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Lincoln Michel Dec 12, 2024

I’m using “TV” as a shorthand for any visual narrative art from feature length films to video games. A lot of fiction these days reads as if—as I saw Peter Raleigh put it the other day, and as I’ve discussed it before—the author is trying to describe a video playing in their mind. Often there is little or no interiority. Scenes play out in “real time” without summary. First-person POV stories describe things the character can’t see, but a distant camera could. There’s an overemphasis on characters’ outfits and facial expressions, including my personal pet peeve: the “reaction shot round-up” in which we get a description of every character’s reaction to something as if a camera was cutting between sitcom actors.

[...]

My theory is that we live in the age of visual narratives and that increasingly warps how we write. Film, TV, TikToks, and video games are culturally dominant. Most of us learn how stories work through visual mediums. This is how our brains have been taught to think about story. And so, this is how we write. I’m not suggesting there is any problem in being influenced by these artforms. I certainly am. The problem is that if you’re “thinking in TV” while writing prose, you abandon the advantages of prose without getting the advantages of TV.

[...]

When I talk with other creative writing professors, we all seem to agree that interiority is disappearing. Even in first-person POV stories, younger writers often skip describing their character’s hopes, dreams, fears, thoughts, memories, or reactions. This trend is hardly limited to young writers though. I was speaking to an editor yesterday who agreed interiority has largely vanished from commercial fiction, and I think you increasingly notice its absence even in works shelved as “literary fiction.” When interiority does appear on the page, it is often brief and redundant with the dialogue and action. All of this is a great shame. Interiority is perhaps the prime example of an advantage prose as a medium holds over other artforms.

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Listen to me. Listen to me right now. Two years from now people are going to tell you to vote for Democrats in the midterms. And you're going to shut the fuck up and do it.

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this blog hates donald trump

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Some of us really need to be doing “Finish That Fanfic We Haven’t Updated in a Year November” 💀

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Writing Notes: Exploring your Setting

(Excerpted from the Young Novelist Workbook)

PART 1: Settings That Create Moods

Mood - the feeling of your novel; its emotional quality.

You can also think of the mood as how you want someone to feel while reading your novel. 

Examples: playful, serious, mysterious, tense, warm, dangerous, joyous

The setting of a novel - where and when the story takes place. As you know, most novels have more than one setting.

Usually, the author decides to have one large setting.

Example: Los Angeles in 1995

and then many smaller settings

Examples: The laundromat where the characters hang out on the weekends, or the classroom where they get in a fight

Settings do more than serve as a backdrop to the action in your novel. They can also create or enhance the mood of your novel. 

Example

If you wanted to create a creepy mood for a scene in your novel, you could start with something like: 

"A dead tree stood alone in a dark field. Its branches creaked in a cold wind, and in the distance, something howled.”

These images remind us of dark, disturbing things, and show the reader that the scene of the novel is “creepy” without having to tell them directly.

Describing the Setting: A Sample Exercise

Describe the settings that would help create each of the moods listed below.

Try to write 2 or 3 sentences for each mood.

Include specific details about the sights, sounds, sensations (and maybe even smells) of the settings you choose:

Creepy, Joyous, Suspenseful/tense

Now make up 2-3 of your own moods and describe a setting that would go along with each one. 

The last step is to apply your new skills to your upcoming novel.

Think of a scene from each section of your novel.

Then, write or list details to describe a setting that will help create the right mood for each scene.

Example: You might set your climax on the edge of a crumbling cliff at sunset in the middle of a thunderstorm. 

A setting from your set-up:

A setting from your inciting incident:

A setting from your rising action:

A setting from your climax:

A setting from your falling action:

A setting from your resolution:

Now you have settings to enhance the different moods that will be in your novel.

PART 2: Settings That Reinforce Characters

Another advanced writing trick is to show things about your characters just by putting them in specific settings.

Examples: If you were writing about a mysterious person, you might place them in a dark mansion on a hill outside of town; if you were writing about a musician, you might place them in a messy room filled with instruments, speakers, and microphones.

Sample Exercise

For each of the following characters, try to come up with a setting that will reflect or reinforce what you imagine about them.

As you write, try to be as detailed as possible.

Don’t forget colors, sounds, and even smells.

Focus on where the character is.

