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Taylor being magical 183/1k

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Taylor Swift attending the American Music Awards in Los Angeles, California on Novemeber 24th, 2019.

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Taylor Swift attending the American Music Awards in Los Angeles, California on Novemeber 24th, 2019.

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Taylor being magical 315/1k

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"A lot of the songs on The Tortured Poets Department deal with the idea of heartbreak, or loss, in a metaphor of something else. The metaphor in Down Bad is that I was comparing sort of the idea of being like, love-bombed, where someone like, you know, rocks your world and dazzles you and then just kind of abandons you, as an alien abduction, where you were abducted by aliens, like this girl was abducted by aliens, but she wanted to stay with them. And then when they drop her off back in her hometown, she's like, 'Wait, no. Where are you going? I liked it there! It was weird but it was cool. Come back' and so she's just like, the girl, the character in the song, just felt like, had just been exposed to a whole different galaxy and universe she didn't know was possible. How can you just put me back where I was before?"

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TAYLOR SWIFT | ERAS TOUR: London, UK @ Wembley Stadium

London Night 1 surprise songs (June 21st 2024):

🎸 Guitar mashup 🎸 Hits Different x DBATC

🎹 Piano mashup 🎹 The Black Dog x Come Back...Be Here x Maroon

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"This is a song that I think really exhibits a lot of the common themes that run throughout this album, one of which being fatalism, longing, pining away, lost dreams. I think that it's a very fatalistic album in that there are lots of very dramatic lines about, you know, life or death, "I love you, it's ruining my life," these are very hyperbolic, dramatic things to say. But it's that kind of album. It's about a dramatic, artistic, tragic kind of take on love and loss. And Fortnight, I've always imagined that it took place in this American town where the American Dream you thought would happen to you didn't, right? You ended up not with the person that you loved, and now you have to just live with that every day, wondering what would've been, maybe seeing them out, and that's a pretty tragic concept, really. So I was just writing from that perspective."

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"Nothing is permanent, so I’m very careful to be grateful every second that I get to be doing this at this level, because I’ve had it taken away from me before. There is one thing I’ve learned: My response to anything that happens, good or bad, is to keep making things. Keep making art. But I’ve also learned there’s no point in actively trying to quote unquote defeat your enemies. Trash takes itself out every single time.”

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At every table, I'll save you a seat.

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TAYLOR SWIFT THE ERAS TOUR dir. Sam Wrench (2023)

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"So being in the public eye since I was a young teenager, there's a lot that that does to your perception of the world, your perception of yourself—the idea that the world has this sense of ownership, and not just a right, but they feel they have a responsibility to judge you, and to critique you, and to weigh in. And that can really toy with you. Who's Afraid of Little Old Me? was a song I wrote alone, sitting at hte piano, in one of those moments where I felt sort of bitter about just all the things we do to our artists as a society and as a culture. There's a lot about this particular concept on The Tortured Poets Department. What do we do to our writers and our artists and our creatives? We put them through hell, we watch what they create, then we judge it. We love to watch artists in pain, often to the point where I think sometimes as a society, we provoke that pain, and we just watch what happens. So there's lines about feeling like I've been in the circus, those kinds of metaphors, or feeling like I'm sort of like a witch in a haunted house. Those are some ways that I feel sometimes when I'm not able to kind of right the ship and cope with my normal coping mechanisms. So this song was just a very, very true way that I feel sometimes, and it's always good when you can be honest about those things."

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Is it cool that I said all that?

Is it too soon to do this yet?

'Cause I know that it's delicate

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“I used to sit in record labels trying to get a record deal when I was a little kid. And they’d say, ‘you know, you remind us of’ and then they’d name an artist, and then they’d kind of say something disparaging about her, ‘but you’re this, you’re so much better in this way or that way.’ And that’s how we teach women to see themselves, as like you could be the new replacement for this woman who’s done something great before you. I picked women who have done great things in the past and have been these archetypes of greatness in the entertainment industry. Clara Bow was the first ‘it girl.’ Stevie Nicks is an icon and an incredible example for anyone who wants to write songs and make music.”

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My husband is cheating, I wanna kill him

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Your wife waters flowers, I wanna kill her

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I wish I could unrecall how we almost had it all