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We looked inside some of the posts by tapigurure-blog and here's what we found interesting.
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Text
My project is about how we can become numb to certain aspects to of our life. Even though its blatant that there is something unusually or something bad is going on we just ignore it because of several reasons. It might be because we fear what we will find out if we deal with the problem or we feel its not worth effort. The issue becomes a part of are deal life we just learn to live with is or just ignore it.
These problems might be as simple as not changing a flickering light bulb in your room or as big as not going to the doctors because you think the pain will just go away.
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Photo
Cindy Sherman
Untitled Film Stills is a series of sixty-nine black-and-white photographs made between 1977 and 1980. She used vintage clothing, wigs and makeup to create a range of female personae which she then photographed in apparently solitary, unguarded moments of reflection, undress, or in conversation with somebody off-set and outside of the frame.
‘Real film stills are not stills from the actual film but are photographs taken to encapsulate aspects of the film for advertising purposes, to be shown on billboards or in magazines or newspapers. Sherman has explained that she titled this series of images ‘film stills’ ‘mostly because I was thinking of publicity stills like you’d see around 42nd Street...Like real movie stills Sherman’s images evoke events in possible narratives which the viewer may invent or interpret in different ways, suggesting an original which never in fact existed.’
Like the other artist I have looked at Sherman is trying to capturing a moment a feeling and preserving it but unlike the others she’s fabricating them. Even though the moments are fabricated and staged but the ideas and emotions are ‘real’.
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Video
youtube
(via https://www.youtube.com/watch?v=qsGWjpfxa8c)
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Text
Beecroft - Shes able to capture not only her own feelings and emotions and portray them but the ones of different gender culture belief system Kanye west
Wearing is able to do the same through the community around her
Gordon is able to portray separate moments all the same time whilst at the same time each individual moment is still special.
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“Something new emerges in the images through the process of deconstruction which changes the relationship between the viewer, the object framed and the frame itself, allowing for new meanings, interpretations and associations to be made. It is not only a literal re framing of something familiar, but also a conceptual and figurative one.” - Steve Williams, Generation: Douglas Gordon (Review)
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my film
How long will it take until you don’t notice my video any more, in a sense that how long does it take for use to get numb to the things around us for example the homeless. How many people have you wake passed and done nothing about. How many people have you just walked passed even though they clearly need help. You may have you noticed but it didn’t provoke a reaction.
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Video
tumblr
this is another experimental video of me playing with the bulb in my room
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Photo
RAFAEL LOZANO-HEMMER
Pulse Room
https://www.youtube.com/watch?v=sbiqDufLCDY
Pulse Room is an installation of incandescent light bulbs, 300 W each and hung from a cable at a height of three metres. The bulbs are uniformly distributed over the exhibition room. When someone holds the interface, a computer detects his or her pulse and immediately sets off the closest bulb to flash at the exact rhythm of his or her heart. Each time someone touches the interface a heart pattern is recorded and this is sent to the first bulb in the grid, pushing ahead all the existing recordings. At any given time the installation shows the recordings from the most recent participants.
Like many of the other artists I have looked at Lozano-Hemmer is attempting to preserve a fleeting moment, want people to ‘experience a fleeting moment’. The view is participating the art they are a key part.This work was inspired by Macario, directed by Roberto Gavaldón in 1960
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Martin Creed - Work No. 227, The Lights Going On And Off
https://www.youtube.com/watch?v=MDqU8hhy99M
Martin Creed’s Work No. 227: The lights going on and off consists of an empty room which is filled with light for five seconds and then plunged into darkness for five seconds.
Martin Creed had warned that people should not look for too much meaning in his Work 227: The lights going on and off. It is part of an ongoing series of investigations into ‘commonplace phenomena’ .creed finds the extraordinary in the in common everyday objects and tries to make the viewer realise it for themselves. Enthusiasts had called it a statement against the clutter and consumerism in the world.
He sees galleries and museums and theatres for art. The experience should be theatrical and live. The audience should interact with the piece. Like a piece of music the art needs to be played to be experienced
Creed plays with the traditional ways of museum or gallery display and, consequently, the visiting experience. Creed plays with the viewer’s sense of space and time. The viewer doesn’t know if the performance has begun or is about to end. Creed empowers the view by giving them a choice whether to stay and see if the piece ends or to leave and assume that have missed the beginning. The piece forces an awareness of, and interaction with of the space.
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