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✱˚｡⋆ ↪ 𝐀 𝐆𝐀𝐌𝐄 𝐎𝐅 𝑻𝑬𝑳𝑬𝑷𝑯𝑶𝑵𝑬 .    (  a  collection  of  texting prompts.  feel free to change phrasing.  potentially mature content within.  )

[ TXT ] : why are you still awake?

[ TXT ] : hey, where did you go?

[ TXT ] : it's getting bad again.

[ TXT ] : guess i'll just sit in bed. alone. by myself.

[ TXT ] : you can't ignore me forever.

[ TXT ] : i can't stop thinking about you.

[ TXT ] : just saw i called you last night. how'd that go?

[ TXT ] : i really need someone right now.

[ TXT ] : we need to make plans asap.

[ TXT ] : have you seen the news?

[ TXT ] : you were blackout drunk.

[ TXT ] : testing to see if you blocked my number...

[ TXT ] : do you know anything about doing stitches?

[ TXT ] : just please let me know you're okay.

[ TXT ] : did you forget we had plans?

[ TXT ] : i know you see my messages, your read receipts are on.

[ TXT ] : meet me at [ location ], it's important.

[ TXT ] : do you need comfort, to vent, or a solution?

[ TXT ] : is there anything i should bring?

[ TXT ] : call me. please, it's important.

[ TXT ] : i can't sleep.

[ TXT ] : have you eaten today?

[ TXT ] : you are always going to be my priority.

[ TXT ] : i haven't seen you around in awhile.

[ TXT ] : i had a dream about you last night.

[ TXT ] : the names are gonna get mean if you don't text me back.

[ TXT ] : at the risk of sounding cliche, what are you wearing?

[ TXT ] : just say the word and i'll drop everything.

[ TXT ] : do you seriously not remember?

[ TXT ] : come to the front door.

[ TXT ] : have you been drinking?

[ TXT ] : how do you feel after last night?

[ TXT ] : are you up? please be up.

[ TXT ] : you looked beautiful today.

[ TXT ] : i have so much to tell you.

[ TXT ] : no one's heard from you. are you okay?

[ TXT ] : who is this?

[ TXT ] : are you taking care of yourself?

[ TXT ] : thought i'd reach out and see how you're doing.

[ TXT ] : i miss the taste of your lips.

[ TXT ] : that kiss was really nice.

[ TXT ] : stop acting so high and mighty.

[ TXT ] : i left my [ item ] at your place.

[ TXT ] : are we still fighting?

[ TXT ] : i need help and i can't go to the hospital.

[ TXT ] : are you thinking about me too?

[ TXT ] : call me, i wanna hear your voice.

[ TXT ] : i don't want to talk to you.

[ TXT ] : what do you have to lose?

[ TXT ] : you don't have to ask, i'm already on my way.

[ TXT ] : i want to take a nap on you.

[ TXT ] : even if you called 6 months later at 3am, i'd answer.

[ TXT ] : what's my name in your phone?

[ TXT ] : how's trying to forget about me going?

[ TXT ] : i have nobody else to ask.

[ TXT ] : what do you mean you're at the hospital??

[ TXT ] : sorry, i think you have the wrong number.

[ TXT ] : good morning! you up yet?

[ TXT ] : do i sense sarcasm in your tone?

[ TXT ] : you start your day at 2pm?

[ TXT ] : you need MY help?

[ TXT ] : stop texting me.

[ TXT ] : i'll leave that up to your imagination.

[ TXT ] : are you asking me to sneak out?

[ TXT ] : when will i see you again?

[ TXT ] : if you come over, i'll order us a pizza.

[ TXT ] : are we ever going to talk about it?

[ TXT ] : can you come get me out of here?

[ TXT ] : you mean like ... a BODY - body?

[ TXT ] : it's just been one thing after another lately.

[ TXT ] : forgiving and forgetting is harder than it sounds.

[ TXT ] : i want your legs wrapped around my head.

[ TXT ] : call me when you wake up.

[ TXT ] : what are you doing that's more important than me?

