me of another Fucked Up aspect of the worldbuilding! Your most reliable way of gaining money in this game is selling the monsters you catch. Which is dumb and impractical anyway cos I mean YOU WANNA FUSE THEM ALL!! And you get more money from selling your ones that you actually already fused and levelled up, like NO WAY am I doing that! I love them!! Even if I’m not using them, I’m just gonna keep them at home with Mahbu! NO MAKE ME SELL MY SNEKS But the REALLY FUCKED UP PART is that its explicitely said that by selling them you are killing the monsters.

...Okay so.. this kinda needs some explanation of more of the worldbuilding first...

The way you catch monsters in this game is by using magical cocoons, hence the name of the story. Monsters are meant to be like spiritual creatures, they’re called Minions cos they’re literally the minions of this setting’s deity, Elrihm. The religion of this culture states that humanity (or ‘The Beasts Of Knowledge’) committed a great sin in the past. We were god’s attempt to grant free will and intelligence to animals, but we used it to do evil and he decided the whole species was beyond saving because of the actions of a few. So he created these monsters/demons/avenging angels in snake form, and their mission in life is to destroy all of humanity so that the world can be reset. Which is why minions attack humans on sight, yet coexist perfectly peacefully with animals and plants in the forest. So like... humanity obviously Did Not Want to all die for the sins of one or two dumb kings, yknow? We stubbornly persist! We hold out our vanguard and keep our little towns amidst the Doom Forests, living life as normal with just the Doom Forests being a thing in the background, yeah. Defending against occasional attacks of minions banding together into swarms and chewing on the walls a little, but yeah, no biggie. And sometimes one of them manages to get in and eat some of our garbage or something. People live normally in these fortified wall villages, and the religion still worships Elrihm, and revolves around begging his forgiveness and trying to prove that humanity deserves to live. And never advancing too far with industrialism. lest we be punished again! And I mean, maybe that actually IS how everything happened, or maybe its just a story and Minions have always existed as a natural part of the ecosystem and they’re not evil things destined to destroy us or whatever. Its ambiguous! Even when you get to see Elrihm’s avatar at the end of the game, it’s just a big magical tree that the monsters come from, you never get any idea if it’s sentient and you’re not able to ask it if our legends have the right idea about it’s role as god. (Or if its gender is actually male, or if it even has one XD)

Anyway, that’s the legend of where the monsters come from, and it kinda explains why people might be a bit callous towards them, if they can be tamed as cute friends but also the wild ones are such a big threat to civilization. And if mythology says their threat to civilization is the natural order of existance, that they exist to kill us under orders of a god who abandoned us centuries ago... But yeah! Anyway! There’s a bloodline of magical people called the Nagi who have the power to purify the anger out of minions and make them friends. And the game has a cool way of keeping the usual mons show aspect of ‘catch a monster inside a certain item that has a limited amount of uses’, while making it fit with this ancient times mythological setting! Instead of the pokeball equivelant being some sort of manmade machine, it’s... cocoons! Since Minions are spiritual creatures, they can be like.. de-manifested and have their souls stored, to be re-summoned later. And for whatever reason, the way the magic works is that their souls have to be contained in cocoons. It’s... actually never fully explained? Where do the cocoons come from? Is it like you take any cocoon from a regular bug, and you seal the monster soul inside? But how would you even get an EMPTY cocoon? Is there a special bug in this universe that makes cocoons not for metamorphosis? or do you like.. fuse the soul with the bug inside the cocoon, and thats why all the monsters in this game are inspired by bugs? But they have the same bug-inspired designs even when you find them in the wild before catching them. So is it like the Nagi magic can create magical cocoons and you use those? or is it like you dont actually carry the empty cocoons, you carry something or other that turns into cocoons when a monster is sealed inside it? the catching animation is very vague, the protagonist is only holding his magic flute and a nebulous white glow in his hand. Then the cocoon forms around the monster and its sucked into his hand... ANYWAY I’M GOING OFFTOPIC SORRY! The point is that Nagi people can purify minions into friends, fuse minions into new powerful forms and (probably?) create the magic cocoons that can catch them in the first place. But it doesn’t mean that Nagi people are actually equipped to fight and catch the monsters themselves! the usual setup is a married couple where the Nagi can stay at home and focus entirely on their magic, and the regular human partner learns warrior arts and catches the monsters for them. Also catching monsters requires magic music, so you need to be a damn good bard too! I liked that they even showed that different Cocoon Masters (official name for peeps like the protag) can use whatever instruments fit best with their soul. The protagonist has an ocarina and [important endgame character] has a fancy lute guitar thing? I wish the game had told me what those are called... I think a name for an ancient japanese string instrument is a shamisen but i have NO IDEA if the one shown ingame is actually that or there are more different ones..? I mean its only shown in cutscnes so there’s no good ref image for it- I’M GOING OFFTOPIC AGAIN Anywaaaaaayyyy, its also in the worldbuilding that (for some reason) Nagi men are unable to use magic, and thats why the mages are always the wives and the warriors are always the husbands. Its interesting how this mythology is kinda presented as an opposite of adam and eve, too! Men who try and use magic are sinful and will be punished for stepping out of their assigned roles by becoming demons. Its the sad story of the protagonist’s parents, alas! His mother was the previous Nagi priestess of the village, but her husband committed the ultimate sin and then all we know is that his corrupted self fled into the forest and was never seen again. And everyone marks you as a failure for what your father did, so becoming the new cocoon master is quite hard at first. And its SUPER DUPER SAD cos your dad did it because performing minion purification is painful for the Nagi, and he couldn’t bear to see his wife hurting herself for his sake. So even though he knew the risks, one day he just tried to purify his minions himself so she could get some rest. And.. like.. ultitmately it did work. Cos she could never bear to remarry, and thus the village didnt have another cocoon master until their son grew old enough to marry. At least he succeeded in letting his wife never have to do magic again, even if it was because she stopped doing it out of grief for him.. :(

