thecoiledserpent

[thecoiledserpent]

Nakshatra Places

(from The Book of Nakshatras by Prash Trivedi)

Krittika: Places with hot climates; Deserts & Arid lands; Agricultural lands; Cattle ranches; Meadows; Tropical forests; Volcanic areas; Military Bases & testing grounds; Government Buildings; Universities; Rehabilitation Centers; Orphanages; Mines in general; Factories & Industrial areas using fire in one form or the other; Fireplace, Furnaces, Heating devices within homes.

Rohini: Farms, Orchards, Gardens, Agricultural Estates, Places where herbs grow; Bus Stations, Train Stations & Shipping Yards; Ponds & Swimming Pools; Banks & Financial Institutions; Marketplaces; Bars, Restaurants, Hotels; Tourist Resorts; Studios for creative arts of all kinds; Places where gemstones are founds.

Mrigashira: Forests, Fields & Meadows; Deer Parks; Villages and Small Towns; Bedrooms; Playgrounds; Nurseries; Nursery Schools; Recreation rooms; Entertainment places of all kinds; Streets, Footpaths & Roads; Lawns & Gardens; Forest trails; Art & Music studios; Small shops; Markets and other sales places; Astrological & Psychic institutions.

Ardra: Geographical places where natural phenomena like thunderstorms, hurricanes and tornadoes are common; Research laboratories of all types; High tech studios and shops; Hospitals; Communication centers like radar facilities, radio stations, television studios, telegraph offices; Nuclear power plants; All factories dealing with poisonous chemical processes; Escalators; Military bases where weapons are stored & maintained. In today's day and age every home has its share of Ardra because of electrical wirings and appliances.

Punarvasu: Areas near Ponds, Lakes & Rivers; Farmlands; Pilgrimage Spots; Villages & Small Towns; Post offices; Transportation Places like Bus Stations & Train Stations, Airports; Space Stations; Renovated Buildings; Public Parks; Homes; Home Land; Hostels; Hotels, Bed & Breakfast Places, Inns, Motels etc. ; Restaurants; Temples & Treasuries; Markets; Rehabilitation Centers; Missions; Educational Institutions; Public & Political Assembly Places; Roads; Science Museums; Antique Shops; Community Halls.

Pushya: Rivers, Docks, Wells, Reservoirs, Fountains, Pools, Canals; Boats and House Boats; Public Places; Nests; Homes; Breweries; Women's House Quarters, Hostels and Residences in general; Aquariums; Temples & Churches; Hotels & Restaurants; Foster Homes; Child Care Centers; Maternity Hospitals; Schools; Dairy Factories & Dairy Farms; Laundromats; Manors & Public, Government buildings like parliament etc.; Charity Organizations.

Ashlesha: All places where Snakes & Reptiles dwell; Secret service Institutions (CIA, FBI etc.); Hospitals; Law Firms; All Factories dealing with Poisonous Chemical Processes; Drug Stores; Pawn Shops; Sleazy Places where Illegal Prostitution & Drug Peddling thrive; False Cults & Religious Institutions like ISKON etc.

Magha: Deserts; Forests; Capital Cities; Libraries; Museums; Palaces; Ancient Monuments & Sites; Govt. Offices; Residences of Top Politicians; National Monuments; Stages & Performance Halls; Ceremonial Grounds & Buildings; Crematories; Places of Religious, Spiritual Significance.

Purva Phalguni: Hot tropical landscapes; Flowery landscapes; Beaches; Entertainment halls; Exhibition places; Bedroom; Tourist resorts; Spas; Living rooms; Art galleries; Beauty parlors; Markets, especially the kind related to Venusian products; Pretty cottages, buildings and homes.

Uttara Phalguni: Forests; Gardens; Estates; Public Buildings; Government Buildings; Stadiums; Entertainment Halls; Residences of Rich & Famous People; Palaces, Towers, Large Halls; Playgrounds; Cathedrals & other magnificent buildings; Public Assemblies; United Nation's Buildings; Libraries.

Hasta: Agricultural Fields; Grazing Pastures; Home Gardens; Art & Craft Studios; Market Place; Stock Exchange (Wall Street etc.); Casinos; Betting Shops; Amusement parks; Fairgrounds; Factories.

Chitra: Capital Cities; Places of Architectural Importance like "Taj Mahal", "Eiffel Tower", "Empire State Building" etc.; Stages, Performance Halls and Theatres; Places frequented by artisans, merchants, consumers and women; Markets; Trade shows; Wardrobes, Closets.

Swati: High Cliffs; Places where winds blow strongly; Agricultural land; Coral reefs; Marketplaces; Business Centers; Banks; Financial Institutions; Sport Complexes; Airports (both civil & military); Educational institutions; Aeronautical facilities & testing grounds; Computer & Software related centers; Research facilities of all types; Diplomatic enclaves like Embassies, Consulates, etc.; parliament Houses; courthouses; commuter places like Train stations, Bus-Stations, etc.

