๐๐ผ๐ฒ๐ ๐ฒ๐๐ฒ๐ฟ๐ ๐๐๐ผ๐ฟ๐ ๐ฎ๐น๐๐ฎ๐๐ ๐ต๐ฎ๐๐ฒ ๐๐ผ ๐ต๐ฎ๐๐ฒ ๐๐๐ฐ๐ต ๐ฎ๐ป ๐๐ป๐ต๐ฎ๐ฝ๐ฝ๐ ๐ฒ๐ป๐ฑ๐ถ๐ป๐ด?
Don't wanna be here? Send us removal request.
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PEDRO PASCAL as JOEL MILLER in THE LAST OF US (2023-), ep. 9 Look for the Light
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happy tdov, bucky is genderfluid and married to a trans man, america stay mad
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&.ย ๐๐๐ซ๐คย ๐๐ง๐ ๐๐ง๐ ๐ฌ๐ญ๐ฒ ๐ฌ๐๐ง๐ญ๐๐ง๐๐ ๐ฌ๐ญ๐๐ซ๐ญ๐๐ซ๐ฌ.
(ย weย loveย angstย onย thisย blog,ย whatย canย weย say.ย hereโsย someย moreย dialogueย promptsย forย you.ย aย warningย forย potentiallyย triggeringย themesย below.ย )
โ everything you touch, you ruin. โ
โ the only one who gets to kill you, is me. โ
โ you canโt make me disappear. โ
โ memories are only there to make you bleed. โ
โ i donโt need your permission. โ
โ donโt shut me out like this. โ
โ the less you know, the better. โ
โ i wonโt stop killingย until you kill me. โ
โ why is it whenever we see each other, youโre covered in blood? โ
โ you think i felt something for you? youโve forgotten what i am. โ
โ the last time we talked, didnโt you say you wanted to kill me? โ
โ i felt something loosen in me that shouldnโt have been loosened. โ
โ pull yourself together. we have work to do. โ
โ stay back, i have a demon inside of me. โ
โ let me get closer, i have a hell inside of me where your demon can live. โ
โ people like that donโt deserve to live. โ
โ just do what youโre told. like you always do. โ
โ why do you have to make everyone hate you? โ
โ itโs better that you donโt get involved. โ
โ iโd do anything to make you stay. โ
โ who cares if it bleeds. โ
โ is this what you think love is? โ
โ just breathe through it. it gets easier. โ
โ donโt pretend that you cared about me. โ
โ iโm starting to think you like wasting my time. โ
โ we wouldnโt be alive if it werenโt for me. โ
โ i will never, ever, give you a momentโs peace. โ
โ the world doesnโt hate us. but it doesnโt love us either. โ
โ it hurts that you still canโt trust me after all this time. โ
โ a darkness with voices is better than a silent void. โ
โ itโs safer to be feared, than loved. โ
โ am i not good enough for you? โ
โ a burnt child loves the fire. โ
โ iโm tired of dying. โ
โ what if you hurt because it feels good? โ
โ donโt try to fix me, iโm not broken. โ
โ if you want me to die, you can just say so. โ
โ you donโt have to be afraid of who you are. โ
โ that line disappears once you cross it. โ
โ how can i believe you after all youโve done? โ
โ i wonโt let you forget about me. โ
โ the person you once knew me as, died. โ
โ are you going to leave me again? โ
โ i have nothing i could offer you. โ
โ no one is going to save you. no one can. โ
โ maybe youโre / iโm already dead. โย
โ you have blood on your hands. โ
โ what, canโt take a punch? โ
โ iโm your mind giving you someone to talk to. โ
โ you have to step out of this darkness and let them see you for who you are, like i have. โ
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There's something sad to me about me headcanoning that Hank and Mariko become friends in most verses but as Jay explains the Krakoa arc to me I'm just sitting there like...."oh so Mariko has to kill him in this universe, oh no"
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Notes on the Muramasa's blade and its influence on Mariko:
We've only really seen the effects of the blade on members of Logans family, how it accentuated Ahikiro's feralness. With Mariko I'm trying to explore how the blade (made with a piece of Logans soul) affects those who are not genetically apart of his family.