ANYWAY Now i’ve explained that worldbuilding and why it is cool and awesome and sad, I can explain the worldbuilding of a random gameplay element and why it is also cool and sad! So yeah, like I said before LONG TANGEANTS... The only really reliable way to make money in the game is to sell your monsters. And it makes me feel SO BAD! Cos the game very much outright tells you that selling them is killing them. And I guess it makes sense cos I mean, only Nagi wife-husband pairs can actually summon the monsters, there’d be no point trying to sell living ones to anyone else. So, since minions are sealed inside cocoons, in order to sell them you spin their cocoons into silk thread. This village’s primary export is weaving, so you can sell these silk spools to the big ol building of spinning wheel people and make money to keep going on your journey. Apparantly silk infused with monster souls is higher quality and can grant various effects and stuff, hence its value. Its a shame they didnt make a crafting system with this! Instead its just a standard ‘more powerful weapons and armours appear at the shop as the plot advances, for no real reason’. I mean, wouldnt it have been cool if you could add your monsters’s particular resistances to your main character’s armour? i would feel less sad about betraying them so utterly if they could protect me from beyond the grave. BECAUSE SERIOUSLY THIS IS SO FUCKED UP Seriously! These monsters faithfully served you! You purified them of their anger against humans, and instead of taking that opportunity to love them and show them the good sides of humanity, you just kill them! You kill them after they gained free will! You specifically HAVE to give them free will in order to kill them! Poor babies... I mean seriously I know that animals have to die to provide humans with food and materials and stuff, this is just how society works. But there’s something so much more viscerally terrifying about imagining taking an animal and literally weaving its SOUL into thread, then wearing it! There’s so many metaphysical questions that need to be answered before you can even figure out how much pain they would experience! And like.. god.. even the way they do the gameplay is so.. even more sad. Like, you can’t just hand the monster to someone else and its implied that they kill them. You have to hit an actual button to turn it into a sellable item. You have to cull it yourself. The death blow is on your hands, even if someone else weaves its dead soul into a nice scarf... So yeah, I pretty much always deliberately play ‘hard mode’ on this game, and refuse to make any damn money. Well, I mean, you can still find items in forests and sell them, but its infinately harder that way. You really are supposed to be selling your monsters to progress. I SAY NO! Big ol giant interface option sitting there on the menu unused forever. I love my sneks. You will not take them!!!