[ TXT ] : i'm out of town right now.

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polaris core

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how about we try an exercise, okay? is that okay? s3 e5 ✿

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ੈ✩‧₊˚

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joel coded characters blunt rotation just dropped. this is terrible. this could be a form of torture

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the rehearsal finale was like this

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d1ck appointments with joel are very literal. it's on his calendar, he pencils it into his day in advance. thank you for choosing the love-inger express

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joelcore

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Character Development Questions

here are a bunch of questions to ask for the mun in terms of headcanons and getting to know their muses better. some of them are silly, some of them are very specific, and some of them are "what if" scenarios.

Are they a good liar or a bad liar?

Are they an early bird or a night owl?

Are they an introvert or an extrovert?

Are they philosophical?

Are they self-conscious?

Are they superstitious?

Are they Team Magic, Team Religion, or Team Science?

Do they believe in happy endings?

Do they fit their Astrological Sign?

Do they have any addictions?

Do they have any fears or phobias?

Do they have any nicknames?

Do they have any pet peeves?

Do they have any superpowers?

Do they see the glass as half full or half empty?

Have they ever had their heart broken?

How blunt are they?

How do they feel about politics?

How easily do they make friends?

How many languages do they know?

How well do they handle criticism?

How would they react to meeting another version of themself from an alternate universe?

What are their hobbies?

What are their political views?

What is their biggest regret?

What is their Character Alignment?

What is their Enneagram?

What is their favorite color?

What is their favorite holiday?

What is their first name?

What is their MBTI?

What is their gender pronouns and sexuality?

What Lantern Corps would they be in?

What makes them stand out from the rest?

What song best describes them?

What sort of people are they attracted to?

What type of person is your character most likely to be drawn to?

Who is the most important person in their life?

Who would be their Signature Mon?

Who would be their Digimon partner?

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polaris corporate pride. idk what else but. yeah

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L'Ordinateur Individuel (1986)

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so what if I want to have total control over every single thing at all times. just let me lol

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how it feels to work at polaris

you want to join polarisverse. you want to collaborate. you want to make associated ocs.

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Polaris Computing Ltd., more commonly known as simply Polaris, was founded by Stanford graduate students Claire Tashi and Joel Lovinger in 2002. The company rapidly rose to prominence after the release of their sophmore operating system Andromeda in 2006. Users praised the system for its balancing of desirable traits from competing companies, namely Apple and Microsoft. Blending the heavy lifting of Windows with the visual sensibilities of Apple and a level of customization offered by neither allowed the small tech startup to skyrocket into financial success and industry acclaim.

Andromeda was a major improvement over its debut OS Centauri (released in 2003), marking major shifts towards a focus on smooth and instinctive UX and UI. The desire for a smooth and highly personalized user experience was Claire's contribution, and something that truly set Polaris's products apart. Joel's contribution was in functionality and capability, pushing their OS products to the limits of technical capability.

Eventually the company began creating its own devices to pair with its software, a way to further engage devoted customers and bring in more sales. While their operating systems could be installed on any device, the launch of the Cygnus desktop computer in 2008 was a foray into a new era of the company. Joel carefully oversaw the technical details of its design, the hardware used, and together with Claire personally monitored the progress of software development for the launch of Lyra, the follow up OS to Andromeda that would debut pre-installed on all Cygnus computers. Shortly after that Polaris released their first laptop, the Gemini. It would also use the Lyra OS, and promised to replicate as much of the experience of a desktop as technologically possible. The design ethos of the company persisted, and accessorizing the Gemini became increasingly popular. The company began to sell official cases and protective equipment in a variety of colours, patterns, and materials, along with laptop bags, headphones, mice and other accessories.

What would truly cement Polaris as an untouchable tech giant was an early wave smartphone meant to compete with the Blackberry: the Lynx. Released in 2009, for a while the Lynx was the only smartphone to properly compete for the market owned by RIM and the Blackberry and Apple's iPhone. Multiple versions of the Lynx with slight modifications were released, along with models in all sorts of colours. The parade of phone cases and charms and holders would further contribute to the individualization continued.