With Mariko, the blade seems to almost accentuate her anger. She gets angrier easier, can snap without meaning to. She gets the itch to go out and fight more, which translates into her doing more vigilante work.
As she has the blade for longer, that's when we start to see her lose control. She starts biting at people. She blacks out and goes into frenzies sometimes when she's fighting.
With the blades influence on Mariko, you can kinda see just how much control the entire X family has. How well they have to keep themselves together.
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You think Mariko Yashida, the woman who still has a hard time trusting men, who murdered the alcoholic abusive piece of shit her father tried to marry her off to, who somehow managed to land her way into an immortal killing soul sword is gonna let shit fly when she even hears an inkling of the shit Beast was doing to Logan? You think Hank is gonna survive that???? Mariko has said more than once that Logan is a far more gracious and merciful person than she is. The entire Krakoan council will be lucky if they don't lose their actual heads for these crimes.
I fear my version of Mariko may never be able to be in Krakoa, simply because the second she finds out about the torture pit people will start dying
#๐ฐ๐ข๐๐ฅ๐๐๐ซ ๐จ๐ ๐ญ๐ก๐ ๐ฌ๐๐๐ซ๐ฅ๐๐ญ ๐๐ฅ๐๐๐. (mariko yashida)#(tw: abuse mention)
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A LITTLE NOTE ON MARIKO'S SCARLET SAMURAI ARMOR:
In my iteration, Mariko's armor isn't something she makes, or gets from The Hand. The suit of Scarlet Samurai armor is a family heirloom from Mariko's mothers side of the family, passed down for centuries. It's the only thing Mariko has left from her mother, as her father purged their house of everything of her mothers but the armor after her mother's death.
The armor is connected to an old family tale her mother used to tell her about the wife of this old Japanese general, who's husband died in battle right outside of their small village. In her grief and an attempt to protect her family and village, the wife took the husband's armor, put it on herself, and proceeded to run into battle herself and help defeat the invaders.
Marikos mother told her the tale all the time when Mariko was growing up, and always seemed to love it a lot more that Mariko did. The armor represents something Mariko lost.
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Did I make Mariko a mutant because I wanted to have an easier time having her interact with x-men muses? Maybe so.
Did I also do it because the idea of this little short samurai having enhanced durability just being hard to fucking kill is super funny? And because her cousin Shiro is literally Sunfire so we know the mutant gene runs in the family? And because Yukio is considered Marikos sister in some iterations? Maybe so.
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I fear my version of Mariko may never be able to be in Krakoa, simply because the second she finds out about the torture pit people will start dying
#๐ฐ๐ข๐๐ฅ๐๐๐ซ ๐จ๐ ๐ญ๐ก๐ ๐ฌ๐๐๐ซ๐ฅ๐๐ญ ๐๐ฅ๐๐๐. (mariko yashida)#(unlike Logan Mariko DOES have anger issues and isnt afraid to stab people with her freaky soul sword)
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"Clark, why did you take one of Logan's weird comic weapons and give it to Mariko?"
I mean....what is Logan doing with a red sword that can kill immortals? Is Logan siblings with the supervillain who has the sword opposite to the muramasa blade? Is Logan a red themed Samurai who would make sense having a blood red sword?
