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dont let anyone ever tell you the doctor who tv movie (1996) sucks. this is literally the best scene in all 60 years of doctor who
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I was wondering when they were going to play with the fact the Doctor is black now. 13 being faced with how people think of women was one of my favourite things in her era, so I was curious how they were going to treat his skin colour this season, if at all.
And honestly, Dot And Bubble exceeded all my expectations on the matter!
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What a lot of episodes about racism and bigotry do is coddle the viewer. They make clear early on "this is an episode about RACISM and why it's WRONG!" As if you've never heard of the concept before and don't know it's bad. The episode will often portray racism in an extreme sense and show the viewer the main characters are above that.
What Dot And Bubble did, for the entire episode, was letting the viewer figure it out on their own. There was no coddling, only racism as it silently existed. A perfectly pastel and white community with not a single person of colour and the only visible outlier being a goth white kid. And in this world, the first thing the character we follow did, was to block a black guy with a face of disgust.
The title screen rolls and you're left to rationalise it. Surely it was because he was not in her contact list/saying all kinds of mind blowing stuff... Right? Except when Ruby enters her feed and talks about it, she actually replies back... With an eye roll, but she replies... and keeps talking... and listening.
The episode continues, still not a single POC besides the Doctor. They reveal this is an exclusive place for rich people, and eventually the character in question even admits she thought the Doctor was a different person because "I thought you looked the same".
What this episode also does well, is portraying a character we wish to see change and find a better life behind that change. We see Lindy struggle to navigate the world without her bubble, calling herself stupid, and we genuinely hope she DOES learn to be better, even as you slowly pick up on what's been going on sofar. You are left to hope she'll thank him and realise the error of her ways, and maybe find a new drive to think for herself.
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And then she doesn't.
She stays in her bubble, doubling down on how she feels about the Doctor, how they're excited to be like their settler ancestors, and finally CLEARLY revealing to the viewers what's been off this whole time... and the scene asks: did YOU notice the signs? Did you see what went wrong along the way, or did you only notice just now when it's explicitly shown to you? And why do you think that is?
It challenges the perspective of the viewer and tells you to reflect on why you didn't see it coming, and that is so so powerful.
The Doctor's reaction to this scene..... 👌👌👌👌
His mouth is ajar, stunned beyond belief that after all he's done and all he can offer, the offer to literally save their lives, he is reduced to someone who's nothing more than the hue of his skin. He yells at them, telling them he doesn't care what they think of him because he's still the same doctor he's always been, and to still get rejected with a dirty look... Which hits extra hard when you remember how much the Doctor loves being himself. He LOVES being the Doctor again! And he walks with such a pep in his step, celebrating his existence and sharing it with all he meets... and then he tries to save some rich white kids from certain death.
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His performance in that moment was literally phenomenal. It's a narrative that's so powerful and so creative in its execution, my jaw was still on the floor throughout the credits.
This episode is definitely up there as one of my favourites sofar
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thecharminghazelnut · 18 days
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up to one billion birds in the us alone die of window collisions annually. if you support bird conservation, campaigning against wind farms should not be your first action.
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thecharminghazelnut · 18 days
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Doctor Who - Planet of Fire
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thecharminghazelnut · 27 days
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DON'T SKIP THIS POST AND READ THIS
THEY PUT THE KOSA BILL IN THE FAA
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THIS IS TERRIBLE NEWS, AND THE REASON WHY THIS IS HAPPENING IT'S BECUESE SOME OF YOU YALL STAY SILENT BECUESE YOU GUYS GIVE UP
IF YALL DON'T WANNA LET THE KOSA BILL PASS THEN DONT STAY IN LISENT AND DO SOMETHING ABOUT IT
https://www.stopkosa.com/
https://www.woodhullfoundation.org/get-involved/stop-kosa/
https://www.change.org/p/stop-the-kosa
https://www.eff.org/deeplinks/2024/02/dont-fall-latest-changes-dangerous-kids-online-safety-act
AND REMENBER, DONT LET THEM WIN, BECUESE WE NEED TO STILL FIGHT.