Oh but MAN I do really like the moral ambiguity of this worldbuilding, aaaaa!! The whole setting is so.. like.. realistic. There’s the dark realities of life in an ancient times setting. They take care to establish how the society functions and what their main trading export is, and what role monsters play in a non-battley setting! And seriously even the lil Shab Liquer thing! The casual implication that other villages might have different industries with their captured monsters, and someone somewhere out there found a way to make this medicine out of snakes. it manages to imply a wider world even as you’re confined to this one single village and the long forest that divides it away from every other human settlement. Plus.. like.. I really like the ambiguity it gives to HUMANITY. That seems like the MOST realistic of anything! Seriously, the game starts off establishing that in mythology humans are said to be evil, that the creation myth says we’re living in a post-fall society as the corrupted form of what true humanity should actually be, that god has abandoned us and we follow religion because we have to prove ourselves good enough to regain our former status. Like.. seriously, its refreshing compared to how boring and samey a lot of fictional religions are! They’re often just copies of existing religions, or of the general most popular religion template of There Was One Or Two Creator Gods And They Made Humans And Humans Are Destined Important And Animals Were Made To Serve Us. Instead in this game humanity’s mistreatment of animals and the environment is our absolute sin, and the definition of holiness is to be more similar to animals. And big scary demon monsters are GOD’S HOLY CREATIONS, SENT TO PUNISH US! No stereotypes here! No corner-cutting bullshit stolen from real life religions! And then like.. its nice how ambiguous it makes humanity nowadays, even beyond the ambiguity of the mythology and history. Humanity is trying to redeem itself, humanity is following this religion worshipping the god that cast them down for being corrupted. But still, it shows that some people believe in this doctrine, and some people believe that the things that are ‘corrupt’ about us are actually good. Cos it shows how some people believe that like.. ALL progress is sinful, any sort of machine is sinful, any attempt to improve society or change on what’s traditional. And it shows how some people who believe this are the bad guys, and some people believe this in a way that actually makes sense. And similarly, some people who follow the traditional ways are good- like Mahbu and her grandma. But then there’s the village chief who just follows religion blindly and doesnt seem to actually understand what’s morally correct at all, he’s just like ‘if I do what I’m told, I’ll be freed!’ instead of getting the goddamn lesson. And he tries to pretend to be a reasonable authority figure at first but then he gets more and more corrupt as the game goes on. He’s the representation of how forcing our two heroes into an arranged marriage is a morally ambiguous thing, even though they actually were in love and would have got hitched anyway. They’re still way too young to get this destiny of being the only ones who can save the village, AND keep the economy alive by spinning poor lil monsters into silk! And then he keeps giving you more and more orders, and they go from the actual duties of a cocoon master into just fullfilling the chief’s own greed and paranoia. And its interesting that him and the vizier lady who represents ‘lets abandon the rules and do everything for the benefit of humanity’ actually end up teaming up in the end and becoming even more goddamn corrupt together. Excessive progress and excessive stagnancy are both evil, and honestly they both have very similar selfish motives! Tho I do think the only problem is that they put a bit too much emphasis on this whole ‘these two looked like reasonable authority figures but were really evil’ thing, and don’t have enough good people in the town representing the other side. So its harder to care about saving this place when its literally just your wife and your mom who represent the goodness of the human race. And like.. technically I dont want the asshole lil kid to die, cos even though he’s a jerk he’s too young to be 100% responsible for his own actions. Even if I dont like him as a person, I’d still rather wanna take him away from this trash town and hope he can get raised by better people...

But seriously goddamn THOSE FUCKIN ASSHOLE CHIEFTAIN AND VIZIER PEOPLE!! Even after me and mahbu just saved the city from a deadly disease, after like 12 hours of gameplay and three forests worth of fighting for my life against monsters, where I’m expected to have sacrificed like 30 monsters to feed their stupid fuckin silk industry, even after ALL THAT they show no gratitude! The opposite of gratitude! The chief is still paranoid of the Nagi people for being foreigners, even though they dedicate their whole damn life to leaving their families and going on journeys to settle down in different cities and give their power to protect un-magic humans. And they’ve been doing this for all of history despite persecution, and like.. they lost their home and now the only ones who exist are the nomads and various half-nagi children who’ve never seen anyone of their own race before and are losing all the culture. Mahbu is an orphan who was just found by her ‘grandma’ and raised here, the only other Nagi in the village are the protagonist’s mum and technically the protagonist is half Nagi. (Tho like I said, the worldbuilding is that men cant use the magic, so protagonist is classified as a regular human and would just pass it on if he had a daughter.) So seriously Mahbu is a GODDAMN ORPHAN who was raised here all alone and hated by the village even as a kid! And the protagonist was her only childhood friend cos he could understand the feeling of being hated for having this blood, so no wonder they ended up falling in love. And then their love is at risk cos they were forced into this political marriage when they’re really young, and now have to risk dying everyday to protect this town that still hates them. And they work so hard to prove they don’t deserve to be hated, they don’t even think ‘the town is assholes’, they think ‘this is my home and i love it and it must be my fault everyone hates me so i have to work harder’. And the game doesn’t give you any option to do otherwise!

