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Faustine Steinmetz // Ready-To-Wear Spring ‘18

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Faustine Steinmetz // Ready-To-Wear Spring ‘18

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Faustine Steinmetz // Ready-To-Wear Spring ‘18

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Mary Katrantzou // Ready-To-Wear Spring ‘18

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Mary Katrantzou // Ready-To-Wear Spring ‘18

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Mary Katrantzou // Ready-To-Wear Spring ‘18

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Gareth Pugh // Ready-To-Wear Spring ‘18

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Gareth Pugh // Ready-To-Wear Spring ‘18

Pugh's Ready-To-Wear Spring 2018 collection is an assortment of blacks and golds, but nothing stands out more than his rose colored ensembles. Combining a cone-shaped and heavy top with a flowing floor-length piece, the look leaves with an equal sense of mystery and intrigue.

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Gareth Pugh // Ready-To-Wear Spring '18

In lieu of the traditional catwalk, Pugh presented his collection to the masses through a short film he created alongside esteemed photographer Nick Night. An amalgamation of clean lines and artful construction, Gareth seamlessly balances linearity and curvature while also blurring the lines of avant-garde and ready-to-wear. A winning look.

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Ports 1961 // Ready-To-Wear Spring ‘18

With her explicit attention to soft-tailoring, the only lines Čagalj’s allows us to abstract from her designs are the ones she distinctly draws out for her clients. Combining softly washed tones of azure and ivy with everyday plaid patterns, the designers elevates and artfully develops the volume of her light cotton ensemble. 

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Ports 1961 // Ready-To-Wear Spring ‘18

Loose-fitting silhouettes and simple construction seem to be the common thread underlying the Ports 1961′s Ready-To-Wear Spring Collection that was unveiled at London Fashion Week on September 16th, 2017. With this particular spin on a cobalt shirt-dress, Čagalj continues to push the envelope, albeit slowly, and further blurs the gender binary all-to-familiar to the world of fashion.

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Ports 1961 // Ready-To-Wear Spring ‘18

Demonstrating a willingness to play with traditionally masculine silhouettes,  creative director Nataša Čagalj curated a collection that balances modern chic aesthetics with comfort. Drawing inspiration 14th century blue and white Chinese porcelain designs and imitation Persian styles, this particular garment proves to be both traditional and timeless.