A personal blog on film; musings, reblogs, spoilers. We'll see what develops.
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I have gotten used to looking at reality in an artistic way, especially through the viewpoint of painting. When I look at nature, I see a frame of painting. I see everything from an aesthetic angle. Even when I am in a taxi looking out of the window, I put everything in a frame. This is the way I see painting, photography and film – all interrelated and connected. The movie industry captures reality in frames. For me particularly, painting is a source of diversity, and refuge from daily life. When tired, everyone seeks refuge in something. For me painting is that form of refuge – a place to go and entertain myself and perhaps recreate reality in an aesthetic sense.
-Abbas Kiarostami
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Richard Linklater, Ethan Hawke & Julie Delpy on the set of Before Sunrise, 1995.
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This year sucks.

“To please the majority is the requirement of the Planet Cinema. As far as I’m concerned, I don’t make a concession to viewers, these victims of life, who think that a film is made only for their enjoyment, and who know nothing about their own existence.”
R.I.P. Andrzej Zulawski, 1940 – 2016
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Conversation
Frieze: What could you imagine doing if you didn’t do what you do?
Agnes Varda:Finding ways other than photography and cinema to capture fragile instants – as substitutes for memory.
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Video
vimeo
Setsuko Hara: The Millennium Actress
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WOMEN CINEMATOGRAPHERS APPRECIATION WEEK⁴
Eternal Sunshine of the Spotless Mind (2004) | DP - Ellen Kuras
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Burden of Dreams (1982, dir. Les Blank)
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“Life is a mixture of sad and happy things. Movies are so life-like, that’s why we love them […] My uncle says we live three times as long since man invented movies […] It means movies give us twice what we get from daily life.”
yi yi (dir. edward yang, 2000)
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This has been the shittiest fucking week in a very long time. I need something from Kaufman to keep my soul from dying completely. I know, tall order.

US one sheet for ANOMALISA (Charlie Kaufman, USA, 2015)
Designer: BLT Communications
Poster source: IMPAwards
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