Vishakha: Rocky Rough Terrains; Mountains; Big Cities like New York; Breweries; Bars; Liquor Shops; Brothels; Theatres; Military Bases; Ceremonial Halls & Grounds; Interrogation Rooms; Warring Grounds; Danger Areas either in the City or designated by the Military.

Anuradha: Forests; Mountains; Caves & Caverns; Lakes; Isolated Landscapes; Old Ruins, Castles, etc.; Stadiums; Metropolis; Technological & Industrial areas; Study & Research Places; Temples & other places used for the Practice and Study of Religion and Occult/Spiritual Topics; Places of Occult Significance; Organization Headquarters.

Jyestha: Hilly Inaccessible Terrain; Hot Tropical Jungles; Government Buildings; All places related to Telecommunications & Media in general; Airports; Hospitals; Military Bases; Capital Cities; Manors, Forts & Palaces; Old-Age Homes.

Mula: Deserts; High Mountain regions where special herbs are found; Dense rainforests & other such inaccessible places; Frozen deserts like Antarctica; Bottom of oceans, lakes, etc.; Hidden subterranean caves; Earth's core & all layers beneath the Earth's surface; Small isolated islands & places; Big institution buildings; Supreme Courts & other courts of justice; Abattoirs; Cremation Grounds and Cemeteries; Places connected to Death & Death Rituals; Agricultural Wasteland; War-grounds; Drought areas; places where mass calamities have taken place.

Purva Ashadha: Oceans; Lakes; Aquarium Parks; Swimming Pools; Docks, ports; shipping yards; Temples; Boats; High Class Estates; Air ports; Luxury Islands & Hotels; Beauty Salons; Amusement Parks; Art Galleries; Music Concert Halls; Places where pompous functions & high society gatherings are held.

Uttara Ashadha: Prairies; Flat Savannahs; Mountainous Forests; National Parks; Wildlife Sanctuaries; Bird Sanctuaries; Reservations; Government Buildings & Grounds; Courts; Temples, Churches and other religious buildings; Universities; College Campuses; Military Bases; Traditionalistic Towns & Cities; Elite Gentlemen Clubs & Societies; Sports Stadiums; Cricket Grounds.

Shravana: Universities; Libraries; Schools; Colleges; Public Auditoriums and other places of public gatherings; Recording Studios; Hospitals; Telephone Companies.

Dhanishta: All places related to music and other creative arts ranging from Schools to Studios to Dance Halls, etc.; Meditation Rooms; Managerial Offices; Real Estate Agencies; Gardens; Science Labs; Factories with high tech equipment or producing high tech equipment; Amusement Centers and Sports Stadiums; All places related to sports; Financial centers and institutions like Banks etc.; Safes where wealth and valuables are stored.

Shatabhisha: High-tech Studios & Environments; Off Shore Drilling Stations; Space Stations; Airports; Observatories & Planetariums; Physics & Chemistry Labs; Bars & Nightclubs especially Techno Clubs; Factories; Hospitals; Nuclear Waste Dumps and Waste Dumps in general; Recycling Stations; Herbal Centers; Water Treatment Plants & Reservoirs; Oceans; Sea-Side; Temples, Meditation, Yoga & Zen Centers; Outer Space; Film & Television Studios; Processing Labs; Hunting Grounds.

Purva Bhadrapada: Cemeteries, Morgues, Cremation Grounds; Factories; Heavy industries of all types; Land Fills; Dark Alley Ways; Centers for Occult Studies and practices of a dark nature; Operation Theatres and Terminal Illness Wards; Asylums and Penitentiaries; Churches; Top Secret Military Research Bases; Atomic Power Plants; Places where high technology equipment is kept; Night Clubs and all other places associated with dark entertainment.

Uttara Bhadrapada: Libraries, Temples & Museums; Occult Book Stores; Ancient ruins; Historical Places; Cremation Grounds; Holy Sites and Pilgrimage Places; Caves; Mountainous Caverns; Meditation Centers; All places suitable for meditation and quiet activities; Charity Organization Compounds; Forests, High Mountain Ranges and other uninhabited solitary places; Bottoms of Lakes, Deep Seas & Oceans; Social Welfare Centers; Centers for Psychic and Spiritual Research.

Revati: Roads, Railroad tracks, Airports; oceans, seas, Beaches; shipping yards; stage; cinema; Orphanages; Monasteries; Ships, Aero-planes, Trains, Cars, etc.; Bus Stations, Transport Industry; Public Auditoriums; Clock Towers/Watch Towers; Light Houses; Driving Instruction Schools.

Ashwini: All places related to Equine professions—Grazing Lands, Stables, Horse Tracks etc.; Hospitals and Places associated with the Medical Profession; Places where Herbs grow; Botanical Gardens; Sporting Grounds; Race Tracks of all kinds; Roads, Railway Track and all other types of Paths meant for Transportation; Military Bases; Research Centers; Technological & Industrial Centers; Health Clubs & Gymnasiums; All places where Initiations and Beginnings are done; Kindergartens & Primary Schools.

