taylorhatesart
taylorhatesart
TAYLOR HAYES
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taylorhatesart · 2 years ago
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taylorhatesart · 8 years ago
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Mark Bradford
 ‘Smear’ 
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taylorhatesart · 8 years ago
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Mark Bradford. 
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taylorhatesart · 8 years ago
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Pierre Bonnard (1867-1947) Le petit déjeuner (1936) oil on canvas  63.5 x 95 cm
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taylorhatesart · 8 years ago
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Renfield by Andrew Wyeth (ca.1999). Tempera on panel. 
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taylorhatesart · 8 years ago
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Odilon Redon - Large Vase with Flowers (c. 1912)
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taylorhatesart · 8 years ago
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taylorhatesart · 8 years ago
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New progress on recent pieces using wheat paste, found papers, and acrylic paint.
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taylorhatesart · 8 years ago
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Bouquet of Flowers in a Blue Vase, Odilon Redon
Medium: oil on canvas
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taylorhatesart · 8 years ago
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Janaina Mello Landini’s unbraided rope installations appear as representations of the circulatory system or roots from the natural world. But in truth, the meticulously twisted and arranged works are emblematic of a number of concepts. See more on HiFructose.com.
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taylorhatesart · 8 years ago
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Vase with Japanese Warrior, 1905, Odilon Redon
Size: 228.6x184.15 cm Medium: pastel on paper
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taylorhatesart · 8 years ago
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Alisher Kushakov
https://www.behance.net/alish
Check us out on Instagram: @Lesstalkmoreillustration
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taylorhatesart · 8 years ago
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Kate as Frida, Forty Fridas,  Ellen Heck
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taylorhatesart · 8 years ago
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Andrew Wyeth
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taylorhatesart · 8 years ago
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Living Room, September 1998.
Dmitri Cavander
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taylorhatesart · 8 years ago
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Started a new mixed media piece on mdf wood that is feeling right. I started this one out by loosely painting abstract shadows with india ink. Next I used papers I found in the trash or on the ground to collage into negative spaces. I've used other mixed media materials to develop the surface further and carved into spaces as well. The goal is to keep some of the looseness and raw surfaces simple while developing other areas further and really push the value contrast.
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taylorhatesart · 8 years ago
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René-Jules Lalique, Three hellebore studies, 19th-early 20th century (source).
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