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thecharminghazelnut · 1 month
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I truly fucking despise the new season of Doctor Who being promoted as one that will be unique for showing the Doctor's queerness or whatever the fuck. There's this attitude under all this promo like the 15th Doctor is the first queer Doctor as if a) the 9th Doctor didn't kiss a man b) the Doctor didn't canonically change genders and c) when they were a woman was CANONICALLY in love with another woman. like HELLO??? I don't even like 13 and yaz that much and think they should've been written better, but there's something so misogynistic and revisionist about people acting like David Tennant saying Isaac Newton was hot in the anniversary special is "confirming the Doctor is queer" or that Ncuti's doctor will be the first queer Doctor. like...i hate it. This whole line of marketing reeks of Disney's "first Gay™" style marketing and I fucking hate it.
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thecharminghazelnut · 2 months
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can anyone explain to me at what point rose tyler was "unbelievably stupid". was it when she was inventing transdimensional travel
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thecharminghazelnut · 2 months
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writers and artists will go "this isn't good enough." my brother in christ, you're creating something new out of nothing and expressing yourself creatively. your productivity and unrealistic standards of perfection do not define you or the worth of your art. you're doing great.
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thecharminghazelnut · 2 months
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Une Aventure des Fantastiques N° 24 L'imposture de Fatalis (An Adventure Of The Fantastics: The Imposture Of Doom #024) (French)
Original Art + Acetate Overlay + Published Cover
Art by Jean Frisano
Lug (1981)
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thecharminghazelnut · 2 months
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thecharminghazelnut · 2 months
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thecharminghazelnut · 2 months
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thecharminghazelnut · 2 months
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The Fantastic Four Movie Problem: A Pulp Peg in a Hero-Shaped Hole.
There's been a lot of attempts to make Fantastic Four movies, and none of them have really worked.
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(I made the best one biggest. Fight me.)
I know why.
It's because the Fantastic Four, while being in the superhero genre, are not superheroes. They are adventurers.
They have more in common with these guys:
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Than these guys:
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And it all comes down to story structure, particularly in the origin episode.
Superheroes are by nature reactive. They respond to threats, protect people, and generally act as a blend of rescue worker and (usually) nonlethal sheriff. They are the heightened-reality version of the helpers of Mr. Rogers' philosophy. Doomsday shows up, you stop Doomsday. If there's no crime, you're not doing anything that day.
But the Fantastic Four, and particularly Reed, are adventurers. They go and find their trouble. There might be vague rumblings of something strange or unusual seismic activity or whatever to initiate the adventure, but Reed isn't waiting for the phone to ring so he can punch a bank robber, he's making plans for an expedition to Monster Island or he's built a doorway to the Negative Zone for the express purpose of exploring another universe.
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The Fantastic Four go looking for interesting things and find trouble when they get there. The main exception to this is Doctor Doom, and the rush to make him the main villain in the first film is a rush past a glorious feast to go straight to the dessert.
It's like starting Holmes off face to face with Moriarty from day one, and it puts the Fantastic Four in the same do-gooder box as the rest.
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It chops out their most unique aspect, their proactive nature, that all their personalities hinge on: It informs Reed's obsessive need to know and how it warps his priorities. It feeds Johnny's thrill-seeking and recklessness. Ben's mutation is the cost of that drive taken to the point of hubris and informs the spirit of the whole team. And Sue, who is the most traditionally superheroic in her outlook, has the codependent role of keeping her loved ones safe despite their self-destructive adventurism.
It's a long standing fandom joke that Reed is an asshole.
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It's not unwarranted, but the whole team is a dysfunctional but still caring family, each with similar flaws. A thing that the adaptations often lose because they wind up being overly bicker-y to make up for the more static, reactive superhero format, and blaming Reed for them being freaks is easy pathos.
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If they were treated as the pulp adventurers they are in spirit, you'd have a lot more chances for them to bond as each leg of the journey into the Savage Land runs into natural hazards and lesser foes on the way to the climax fight.
In short: Pulp it up.
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thecharminghazelnut · 2 months
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"what does a TARDIS malfunction sound like?"
"idk just dump the entire goofy sound effects library in the span of 10 seconds. That should do it"
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thecharminghazelnut · 3 months
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I'm like if a chivalrous knight kissed a fair maiden's hand and said "my lady, I fight for you" and then walked off and immediately tripped over his own armor and fell on the ground
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thecharminghazelnut · 3 months
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JackLeela you have to stop. Your love too true. Your yearning too different. Your romance too fated. They'll kill you
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thecharminghazelnut · 3 months
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Listen to Superman
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