Bharani: Extreme Exotic Landscapes; Volcanoes; Areas with Volcanic Soil; Volcanic Tropical Islands like Hawaii and Polynesian Islands; Farmlands; Kindergartens, Nurseries, Nursery Schools; Children Parks; Amusement Parks; Morgues; Cemeteries; Funeral Homes; Maternity & Child Wards in Hospitals; Intensive Care Units; Gynaeology Hospitals; Film & Photography Studios; Exotic Nightclubs; High Courts; Fertility Clinics; Streets and roads with busy traffic.

[thecoiledserpent]

hiii! I like ur posts. I saw something of yours, I was like, dammm, explain more. I have an Ashlesha moon ak in my 10th house, idk if that's relevant, and then Hasta sun in my 12th house. Well, I've been so confused about myself after watching Claire Naktis' video. I don't really have a libido sometimes, but honestly, i find myself having feelings for my female friends, but I'm kinda nervous to express those feelings, and I deny them. Sometimes I wanna be like a centerfold or a stripper, and I've always been super protective about how I can be perceived as sexual around my family. Hiding my boobs by wearing big sweaters. Ik, that's sorta weird, it has to do with stuff from my childhood. But when I'm out, I like to be all sexy, making eye contact with boys and stuff, and being a flirt. I still feel pretty childlike too, and ik Ashlesha needs to move on and stuff, but I don't really want to. It feels scary to change identity. I wanna be the same me forever ig, ik deep down it's wrong, but it feels safe and right for me. Anyway, do u think I'm more influenced/ or like my Hasta sun/Ashlesha moon? You seem like an expert, and idk just what are your thoughts and opinions? Thanks a lot, oh also i have a vishaka asc if that helps sorry for the ling response

hello! thank you so much for your submission! i did have a post talking about how hasta and ashlesha nakshatras (when they are paired together) can be sexually repressive and how it can suck for someone who wants to lean more towards sexual expression and learning about themselves more in that way. i totally get the duality that you feel! hasta nakshatras according to Claire Naktis video are in the in between stage of being open to the male gaze (aka the Madonna whore complex) or being completely repulsed by it so they can focus more so on their spiritual side more so. hasta is in the middle of the virgo rashi after uttara phalguni and chitra, which sun and martian nakshatras are more sexually expressive because uttara phalguni focuses more so on one and one relationship and acts of service and chitra focuses more onto aesthetics and beautifying themselves which inadvertently catches the attention of men (due to mars nakshatras being perceived to be more sexual than they actually are). hasta deals with both moon and mercury energies and mercury energy is very small and playful but also fizzles very quickly because they lack the ability to keep their energies as opposed to jupiter. however, since this is mainly lies within the moon nakshatras, moon is the highest form of yin which deals with receptiveness, purity, and passivity. Hasta dealing with this sexual energy (as people on tumblr note that moon nakshatras have a lot more sexual energy than even mars as we can see with people ariana grande although she is very playful about it yet is never too revealing with herself) can be confusing for the hasta native as it swings along the pendulum with wanting to be open and closing themselves off for protection of some sorts. the moon can also be easily polluted and with it being in a virgo rashi (the “cleanliness is next to godliness” mindset) they don’t want to drain themselves because they are super sensitive towards others energies which also causes them to close themselves off. i don’t think having hasta alone can bring this issue to the extreme extent because their deity is the Sun God Savitar, so to a certain extent their energies can be more balanced with sexual energy, but i think having a ashlesha nakshatra placement with hasta can (which i think this is more so the ashlesha portion)

i think bringing in ashlesha brings all of the issues surrounding shame and guilt surrounding sexual energy. ashleshas yoni is the cat and cats are very particular about who touches them and can be very finicky due to their untrusting nature and always being on guard and not wanting to get “dirty” unless they have to. ever touch a car after they cleaned themselves? they want to rip your head off because they start the process all over again. additionally they are ruled by the male cat and male cats have barbed wire on their penis which makes penetration painful for both sexes, which is why ashlesha nakshatra is considered sexually restrictive. ashleshas is also ruled by the nagas which are serpents who live under the sea outcasted away due to their intense nature. snakes are always associated with evil and sin which i think adds a deeper layer to why ashleshas are tightly coiled is to protect themselves. protect themselves from being in a perceivable environment that’s full of “threat” because due to the maternal influence and bad past experiences, they can gaslit themselves into thinking that something is out to get them when in reality there’s nothing there. i can totally understand where your coming from with essentially hiding yourself underneath yet wanting to be sexually expansive (and no its not weird!), because in my experience due to the themes around shame and guilt around sex (also not being taken seriously potentially due to the moon energies being the highest form of yin which ashleshas and hastas being the only ones with both moon and mercurial energy and due to the mercury energy being seen as childlike rather than mature as opposed to mars) because of the influence of the virgo hasta which deals with essentially closing themselves off to as a form of protection against unwanted energy and advances from the opposite sex due to remain “pure” and with the energy of ashleshas and the toxic harsh environment by the maternal family that focuses on control to keep ashleshas in a state of powerlessness and shame around their curiosity and stepping out of their comforts (the saying “curiosity killed the cat” is prevalent and even using the movie the virgin diaries in Claire Naktis video about ashleshas, the mother controlled them so much that the daughters lacked the ability to take control and ownership of their lives so badly that they all committed suicide). to me ashleshas when it comes to sexual energy are within a family where sex is frowned upon and if you try to break the curse then all hell breaks loose. i apologize for not speaking on the vistakha portion and i do not know enough about that star to comment.