And it progresses even worse than just not getting gratitude! After you save the village from the disease, the evil chief and vizier wreck the day that you just saved, by pulling their goddamn bullshit evil plan! The chief decides to cut down the god-tree because of his paranoia, the vizier decides to cut down the god-tree because of her greed. And like... GAHHHH but its SO GOOD cos its all moral ambiguity still! The evil duo are definately evil, but they get to be evil for different reasons. They represent the two darkest sides of humanity, and no matter how much you represent the light of the world you cannot change them just by passively obeying them and hoping they’ll react like goddamn rational people! But you can understand why the masses might be tricked into following them, yknow? Humanity has been living in this tough life for as long as human memory, and mythology says that we’re being punished for the sins of our ancestors and we’re just BORN EVIL even though we weren’t the ones who did that shit. So you have good reasons to be angry against god, even if the evil duo DONT have good reasons, and they’re not doing something that will actually help.

Anyway so yeah thusly they trick mahbu and the protagonist into helping them trap the god-tree so they can cut it down. Again its a lil annoying that the game doesn’t give you a choice, though! And they dont even bother writing it a bit more ambiguous so the player could be fooled too, its pretty damn obvious you’re being tricked yet the only way to progress the game is to keep going. So you accidentally end up casting the evil magic on the god-tree and its like HOLY SHIT NO! And as you run back to the town you cant get back in time to stop anything, and you just get to see cutscenes of what’s happening while you’re gone. The evil duo cross the line EVEN FURTHER by MURDERING MAHBU’S GRANDMA! Mahbu’s grandma is the BEST CHARACTER, you fucking fuckface! She was such a nice helpful mentor and one of the only people who genuinely treated you two like human beings even though she wasn’t related to you. And she tries to stop the evil duo from doing their evil plan, she tries to reason with them, and she even gets desperate enough to try and reason with them within their own logic. Even if they’re sacriligious and selfish enough to not care that they’re trying to kill god for personal gain, they should at least understand that their plan WON’T FUCKIN WORK, and they’re just gonna bring god’s wrath and ruin humanity’s only chance at redemption! You’re gonna lose all your goddamn money and power if you get bitchslapped by the heavens, dumbass! AND you;ll kill the rest of us too, who never did anything to deserve it! And they ignore all her attempts to be reasonable, and ritually sacrifice her to try and save their own asses once their stupid attempt to kill god backfires. FUCK YOU TWO, SERIOUSLY!

And then something I really like is the revelation of grandma’s backstory! Cos seriously, who exactly was this mysterious woman who found this orphan and rescued her from the forest? She wasn’t a citizen of this town, she just stayed here to raise Mahbu once the town residents acted like assholes and tried to kick the poor kid back out. It turns out that grandma is actually the mortal incarnation of one of the minor deities! She’s basically this world’s psychopomp. The evil duo were actually RIGHT when they said she was a demon in disguise, but NOT when they thought that she was the evil one and they were good. The psychopomp figure of this mythology is hated, but it seems to be that she gained that reputation because she disobeys Elrihm and tries to help humans. She saved this Nagi girl from dying like the rest of her people, and even bound herself in human form in order to try and redeem this town of jackasses. And even though she was part of their village for so long and did nothing but try and protect them, they still ultimately betrayed her... And it was a very vague plot element that was only casually mentioned here cos its Endgame Time and we have to move very fast now. But it was implied that the chief and vizier are the reincarnations of the original evil king and evil sorcerer who did the same sinful nonsense all those centuries ago to get humanity kicked out of god’s domain in the first place. I dunno if its just meant to be that they’re naturally stuck in a cycle of reincarnation as punishment for their sins? But I always liked to interpret it that psychopomp grandma chose to never take their souls, because no matter what they do to her she still believes that one day they might be able to be redeemed in their next life. I feel like maybe she’s gambling with god, she’s keeping humanity alive by holding this one last wager to prove that they’re worth saving...

And then spoily endgame stuff happens and ultimately the protagonist fullfills some ancient prophecy and calms god and etc and MAKES UP FOR THE BULLSHIT ADULTS RUINING ALL THE SHIT, SERIOUSLY And seriously i haaaate how abrupt and rushed the ending is, and how that in this abrupt rushed ending they had time to show that the trash town comes back to life but not show that Mahbu does! You’re told beforehand that she will, but like.. with how many times you get lied to in this game, it would have been nice to get some damn confirmation in the end. Plus seriously, I cant even be happy seeing the town come back! Thats not a very climactic ending! Seeing protagonist smooch his poor long-suffering girlfriend would be way better! Seriously SERIOUSLY everyone else fuckin died cos of their own fuckin fault cos they MURDERED A GRANDMA my nice sweet ETERNAL GRANDMA, the ANCIENT DEITY OF ALL GRANDMAS, the fuckin DEATH GOD SATAN FIGURE WHO SACRIFICED HERSELF TO BECOME A GRANDMA AND PROTECT US AND THEN THEY KILLED HER, AAAAA they fuckin deserved to all die and be frozen in stone unable to even find peace But Mahbu’s life was instead in danger because she used too much magic purifying monsters IN ORDER TO SAVE THE DAMN TRASH TOWN And after all that they had the goddamn gall to be ungrateful and just cause a second disaster and ask us to fix it again! THAT is why mahbu was gonna die! Because she was a good person who listened to your bullshit and tried to save you, and loved me, and just SERIOUSLY SO MANY EMOTIONS you repayed her by KILLING HER GRANDMA