As the market shifted heavily in favour of touchscreens, and iPhones became the dominant cellular device on the market, Polaris too shifted with the tides. In 2011, the company released their own version of a touchscreen phone, essentially a miniature tablet with added features that carried a more true-to-desktop version of Polaris's OS: the Acrux.

This pattern of call and response would continue over the next decade as the company began to balloon to titanic proportions. Its value would grow in a way that seemed exponential. With solid leadership and a better-than-average public reputation than most tech companies of the era possessed it seemed there was nowhere but up, up, and up for Polaris and its C-suite executives. Shortly before the 20 year anniversary of Centauri's release, and what was sure to be a monumental milestone for its leaders, Claire would slowly phase out of the company. With her shares sold and redistributed, and Joel able to secure over approximately 52% ownership of the company's shares, he remained on board as the sole CEO of the company and its single largest shareholder.

This shakeup was met with Joel's very own press tour; interviews in magazines, glowing reviews on tech news sites for new Polaris products, and more public appearances and charitable donations. Amid this flurry of good press was the nugget that would explode into a major story in the tech world: Claire was out at Polaris, and the Lovingers had separated. As far as the public knew it was amicable, quiet. Things have carried on, but whispers in the network have revealed cracks in the foundation. With Claire came a small exodus of loyal supporters, particularly those aware of the impending divorce. New hires worked to Joel's advantage, giving the impression of a growing and thriving company. Polaris still pulls in unconscionable amounts of revenue every year, lining Joel's pockets nicely. So far he has been unscatched, the victor, a man on top of the world.

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for muses that are getting to know each other

❝ what's your favorite color and why? ❞

❝ can i come with you? ❞

❝ you have a nice smile, has anyone ever told you that before? ❞

❝ how do you take your coffee? ❞

❝ sorry, what was your name again? ❞

❝ it just occurred to me i never asked you what your last name is. ❞

❝ actually we've met before. ❞

❝ i've heard a few things about you. ❞

❝ care to join me? ❞

❝ i'm not really sure why i trust you. ❞

❝ i don't usually talk this much, it just feels easy to say stuff when you're listening. ❞

❝ i know we don't know each other that well but if you wanna talk about it... ❞

❝ could you help me with something? ❞

❝ do you like it here? ❞

❝ are you new around here? ❞

❝ you can ask me anything you want. i promise i'll answer truthfully except the things i feel like lying about. ❞

❝ i don't mean to be too forward, you just seem like you could use a friend right now. ❞

❝ you can come with me. i mean if you don't have anyone waiting for you. ❞

❝ we're friends now. you can ask me for help. ❞

❝ do you like this music? i can change it. ❞

❝ what are your favorite snacks? ❞

❝ really? i wouldn't have guessed that about you. ❞

❝ do you mind if i ask about it? ❞

ACTIONS:

VISIT: for sender to go to receiver's home for the first time

VISITED: for receiver to go to sender's home for the first time

CRYING: for sender to see receiver cry for the first time

CRIED: for receiver to see sender cry for the first time

BEGIN: sender and receiver are on their first date together

TRIP: our muses go on a group trip but end up stuck together, away from the rest of their friends.

SITUATION: our muses are acquainted because one of them is their friend's roommate. muse a shows up when their friend isn't there and ends up hanging out with muse b one on one.

GO: our muses go to a zoo or theme park together and get lost.

INVITE: sender cooks for receiver for the first time

INVITED: receiver cooks for sender for the first time

TOGETHER: our muses spend the night for the first time

TRY: our muses hooked up and are hanging out the next day

COMFORT: sender is going through a break up and receiver offers to cheer them up

COMFORTED: receiver is going through a break up and sender offers to cheer them up

OFFER: sender gives receiver a ride to the airport/picks them up

OFERED: receiver gives sender a ride to the airport/picks them up

AID: sender helps receiver redecorate

AIDING: receiver helps sender redecorate

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plotting call.... if you dare

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NATHAN FIELDER as HIMSELF

the rehearsal (2x03) — ❝ pilot's code ❞