The shy new kid in town:

A secret scientist superhero:

A character from your novel:

Another character from your novel:

Source

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“writing fanfics is something I do in my free time for fun. I will not treat it like a job and will instead treat it like a hobby because that’s what it is.”

also how it feels being a fanfic writer:

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my dream as a fanfic writer is to write a story which people want to talk to me about and send asks about afterwards and discuss things the characters did and the symbolism and meanings behind certain lines and I'll be all "hehe thanks" but irl I'll be in literal tears because I wrote something that means something to someone

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people who let me wake up to this get a special place in heaven. firefly_fox how does it feel to hold my life in ur hands....

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people who let me wake up to this get a special place in heaven. firefly_fox how does it feel to hold my life in ur hands....

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Words to Limit in your Final Draft

(None of this advice really applies to dialogue. If it’s in your character’s voice, they can use whatever words they like!)

Suddenly

                This one usually makes people’s list for things to cut. “Suddenly, the door opened.” Turns into, “The door slammed open.”

                As always, we want to make the readers think wow that was sudden! Instead of just telling them so.

Saw/Heard + Felt

                I already explained this in my post here!

Seemed

                There’s a use for seemed in writing when your character is surprised, assuming, or guessing at something. “It seemed impossible.” “The noise seemed to travel for miles.” Etc.

                However, when guessing at someone’s emotions—or a group of people—it’s better to just describe what those people look like. So “He seemed happy” turns into, “he grinned, bouncing on his feet.”

Really/Very

                Instead of “The really big house” try, “the huge house.” Or “His hair was very dark.” Turns into “His hair was inky black.”

That

                If you can take ‘that’ out of a sentence, it usually is stronger than if you don’t. “It was the best cake that she’d ever had!” turns into “It was the best cake she’d ever had!” It reads a bit less clunky.

Then

                Then can be used sometimes, but it’s one of those words that’s easy to overuse. To cut out a lot of your ‘thens’ you can replace them with “and” such as, “He left the house, then got into the car.” Turns into, “He left the house and got into the car.”

Down/Up

                “He sat down” is redundant. “He sat” means the same thing. Same with “She stood up.”

I chose the ones I find the most important, but there’s tons of other words that can be unnecessary or bog down your prose. Let me know which ones I missed! Good luck!

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oh my god the TIME WARP TRIO IS REAL

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I haven’t drawn Izzy in fifteen years so I decided to for old time’s sake. This is what she wore for the Valentine’s Day dance.

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No one in the super obscure Time Warp Trio fandom has drawn Uncle Joe or Mad Jack--so I had to fix that.

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Just gonna drop this Google Drive link here...

Time Warp Trio Episodes

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Warped [Time Warp Trio Fanfiction] - Chapter 17

The Palace of Versailles was beyond magnificent. It was a nearly ninety million (yes, million) square feet estate covered in gardens, winding walkways, and topiary, with the main attraction the palace itself, a towering presence of marble white and cream that glowed in the night brighter than the hundreds of candles lighting up the night.

The soft winter breeze carried the fragrance of flowers through the night air. The din of excitable chatter nearly drowned out the airy sounds of several flutes, harpsichords, and violas.

It would have left Anthony breathless… if he had been there on holiday.

He imagined Isadora would’ve adored the palace, trying to capture every pond, fountain, garden, and tree to recreate later in her artwork. She’d ask a dozen questions and inexplicably have a dozen more answers. She’d love it so much she’d beg to stay for just a few more minutes and, of course, Anthony would give in.

He sighed and placed his mask on his face. He couldn’t afford to get distracted with thoughts of his daughter, not when he was purposely heading into a trap. He had to be alert. Focused.

Anthony was glad he warped close to the entrance, and even happier he was hidden behind a large yew tree. The estate was positively crowded with hundreds of gilded carriages and thousands of guests dressed to the teeth made their way inside. Women dressed in big baroque dresses decked with ribbons and bows. Meanwhile the men looked almost as extravagant, wearing every color under the sun. Many of them wore masks similar to Anthony’s, allowing them to enter without invitation.

With a snap of his fingers, his outfit changed to match that of the aristocratic party guests. Green mist shimmered around his form and when it vanished he wore a green frock made of silk and velvet with gold embellishments. White breeches, black boots, and a jabot-- fluffy white neckwear-- completed the look, and with his green and gold domino mask, he blended in with the crowd.