if you do not feel comfortable with fully expressing yourself sexually, then don’t! the beauty of ashlesha and hasta is using manipulation (in a good way) but playing with yourself and your looks to have fun, because that’s what it should be. however, with having ashlesha if you ever want to try to step out of your comfort zone, do not go big, take your time, take baby steps. i personally feel that with having an ashlesha placement and fully going all in can harm the native more than help, which is why imo they should use their mercurial energies to their advantage and going about things very small yet fun to not burn yourself out or intimidate you out of not stepping out of your comfort zone. if you have more expressive nakshatras in your d9 chart (like mars, venus for example) then as you get older it will naturally unfold for you but as of right now have fun! also mercurial energy is also one of the planets that indicate attraction to same sex due to being open. don’t allow the ashlesha coiled state to prevent you from living your truth in the fullest capacity. ashleshas can go inward and hide when something is considered taboo by their own standard or by the influences of the family, in my opinion i say fuck what others think!

i hope my explanation made sense and sorry for the long ass response🫶🏾🫶🏾

[thecoiledserpent]

pick a card: message from your future spouse

this pick a card is a small written letter from your future spouse or soulmate. take a deep breath and choose the pile that resonates most with you

piles are top to bottom, left to right. for entertainment purposely only.

°❀⋆.ೃ࿔*:･ pile 1 °❀⋆.ೃ࿔*:･

whispers of love: “appreciate this moment – every situation is an opportunity to grow and find love.”

tarot: the fool • page of cups • temperance

message from your future spouse:

“i see how much you’ve been through, but please don’t harden your heart. every moment, every good moment, every messy moment, i embrace it all. i love your courage, how brave you are, how strong you are… but i also love your softness, your empathy, your ability to still love. i need you to trust that joy, hope and love still exist so we can meet. when we do, i’ll bring you gentleness, kindness and tenderness. please keep your heart open a little longer.”

°❀⋆.ೃ࿔*:･ pile 2 °❀⋆.ೃ࿔*:･

whispers of love: “the only thing that is real is love – shift your focus from the problem back to love.”

tarot: five of cups • knight of cups • two of wands

message from your future spouse:

“i will never think you are broken or behind, so please don’t even worry about that. i already dream of the way you look at me, even if it is colored with caution, i just want to see you. i just hope you’ll let me love you and that one day you’ll meet my gaze. i am prepared to meet you more than halfway, i just hope you’ll let me in the door.”

°❀⋆.ೃ࿔*:･ pile 3 °❀⋆.ೃ࿔*:･

whispers of love: “love endures – love does not give up or lose faith. love is hopeful and withstands every situation.”

tarot: strength • eight of pentacles • the lovers

message from your future spouse:

“i’m preparing for you, piece by piece, patiently building the kind of life you’ll be proud to walk into. i won’t give up. ever. not on you. not on us. i know real love takes work and i’m ready. know that i’ll choose you every day. especially on the hard ones.”

°❀⋆.ೃ࿔*:･ pile 4 °❀⋆.ೃ࿔*:･

whispers of love: “receive with love and appreciation – gracious acceptance is a way to show love.”

tarot: queen of cups • four of wands • ace of pentacles

message from your future spouse:

“i want you know you don’t always have to give without return. please let me give you love when the time comes. i’ll bring you security, softness, and a home you can feel safe in. i don’t want you to be the strong one all the time. i’ll see the light in you even when you’re tired, so please be comfortable around me. please be willing to receive me.”

°❀⋆.ೃ࿔*:･ pile 5 °❀⋆.ೃ࿔*:･

whispers of love: “back to what you love – your current situation is giving you an opportunity to reevaluate what you truly want.”

tarot: the hermit • ace of cups • six of swords

message from your future spouse:

“i know you’re on a journey of growth right now and please know i am cheering you on. i just hope you remember you’re allowed choose a life that’s slower and softer. i want to be a part of your peace. let’s build a calm and honest love together. be your most authentic self, that’s how you’ll find me”

°❀⋆.ೃ࿔*:･ pile 6 °❀⋆.ೃ࿔*:･

whispers of love: “speak the language of love – loving words have the power to change lives, including your own.”

tarot: king of swords • the star • knight of wands

message from your future spouse:

“you don’t have to hide how smart, passionate, or strong you are. never worry about being intimidating because these traits are why i love you. i want you to feel seen, respected and adored. you won’t need shrink or hide yourself. our love will be electric, healing and inspiring. keep using your voice, it’s the very thing that calls me home.”