#๐ฐ๐ข๐๐ฅ๐๐๐ซ ๐จ๐ ๐ญ๐ก๐ ๐ฌ๐๐๐ซ๐ฅ๐๐ญ ๐๐ฅ๐๐๐. (mariko yashida)#(marvel aint doing shit with the yashida family so ill do it myself)#(never forget that the Yashidas are an important family in marvel and they sidelined Mariko constantly for man pain)
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DIFFERENT KINDS OF KISSES * ย send 'reverse' for the reversal of the prompt, nsfw implied
[ soothe ] sender kisses receiver to stop them from shaking
[ forehead ] sender tenderly kisses receiver's forehead
[ brief ] sender sneaks a kiss to receiver's cheek as they walk by
[ brow ] sender kisses the bridge of receiver's eyebrow
[ impossible ] sender kisses receiver as a final gesture, knowing they can't be together
[ hiding ] sender checks the area around them before kissing receiver, trying not to get caught
[ handful ] sender peppers the receiver's cheek with multiple, playful kisses
[ line ] sender draws a trail of kisses down the length of receiver's shoulderblade and up their neck
[ almost ] sender and receiver are centimeters apart, about to kiss, but something interrupts them
[ side ] sender places a kiss on the side of receiver's nose
[ tip ] sender kisses the tip of receiver's nose
[ underside ] sender leans in and places a suggestive kiss just under receiver's jawline
[ giggle ] sender starts tickling and kissing the receiver all over in order to make them laugh
[ knuckle ] sender lifts receiver's hand to their lips and places a polite kiss there
[ last ditch ] right before receiver leaves for battle, sender rushes into their arms and kisses them desperately
[ the middle ] in the midst of a battle, sender steals a second alone with receiver and kisses them to reassure them
[ dreamy ] sender and receiver indulge in a handful of slow, romantic kisses
[ darkness ] sender and receiver makeout in a completely dark room
[ ear ] sender nuzzles and kisses receiver's ear
[ recline ] sender climbs ontop of receiver and steals a kiss
[ lazy ] sender kisses receiver to wake them up from a comfortable sleep
[ dramatics ] as sender and receiver argue back and forth, sender launches forward and kisses receiver to stop the fight
[ distance ] across a large space, sender blows receiver a kiss
[ hold ] sender and receiver are hugging, and sender kisses receiver on the cheek in a tender display
[ regret ] sender and receiver start to kiss, but sender backs away in the middle of it, knowing it's a bad idea
[ reunion ] thinking they'd never see each other again, sender and receiver are reunited and run into each other's arms, sharing a kiss
[ inner ] in a heated moment, sender trails kisses along receiver's inner thigh
[ lovebite ] in the midst of kissing receiver's neck, sender changes tactics and gives them a tender little bite
[ greeting ] sender and receiver greet each other with kisses to both cheeks in quick succession
[ bunny ] sender gives receiver a bunny kiss by rubbing their noses together back and forth
[ supportive ] sender kisses the top of receiver's head
[ fingertips ] sender places light kisses to each of receiver's fingertips
[ tongue ] sender and receiver indulge in a heavy makeout that involves tongue
[ first time ] sender leans in and kisses receiver for the first time
[ final ] sender and receiver share a kiss for the very last time, and they know it's their last
[ storm ] caught in the midst of a torrential downpour, sender can't help but close the distance and kiss receiver in the rain
[ scar ] sender sees one of receiver's scars for the first time and gently kisses it
[ desperate ] the situation is dire, and sender can't stop themselves from rushing forward and crushing receiver into an aggressive, frantic kiss
[ tend ] while tending to receiver's wounds, sender gives receiver a reassuring kiss
[ stolen ] sender and receiver cross paths and can't resist ducking into a safe place to makeout before they carry on with their day
[ irresistable ] sender taunts receiver by easing closer, promising a kiss, and then backing away, making receiver chase their lips
[ lipstick ] sender is wearing lipstick, and uses that fact to mark receiver with a few lipstick stains
[ chest ] sender removes receiver's shirt and immediately rushes forward to kiss their chest
[ shivering ] sender places small kisses all over receiver's stomach
[ fake ] sender and receiver pretend to be a couple and are forced to kiss each other to blend in
[ maybe ] sender and receiver are best friends and experiment with a kiss to see where it goes
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Kimiko + her little piano The Boys | 3.01 Payback
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Karen Fukuhara as Kimiko in The Boys (4.06)
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FRENCHIE and KIMIKO The Boys (2019-) 4.02
#๐ฐ๐ข๐๐ฅ๐๐๐ซ ๐จ๐ ๐ญ๐ก๐ ๐ฌ๐๐๐ซ๐ฅ๐๐ญ ๐๐ฅ๐๐๐. (mariko yashida)#(actual footage of Mariko and Logan leaving the bar)
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Mariko loves Logan's kids, and that's something I think is very important.