Anthony recognized when and where he was: The Yew Ball. The celebration of the marriage between the Dauphin of France, Louis Ferdinand de France, the son of King Louis the XV, and the Infanta of Spain, Maria Teresa Rafaela. Many of the guests were looking for the king for even a simple glimpse of His Majesty, but Anthony had a different target he was hunting down.

Mad Jack had to be here. Even if this were a trap (and it absolutely was) and he did not need to be there, he’d still be here. The man couldn’t help himself. He had this deep psychological urge to gloat even at the cost of his goals. It was infuriating but could work to Anthony’s advantage.

The Warp Wizard made his way through crowded courtyards, making polite and short conversations to not stand out. His eyes scanned every masked face and accessed everybody for a familiar lanky build, but there was no sign of Jack.

Past fountains and Roman-styled statues, he came across the ballroom, a wide open space situated outside surrounded by fountains and beautifully shaped hedges. Couples waltzed along to the lovely music while others socialized on the sidelines. Anthony scanned the dance floor when he saw “her.”

Across the dance floor was a woman with an oversized white powdered wig and an unbelievably big and bright green dress. She stood out like a broken arm.

Anthony ignored his years of training to blend in and go unnoticed. He stormed across the ballroom to reach her, blind to the strange looks from the other guests. As if sensing Anthony’s presence, the bearer of the bad wig turned around, a wicked grin under his mustache and a mean gleam behind a monocle.

“I’ll be damned.” Mad Jack snapped his fan shut with a dramatic flourish. “Look who the cat dragged in. It’s Anthony the Steadfast.”

“You look ridiculous.”

Jack laughed, like anything in this situation was funny. “Is that any way to talk to a lady?”

“Don’t play games. Why did you bring me here?”

He had the nerve to tut-tut-tut at him, waggling his finger like a disappointed guidance counselor. “So impatient. Why don’t you ask me to dance first?”

Anthony could arrest him now. Send him to Em and be done. But he needed answers and playing along with this silly game might be the only way he might ever understand what this nutter was up to.

He held out his hand and grimaced when Jack placed his gloved hand in his. The two of them glided to the dance floor, falling into the practiced waltz they’ve done a dozen times back in their academy days.

“You’re looking well,” Jack said.

Anthony snorted. “Like you ever cared for my well-being.”

“You got me there. Never could stand your meatheadedness.”

He’s been called much worse. As Anthony rolled his eyes, he caught a glimpse of something resting against Jack’s collarbone. It was a necklace of pure gold, two bands coiled around each other like serpents.

The madman noticed what Anthony was looking at and smiled. “Lovely, is it not? A perfect copy of the Necklace of Harmonia. I took it off the hands of a witch who was squandering its power.”

Jack was a thief. That was nothing new, he always had sticky fingers even when they were young. At first, it was endearing, but then he started taking historical artifacts. Important items that always got him in trouble, and for what?

“What do you want, Jack?”

“What do I want? As if anyone has ever given a flying fury about what I wanted. If they had then we wouldn't be here now, would we?”

Anthony could never comprehend the sheer entitlement of this manbaby. Ever since they met, it was all about what the universe owed to him, what he deserved. Like a disease, it’s only gotten worse with age.

“I suppose,” he mused, “that’s not entirely true. Dulari cared, once. That is before you and my simpleton of a brother corrupted her with your utter incompetence and softness.”

“You do not get to talk about her that way! Not after the way you treated her.”

“She didn’t do anything she didn’t want to do.”

Anthony stopped dead midstep. His jaw was tight. He clenched Jack’s hands in a death grip with his, and he briefly imagined them around his neck.

Jack’s smirk widened. “Uh-uh-uh. Remember the Academy’s golden rule: Don’t cause a scene~”

Anthony dropped Jack’s hands and sighed. He pinched the bridge of his nose. “I don’t want to fight you. That gets us nowhere. Just tell me what you want with Isadora.”

“What makes you think I want—”

“For once in your life tell me the truth! I know what you’re up to, so why don’t you just admit it.”

A bluff. He still had no clue what the maniac was up to, but he hoped this would catch him off guard.

Apparently, it worked. Jack’s playful features morphed into shock before he quickly reclaimed his demeanor. “What does it matter? With those little earrings, I can’t get near her, anyway. Sounds like you’ve already solved the problem.”