[thecoiledserpent]

The primordial horror of Ashlesha🐍

And a timeless tale

You might have heard that in vedic posts on the internet Bharani and Ashlesha are almost always talked about when topics of femininity, mother nature, primordial feminine, female passivity, raw sexuality and feminine harshness (in any sense) are being discussed. And for good reason too. Bharani and Ashlesha_ two mleccha nakshatras associated with feminine planets (Bharani's nakshatra lord Venus and Ashlesha's rashi lord Moon) and saturated with feminine symbolism, are both connected to primordial, raw, pure power of passive femininity.

I'm going to explore Ashlesha's role in this in a less sexual and more internal context.

Do recommend this for Jyeshtas, Revatis, Bharanis and Punarvasus too, as the themes are going to be familiar to all of these, in different ways.

The medicine and the poison, the monster and the pure angel

To start with, Ashlesha's main symbol_ the coiled serpent, already spells danger. Something is reaching its critical point and cannot be contained, for better or for worse.

Ashlesha's power is vishashleshana shakti ("Vish" means poison, "ashlesha" means control). Ashlesha, having the power to control its energy, power and reactions, learns how to be immune to things, out of necessity.

In a way, Ashlesha's power is to simply have power over things, but that exchange of energy between you and the thing/person you're controlling can be dangerous.

4th house and the sign of Cancer deal with the spiritual/mental/emotional safety of the person, 4th house sitting at the bottom of the zodiac wheel. Being a water sign and ruled by the Moon, it is related to extreme vulnerability and energy flow. Moon is dependancy. Ashlesha's nakshatra lord_ Mercury, is the nervous system. Ashlesha is the very force that binds and connects your emotions to your nerves and their sensations.

Sidenote: Ashlesha is about nourishing(Moon's sign) the nerves(Mercury ruled), Hasta is about controlling(Mercury's sign) the nourishment(Moon ruled).

Those reptilian instincts, that primal awareness and animalistic conciousness that Ashlesha leaves you with are as vulnerable as they are scary. To the person themselves, they have been stripped bare of their defences, and no matter how hard they try to find a way to be safe, it feels like the only safety is in no defence. Building or cultivating defence is not natural to the pure, passive Ashlesha. It requires some kind of action, and any action, in its essence, requires the disregard of absolute receptivity_ the state in which Ashlesha is naturally in (Bharani too, by the way).

Ashlesha is about not lying to yourself about your weaknesses, it's about knowing how vulnerable you really are. In a way, it's also about testing the limits of pain to know how much you can hurt, how much of that pain you really feel and have been repressing, how much of it you can handle. It's about settling in your nature and slowly gaining strength, so that your weaknesses are not really weaknesses, but just parts of you that have not yet reached their full potential. It's not a place of excess, but a place of economy and necessities.

From the viewpoint of the feminine, it's their natural place_ the watery, sensitive, impressionable, pure force. But it does not want to stay in that one place. It's known that still water is dangerous, it's been associated with all kinds of unpleasant things. Being in the state of Ashlesha is like that_ it's like the water that has nowhere else to go and wants to flow (release) with any opportunity to do so, but there's danger there too.

For the feminine in that state, there is danger in staying and there is danger in going.

There is a lot of concern for purity because it recognizes that it needs to move on but it absolutely cannot do so without doing it correctly, or the purpose will be defeated and all the work will be wasted.

Some hate medicine, some favor all kinds of vaccinations. Ashlesha needs to build immunity but it's also paramount for it to feel everything with as little interference as possible, preferably none at all. Purity has to be radical.

So, there is struggle and patience built into them. But whatever they do, in the end, their strength, their energy, their power is growing towards a critical point. It's like if you take a sensation from one part of the body to the other or if water goes from one end of the vessel toward the other_ it's still there, the only temporary relief might be moving that energy inside you, waiting more and more impatiently for that perfect opportunity to release.

So we go back to the start_ the coiled serpent, the dangerous force, the deep need.

In terms of sexual energy, the feminine is both intensely desirous and incredibly cautious. The need/desire of Ashlesha to move on to the next stage while waiting indefinitely to do so because of safety concerns can be interpreted as the desire/need for sexual experience, and the fear of abuse/not being pure anymore. The theme of the complete passivity is intertwined with this nakshatra, as if the origin and rules that were set in Bharani demand to be fulfilled.