She becomes close with the kids before her and Logan ever get closer, in my world. Mariko avoids the idea of her and Logan for a bit because of her past experiences, because of her father trying to marry her off to a man she had to murder in order to escape. She had a strained relationship with men in general. But kids? She loves kids. Mariko always wanted to be a mother, always saw how wonderful her mother was to her and wanted to emulate that for children in the future. She meets Laura and Gabby and even Akihiro, and she loves those damn kids immediately.
She loves Logan, and she cares about him a lot, but she knows that he comes with his kids, and she loves them just as much.
#๐ฐ๐ข๐๐ฅ๐๐๐ซ ๏ฟฝ๏ฟฝ๏ฟฝ๐ ๐ญ๐ก๐ ๐ฌ๐๐๐ซ๐ฅ๐๐ญ ๐๐ฅ๐๐๐. (mariko yashida)#๐ฐ๐ ๐๐จ ๐ฐ๐ก๐๐ญ ๐ฐ๐ ๐ฐ๐๐ง๐ญ ๐จ๐ฏ๐๐ซ ๐ก๐๐ซ๐. (headcanons)
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"It's not a good day for him. You know how he gets on days like that," there was a part of Mariko that felt an overwhelming sense of guilt at being unable to help Logan when he was like this, unable to understand. There are bits and pieces Mariko can relate to, the small portions Logan has shared with her over a drink or a night sky. But Logan was a man who had lived a very long and very painful life, and Mariko knew deep down that some days, she just couldn't help him like she wanted to. "I texted him a bit ago. I figure he'll respond whenever he'd like. I'm trying not to be too down his throat, being overbearing will only serve to upset him."
moreย randomย dialogue prompts.ย ย ย not accepting.ย ย ย โย ย ย @taieswrittenย said :ย ย ย โ werenโtย youย supposedย to bring someone back with you ? โย ย ย fromย mariko yashida.
a gentle shrug of the shoulders was all she could muster. slipping off the leather jacket that cloaked her shoulders before off came her signature leather gloves next. โ I was - โ that had been the mission. seemingly simple at first thought but actually quite complex upon execution. perching herself against the edge of the desktop , anna - marie wore the sign of defeat visibly. โ you and I both know wolvie. if he isnโt ready to leave the bar and come home , not even I can change his mind. โ logan had almost become like a big brother to rogue and she knew there was no convincing him to do something he didnโt want to do. โ have you tried talking to him ? โ
#๐ฐ๐ข๐๐ฅ๐๐๐ซ ๐จ๐ ๐ญ๐ก๐ ๐ฌ๐๐๐ซ๐ฅ๐๐ญ ๐๐ฅ๐๐๐. (mariko yashida)#๐ข๐ญ'๐ฌ ๐ฒ๐จ๐ฎ๐ซ ๐ ๐จ๐ฅ๐๐๐ง ๐ก๐จ๐ฎ๐ซ. (int: bsywmn)
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THE MANY FACES OF THE ๐๐๐๐ ๐๐
๐๐๐๐๐๐.
1/?
#๐๐ฆ ๐ ๐ฒ๐จ๐ฎ๐ซ ๐๐ซ๐๐๐ฆ ๐ ๐ข๐ซ๐ฅ? (agi odindottir)#(agi fc showcase time. here are some of my favorites i use for my lil gremlin)
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