the-wannabe-jester

[the-wannabe-jester]

made a picture i will use a lot

[the-wannabe-jester]

If you're a writer you're supposed to write a lot of bullshit. It's part of the gig. You have to write a lot of absolute garbage in order to get to the good bits. Every once in a while you'll be like "Oh, I wish I hadn't wasted all that time writing bullshit," but that's dumb. That's exactly the same as an Olympic runner being like "Oh, I wish I hadn't wasted all that time running all those practice laps"

[the-wannabe-jester]

Sirius Black song recs !!!

(this is heavily Wolfstar/ atyd coded sorry not sorry)

I hate it here by Taylor Swift

family line by Conan Gray

the bolder by Taylor Swift

Cassandra by Taylor Swift

fresh out the slammer by Taylor Swift

tolerate it by Taylor Swift

its time to go by Taylor Swift

long story short by Taylor Swift

my tears ricochet by Taylor Swift

the tortured poets department by Taylor Swift

(Can we be friends?) by Conan Gray

Gemini moon by Renee Rapp

Champagne problems by Taylor Swift

Cherry by Harry Styles

We hug now by Sydney Rose

Matilda by Harry Styles (I truly am sorry for this one LOL)

Miss possessive by Tate McRae

Drunk, running by Lizzy McAlpine

I know, I know, I know by ALINA

Lucy by Claire Rosinkranz

[the-wannabe-jester]

WHY YOU SHOULD WRITE HORRIBLY:

1. You’ll never write anything if you don’t

[the-wannabe-jester]

[the-wannabe-jester]

[the-wannabe-jester]

[the-wannabe-jester]

i was drafting a post that said “a single boba tea can replace up to two meals if you are pure of heart” and the reason i didn’t post it is because as i was typing those words i got so dizzy i felt like i was being abducted by aliens

[the-wannabe-jester]

Spoilers: Eggers' Nosferatu

There's a lot of debate right now on if Count Orlok represents Ellen's shame/trauma/abuse, or if he represents her repressed erotic desires, and in turn there's debate on whether or not viewers who find the Ellen/Orlok dynamic alluring are "missing the point." Eggers and Lily-Rose Depp have both said in interviews that there's a mutual pull between Ellen and Orlok, and even that there's a love triangle element, but obviously the experience is terrifying for Ellen. How can we reconcile the sexual tension and the horror?

I think the broader theme is that Orlok represents everything in a woman's inner world that men refuse to acknowledge and accept - fear and shame and trauma, yes, but also our appetites . After the prologue, the story starts with Ellen begging Thomas to stay in bed with her; she says "the honeymoon was yet too short" and tries to pull him in and kiss him (obviously trying to start some nuptial bliss). But Thomas is anxious to meet with his boss and get his promotion, because he has a narrative he's going to fulfill: he's going to pay Friedrich back, buy a house, and then start having kids (he and Friedrich touch on this a bit later. Notably, Friedrich discloses Anna's pregnancy to Thomas before Anna has made it public.)

It's the start of Ellen and Thomas' married life and she just wants him to prioritize her sexual desire, but he chooses to focus on his ideal of success, which sets him on this path to confronting Orlok. We know Ellen doesn't care about having a house or fine things and she begs him not to go, but Thomas listens to Herr Knock and Friedrich, who tell him that as a husband he has to provide materially. He ignores Ellen's stated desires, and so fails to provide sexually and emotionally. When Thomas gaslights her about her nightmares and calls them childish fancies, he shuts down her vulnerability, which kills the intimacy she was enjoying in the literal honeymoon phase.

On a related note, there's a defence in here for Aaron Taylor Johnson's performance, which I've seen a few male critics call "over acting." In this story Friedrich represents the masculine ideal of the time, he's a rich business owner with a beautiful wife and kids. Thomas clearly looks up to him and wants to emulate him - he wants to give Ellen the life "she deserves." But Friedrich's elevated masculine status is why he refuses to listen to Ellen's "hysterical, sentimental" worries, he's too rational for all that of course. And his stubborn "rationality" leads to the death of his entire family. Friedrich IS the patriarchal ideal that crumbles when confronted with nuance and uncertainty. Some people see Friedrich and assume that a character like him is meant to come across as dignified, and that Aaron Taylor Johnson is messing up by making him look annoying, but really he is giving a great portrayal of a really common, annoying kind of guy. The kind of guy who melts down and has childish tantrums whenever they lose control of a situation, or their manly skills and values are shown to be irrelevant.

The men in the movie (excluding Professor von Franz) frame Ellen as childish for speaking about her dreams candidly, but their own childishness is revealed when her dreams manifest in the form of Orlok and become unavoidable. Ellen (partially? possessed in the moment by Orlok) tells Thomas how "foolish and like a child" he was in Orlok's castle. In the literal context that's cruel, and obviously that shit was scary as hell, but it hits on Thomas' failure in the metaphorical reading. He was a child playing house: 'I'll be the husband and make money, you be the wife and make babies.' When it came time to confront his wife's inner world and all the scary, traumatized, lustful complexity of it, he was completely inept. The message isn't that Orlok is what Ellen really needs, or that Thomas is a wimp, but he's not a perfect husband either. I think "the point" is that a real healthy marriage with sexual, emotional, and spiritual mutuality is impossible in that society with Thomas/Friedrich's ideals. In that kind of society, a spiritually and sexually potent woman like Ellen ("in heathen times you might have been a Priestess of Isis") will always be caught in a "love triangle" with her husband and her own inner world.

[the-wannabe-jester]

showing my blood places it's never seen before!

1. the world outside my body

2. hhopital

[the-wannabe-jester]

affirmations

i am a complex organism brutally engineered by uncaring forces of nature

i am a product of billions of years and trillions of deaths

i am building a machine greater than myself

i am able to make phone calls and appointments

[the-wannabe-jester]

[the-wannabe-jester]

from ml.books

[the-wannabe-jester]

it's 2.am. I am crying.

I have a folder called Time is a Flat Circle in which I collect evidence of humanity. Here is most of them.

[the-wannabe-jester]

I'm gonna CRY

the wretched abomination known as the minotaur has discovered some chalk

[the-wannabe-jester]

When Everything Everywhere All at Once said “The only thing I do know is that we have to be kind. Please, be kind, especially when we don’t know what’s going on" 

When the Good Place said "Why choose to be good every day when there is no guaranteed reward now or in the afterlife… I argue that we choose to be good because of our bonds with other people and our innate desire to treat them with dignity. Simply put, we are not in this alone.” 

When Jean-Paul Sartre said ”‘Hell is other people’ is only one side of the coin. The other side, which no one seems to mention, is also 'Heaven is each other’. Hell is separateness, uncommunicability, self-centeredness, lust for power, for riches, for fame. Heaven on the other hand is very simple, and very hard: caring about your fellow beings.“

[the-wannabe-jester]

yes.

by Giacomo Carmagnola