The law of nature and the passive feminine are restrictive and suffocating to masculine, active forces. If the feminine does not settle and gain power through her natural passivity (flow, receptivity, being as opposed to doing), then she's at the risk of being annihilated.

The result of Ashlesha nakshatra: "destruction of the victim"

No mention of who the victim is. The point is, that in Ashlesha, a place of dependancy, attachment and control, where everyone is either the abuser or the abused, there is no place for mercy. The stronger one wins.

This is the game of subtelty and ruthlessness_ trying to gain some sense of humanity after feeling like a dangerous, vulnerable animal_ a monster that wants to take, because it's an innocent creature that has little.

But no matter how much you wait, how much you gain, it's all going to turn to poison, unless you can dare to oppose.

To break the chain_ it's a risk, but what else is there to do when safety becomes a cage?

But the smart, calculative Ashlesha knows the dangers, it just waits for when it's strong enough to attack, it waits until it knows every medicine and poison, until it hurts so much that it does not hurt anymore, so that when it faces the enemy, the victim will no longer be a victim, but an opponent, who has been hiding its strength under the covers of fragility, who uses what others called a weakness to strike. Until the poison is medicine and the tears are poison, it waits. But when the milk turns sour and the gentle touch suffocates, it's ready to go.

The tale of Snow White

🍎🪞

Crediting Claire Nakti for mentioning this association in her Ashlesha video

Snow White's story is a great example of how Ashlesha's energies play out.

I'm not going to go into too much detail of why it's related to Ashlesha, as I think it's going to be obvious as I go on, but the key associations are: the pure young woman (reinforced by the symbolism and imagery that her name evokes), the controlling feminine authority, danger, poison, power struggles.

I love the 2012 film "Mirror Mirror", because it does not hesitate to show the power struggle between Snow White and the evil queen. The struggle is depicted mostly through metaphors and/or symbolism in the original tale.

It'd be great to mention that Snow White's tale is said to be based on actual real life women. The first_ Margaretha von Waldeck who lived in the 16th century Germany, died young and as evidence by her last letter suggests (her handwiting indicated that her hand was shaking), she died by being poisoned, and it was also known that her stepmother was jealous of her. She also lived in a town where children had to work in the mines (inspiring the seven dwarves).

In "Mirror Mirror" Snow White is played by Ashlesha moon 🐈‍⬛ Lily Collins, and Evil Queen is played by Magha moon 🐀 Julia Roberts.

There is tiny chance that Lily is Pushya moon but that would only be true if she was born before one in the night, so I'd say she's Ashlesha, especially after observing her.

The beginning of the movie: the queen is sitting on her lavish golden throne (Magha's symbol), dressed in an equally lavish golden dress (Sun's color), positioned above Snow White, who is forced to kneel before her. The Queen is weaving her insults and humiliations into her words that seem genuinely caring at first, even Snow White falls for it in the beginning. That's how the feminine repression and bullying works in Ashlesha_ it's all the more powerful because it's gradual and seems non-threatening, especially to masculine people.

As always, the villain and the hero are determined by which nakshatra is the focus of the story. In this case, from Ashlesha's perspective, its enemy nakshatra_ Magha, is obviously the villain. This theme of "whose story is this" is another display of the power struggle in this transition. I highly recommend watching this film, because for all of its jokes and slight changes, it still retains the original message.

"The kingdom fell into an icy despair..."

_ narration from the queen

Ashlesha's yoni animal is the male cat, Magha's is the male rat, its enemy yoni. As Magha comes directly after Ashlesha and begins the second stage of nakshatras, marking the start of the sign of Leo, together they also mark the first gandanta point.

The Evil Queen is a blatant example of a Magha character, especially symbolically. It is implied and then obvious that she married the king for power and material advantages. Her ego is almost cartoonishly bloated, and all of these qualities are amazingly contrasted to Snow White_ a quieter character, who is naturally humble and subtler, not as direct as the rat yoni Magha.

In the beginning of the film she's dressed in a more golden dress, symbolizing her merging with and submission to the queen, stuck in the helpless state. After she gets the bravery to sneak out into the town, she wears a hooded cape the color of cooler, brighter yellow (more her coloring). When she comes back to attend the ball, she wears a pure white (symbolizing her purity and cool energy, resonant to Ashlesha) dress as her swan (grace, humility) costume. The Queen is dressed in bright red as a peacock (confidence, vanity, pride). That white dress is the one she stays in as she runs away and finds the home of the seven dwarves, the same white as the snow in the forest. In this adaptation, the whole kingdom is in an eternal winter under the queen's enchantment, just like the Ashlesha stage.

As she finds dwarves, they quickly become each other's allies and supporters, and, in a way, it taught her her own power. As she was gathering strength to attack and become the new ruler of the kingdom, she already was a ruler of her new tiny kingdom (dwarves_ her new family).