And i mean seriously her form of death was quite literally death from being TOO HOLY AND MORAL. She wasn’t strictly ‘dying’, it was more like a death of personality, I guess? Becoming something holy and leaving this world, when she didnt want to leave you. Everyone called the painful Nagi markings ‘cursed’ and shamed her for it and made her cover them up so their poor goddamn eyes wouldnt be offended by having to look at them. And poor mahbu was worried her goddamn love of her life would be disgusted with her if he saw! So it was like.. simultaneously cathartic and sad to learn that tradition was wrong in this respect. That it was still a BAD THING, but it was holy markings instead of a curse. Nagi priests who succum to the ‘curse’ are just shedding their humanity as a reward for their service, because from Elrihm’s perspective this is a good thing. So Mahbu becomes a tiny fairy angel type Minion, and then its just sad and intense because soon she’ll lose the ability to speak and forget about you and grandma :( So you have to seal her inside a cocoon in order to halt the spread of the holy markings, and can only let her out to talk to her for very short amounts of time in case it starts up again. And then you have to face the gauntlet of the penultimate dungeon alone without the ability to fuse monsters, until you get through it and find the original Nagi hometown whose demise was greatly exaggerated. And then nobody there has any time for character development cos its endgame time, but seriously it was thematically really damn cathartic to walk through that door and see the place! And meet this actual good guy chieftain who actually finally answers some goddamn questions and helps you! Even if its super sad to have to do fusion with these new stranger shopkeeper twins, instead of the wife you’ve grown to love. And also SERIOUSLY just imagine how fuckin atmospheric that whole penultimate dungeon would have been if the player character got to have a voice! It was all atmospheric to me cos I got really into it and imagined it, but I wish it coulda been canon, yknow? I’m just imagining the poor protagonist dude fighting through this horrifying gauntlet all alone with his final team of monsters, struggling to keep up without any of the magical reinforcement they usually get, unable to restock the last few items he has left in his bag. Fuckin DESPERATE HORROR, fuckin having to sleep overnight in the forest for the first time, fuckin terrified. Fuckin.. clinging to the soul of his wife sealed in a cocoon, keeping it safe against all costs, fuckin wakes up in the middle of the night and just how terrified he’d be that he can’t find her, until he remembers what happens T_T And then like.. imagine him summoning her and only getting a few minutes to hold her tiny fragile fairy self in the palm of his hands, and strain to hear her quiet voice as it gets fainter and fainter, and she struggles to remember herself. Thats somehow EVEN SADDER than if you could actually use monster-Mahbu in your party to fight alongside you! (tho that would have been AWESOME) I felt so bad that after all the horror these two had to go through, we never get to see the happy ending they earned, and instead the game wastes time showing the trash town coming back and just... GAHHH

oh and also that is THE ONLY THING about the sequel that i agree is bad! I liked the sequel a lot! And.. I mean.. in theory its a very interesting concept to have the protagonist of the last game be this sadman morally ambiguous broken mentor man. But seriously fuckin hell give the man a break! They literally say that he got blessed/cursed with immortality cos he fullfilled the prophecy in the first game, so Mahbu died long ago and he desperately wants to die too. Thats such a fuckin sick thing to do to your protagonist! And I mean, he doesnt even look like the same person anymore, and so much about the gameplay and the setting and etc are wildly different so it doesnt seem like the same world in th future, why even bother trying to claim its the same world in the future... I mean even.. monsters come from eggs instead of cocoons now, and you cant catch them or merge them, only buy them in stores! Shoulda just made it a separate game and let it stand on its own merits, it would have actually succeeded. I love all the characters in JC2, there’s no problem of ‘man i dont wanna save these guys’, the only character I dont like is fuckin... SADMAN FORMER PROTAGONIST WHO WANTS TO DIE At least in the ending after spoily stuff he gets to pass away. But lets just say the spoily stuff spits on the poor man’s legacy even more, sheesh...

ANYWAY I FEEL A LOT OF EMOTIONS FOR PROTAGONIST AND MAHBU And this game has great worldbuilding and i love it even if the ending is rushed and you’re forced to fall for stupid villain assholes’s stupid tricks ok end of bunni’s rambling