Anthony’s heart skipped. Time slowed around them. “You’ve been around her?”

“I’ve had some run-ins, nothing you need to worry your empty little head about. But I must say, you ought to be ashamed. You stifled Isadora’s potential, fed her with half-truths and lies. She’s weak, nowhere near as powerful as Dulari, but for my purposes, she’s the best bet. If she doesn’t survive the process, then it’s no fault of mine, now is it?”

A chill swept through the ball. The horror of what he said hit Anthony like a crashing wave. Rage took hold of Anthony. In a blink, his fist, glowing green with magic, slammed into Jack’s face. The man flew past the dance floor, past hedges and shrieking guests, crashing through a gilded window.

Anthony summoned his wand. With a wave, he vanished and reappeared near where his fist carried Jack off to: The Hall of Mirrors.

He yelled for the few remaining guests to flee, and thankfully they listened. Hundreds of people poured out of the hall past statues and mirrors until the two of them were left alone.

He pointed his wand at Jack and raised him above the rubble and glass. The wig disappeared in the flight. His dress was in tatters revealing his suit underneath because of course, he was wearing his suit under the dress.

Manic laughter erupted from Jack’s upturned lips, speckled with red.

The blood in Antony’s veins boiled. “She is not your damned battery!”

Jack shot his hand forward. Anthony dodged out of the way of the cane sword that whizzed by, the tip barely slicing through the sleeve of his suit and grazing his arm. He winced in pain, dropping Jack in the process. Jack landed with a crouch and shot a bolt of magic at the chandelier overhead. Crystal shards as sharp as daggers plummeted down over Anthony. He would have been skewered if he hadn’t jumped out of the way, skidding ungracefully in shoes not meant for combat.

The chandelier exploded in a plume of shredded crystals. Quartz shrapnel splintered in every direction. Anthony whipped his wand like a lasso and caught the crystals overhead, hurling them back at Jack. He dodged; hardwood and dirt erupted where he once stood. He vanished in the cloud of debris.

Fire from the candles spread throughout the room, coating the room in red and orange light. Air burned in Anthony’s lungs. The flames reached high above them, licking at the marble walls and painted ceiling.

Anthony wiped at the beads of sweat forming on his brow. Cautiously, he approached where Jack lay, a pair of magic-proof handcuffs appearing in his hands in a flash of green.

“I’m finally taking you in, Mad Jack. Under Em’s authority, you are—“

Sharp pain flared from his shoulder blade. The fez-wearing man from the diner stood behind him, pulling the blade from his back, a wicked grin under lifeless eyes.

Another stab at Anthony’s side brought him to his knees. His vision doubled and blurred. He struggled to keep balance on his knees. Poison, he thought groggily. The blade was poisoned. The warmth of blood bloomed from his wounds soaking his clothes and staining the floor.

From the dust clouds, Jack emerged. Hate radiated throughout his body. He stalked towards his fallen ex-friend brandishing his sword.

“Finally, I can be rid of at least one thorn in my side.” He raised his sword, primed to rend Anthony’s head from his body weakened. “But fear not, old friend. Isadora will be in capable hands, at last.”

He swung. But the blade never touched his neck.

A flash of green as bright as the sun slammed Jack like a freight train. A blur of purple rushed past, but Anthony didn’t have the strength to follow it. His magic fizzled in and out as he tried miserably to heal his wounds. Behind him, Jack and a familiar voice shouted back and forth. Swords clashed and magic blazed. A flash of golden light seized the room, then… nothing. Silence. He couldn’t distinguish the roar of the fire and his blood rushing through his ears.

A moment passed before the sounds of footsteps quickly approached from behind. Anthony tensed.

“Anthony! Oh, dear. You’re hurt! Can you move?”

“… Joe?”

Joe the Magnificent stood before him. His purple suit was torn and his mustache was smoldering. Joe tried to help him stand, stopping when Anthony grunted in pain and nearly collapsed.

Joe frowned and fished out his pocket watch from his breast pocket. “Please hold on, my friend!”

Somewhere between bleeding out and warping, Anthony passed out, his thoughts on his daughter, her sweet face clear in his mind as everything else faded away.

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AND THEY’RE FUCKING CORRECT