In the Ashlesha stage there is a separation from the things you were clinging to. At first it's seen as a tragedy, but with distance and time, the individual realizes that it needed solitude. Snow White is forced to run away (because of danger, to literally not die), but she thrives away from the queen (restrictive, abusuve influences). There's another side to this: an avoidant person, aware of its sensitivity, who does not realize how much they crave real connection. Attachment to the "wrong" people and environments and longing for the "right" ones is the issue here, along with the paradox of needing to escape and move on (critical point, built up tension and energy) but risking the much needed purity by doing so (just what I've discussed above).

Since a lot of the time the vulnerable Ashlesha feels dependant on outside forces, the movement is forced, for better or for worse, but it never recoils completely or gives all of its energy away, as it feels like it has to remain guarded.

Snow White learns to fight on her own, with the support from a genuinely nurturing environment.

She starts to wear a blue dress (cool toned, contrasting Queen's gold and red) while she's literally fighting on the side of the Queen's exiles.

When the prince joins her and the dwarves, they hear the "beast" that has been terrorizing the kingdom. She locks everyone else in the hut so that she alone can face the enemy (even though they don't let her), which is a key point in retaining your power in the state of Ashlesha. Her desire to face it alone shows not only the growth of her bravery, but mainly, her strength, as it was precisely what allows bravery for her.

Transition to Magha

There's a blatant display of power from snow white, right at the end, after she reclaims the kingdom (and at the end she's wearing a blue dress with a bright golden-orange ribbon_ finding her own power and embracing it, without losing herself). It's the last test and a chilling reminder that Ashlesha's stage is prolonged, almost never over, and can subtly sneak up on you and defeat you if you lower your guard.

At her wedding with the prince, she's given a ripe, red apple.

"And so it was Snow White's story, after all"

_ the magic mirror.

She gives the Queen her apple back, finally cleansing herself completely from that poison and using it to harm her enemy. Now she's the one in power, repeating the queen's own words back to her.

The result of Ashlesha nakshatra: the destruction of the victim.

The individual moves to Magha nakshatra_ ruling, power, lineages, detachment from the body (Ashlesha is the attachment to the body), and takes their own place on their throne.

...

Gif credits to @tecrystali , @xiaolanhua , @elvencantation .

Pictures are from Pinterest.

Thank you so much for reading 💕

[thecoiledserpent]

Astrology observations: Nakshatra notes (Part 3)

𓆗

Ashlesha natives often have deep, almond-shaped eyes, which I believe can be linked to their deity, the Nagas, and Ashlesha’s association with serpents. Snakes typically have narrow, slit-like eyes, and this serpent symbolism may be reflected in the distinctive, piercing gaze of Ashlesha natives

Brian Jones - Ashlesha ☽ Cailee Spaeney- Ashlesha ☽

Jennifer Lawrence - Ashlesha ☉ Haley Bennett - Ashlesha ☽

𓃗

Ashwini is known as the star of transportation, a constant need for movement, freedom, and escape. this nakshatra is restless by nature — always racing forward, whether physically, mentally, or spiritually.

Iggy Pop (Ashwini ☉) gave the world an anthem of restless freedom with “The Passenger.” The song captures a sense of wandering without destination, an endless drive through neon-lit cities and shadowed alleys. Iggy’s voice is both detached and alive (which is the embodiment of this nakshatra energy), perfectly conjuring Ashwini’s desire to keep moving, to experience everything but remain unbound. “I am the passenger, and I ride, and I ride…” These lyrics are an ode to Ashwini’s untamed spirit—always in motion, never fully tied down.

𓆟

Two revenge films — Female Prisoner #701: Scorpion with Revati ☽ Meiko Kaji and Ms. 45 with Revati ☽ Zoe Lund — show a strong link between silence and vengeance. In Scorpion, Meiko Kaji’s Matsu is betrayed and imprisoned but turns her silence into a weapon. She barely speaks, but her presence alone is threatening. In Ms. 45, Zoe Lund’s Thana is a mute seamstress who, after being assaulted, becomes a violent vigilante. In my opinion, These stories connect to mercury ruled nakshatra Revati, the last nakshatra of Pisces , where Mercury (communication) is debilitated. Mercury governs speech, intellect, and expression, but in Pisces — a sign of intuition, emotion, and mysticism — these qualities can become distorted, repressed, or transformed but in these films, it flips — What once something that was used to a predators advantage or the result of being taking advantage becomes something that actually empowers them. The inability or refusal to speak doesn’t weaken them; it hides their intentions until they strike.

Female Prisoner #701: Scorpion (1972) Ms. 45 (1981)

I would also like to add that Revati yoni consort, Bharani, is linked to intensity and taboo-breaking. That fits perfectly with these stories of silent but brutal revenge. Bharani is all about facing harsh realities, and these films show that same energy — women turning trauma into unstoppable fury.

𓆙

Ashlesha and Uttara Bhadrapada share a complex and spiritually intense relationship with sexuality, rooted in their deep connections to serpent symbolism and Kundalini energy. Both nakshatras are linked to feelings of anxiety, restriction, and the struggle to master primal instincts. But where Ashlesha is about the raw, coiled energy of the serpent — hungry, clinging, and invasive — Uttara Bhadrapada represents that same serpent rising, attempting to transcend its base nature (Serpent that lies in the depth).

Ashlesha, symbolized by the entwining Hydra, is marked by an intense, almost suffocating connection to physicality and desire. Claire Nakti describes this nakshatra as a force that binds — a strangling energy that can trap natives in cycles of obsession, shame, or secrecy around their desires. This anxiety is tied to the dual nature of Ashlesha’s snake symbolism: both sacred and toxic, protective and invasive. Ashlesha natives often feel caught between the need to indulge their desires and the fear of being consumed by them. This can lead to a sense of shame or paranoia around sexuality, where indulgence feels dangerous, yet resisting feels impossible.

Uttara Bhadrapada, ruled by Saturn and symbolized by the Serpent of the Deep (Ahirbudhnya), is about the final stage of Kundalini’s rise — the serpent that gains wings, transforming into a dragon. But this isn’t a painless process. Claire Nakti explains that Uttara Bhadrapada natives deal with a feeling of imprisonment, a “spiritual foot-binding” where energy is pulled away from the lower chakras and forced upward. This detachment can cause a sense of alienation from one’s own body and desires, creating anxiety around sexuality as something disruptive or dangerous.

The Piano (1993) The Piano Teacher (2001)

A Dangerous Method (2011) Augustine (2012)

Raw (2016)

This struggle plays out in several films starring Uttara Bhadrapada natives. In The Piano Teacher, Uttara Bhadrapada ☽ Isabelle Huppert’s character is a repressed, self-destructive woman whose anxiety around intimacy manifests in disturbing ways. The Piano, starring Uttara Bhadrapada ☉ ☽ Holly Hunter, explores a woman’s wordless but powerful longing, her sexuality tangled with shame and struggle where she’s indulging in sexual relations with her piano student. A Dangerous Method, starring Kiera Knightley (Uttara Bhadrapada ☉), dives into psychoanalysis and forbidden desire, with Knightley’s character battling trauma and taboo fantasies where she is studied for a sexual “seizures”. Augustine, starring Soko (Uttara Bhadrapada ↑), follows a young woman whose body becomes a spectacle for medical study (seizures as well), her sexuality pathologized and controlled. And Raw, starring Garance Marillier (Ashlesha ☉, Uttara Bhadrapada ↑), explores cannibalistic hunger, transformation, and taboo, with the protagonist’s own sexual discovery marked by anxiety, desire, and horror. Both nakshatras deal with restriction — Ashlesha through a paranoid, possessive hold on desire, and Uttara Bhadrapada through a spiritual struggle to rise above it. Whether trapped by shame (Ashlesha) or by detachment (Uttara Bhadrapada), these energies reflect the anxiety of facing one’s own primal nature. I really want to explore these films more but I’ll do that in a separate post.

𓋤

Josephine Baker - Chitra ☽ Duckie Thot - Chitra ☉ ☽

Maria Antionette - Chitra ☽ Adriana Lima - Chitra ☽

Natives of Chitra often have a natural sense of style and an eye for aesthetics, but this isn’t just surface-level beauty. Like their deity, they are drawn to the idea of transformation — taking raw materials (ideas, emotions, physical form) and shaping them into something exquisite. However Most of these natives are experimental with aesthetics and can have an unhealthy obsession with them as well, even to going as far as putting themselves through physical pain to achieve a specific look or creating work that could lead to some form of destruction including their own. It’s deity, Tvashtar (Vishvakarma) — the celestial architect. Tvashtar is a divine artisan, known for creating beautiful, intricate, and even magical forms, from weapons of the gods to radiant jewelry. This divine influence makes Chitra a nakshatra of inspired, almost otherworldly beauty.

*Disclaimer: these are just my own observations and thoughts! Let me know your own in the replies.

[thecoiledserpent]

having hasta and ashlesha in your chart can feel like such a double whammy when it comes towards sexual expression. hasta’s correlate to the sides of the spectrum where a woman rejects the male gaze completely or is open towards it, kinda like a wax on wax off type of energy. but with ashlesha in your chart and representing the frozen state of a woman’s sexual nature due to parental influence pretty much hovering over ashlesha’s to the point where the theme of ashleshas is churning one’s poison to healing properties towards those who are not enemy’s but using the poison towards those who are, and ashleshas biggest enemy at one point is their parents. but with that “frozen state” as claire puts it and both having mercurial and moon energies but using the energies a bit differently, i think with women with this combo can face shame and repression of expressing their sexual nature due to being perceived as “pure” due to the virgo nun energy of the hasta, and exertion of control due to parental energy with the ashlesha energy.

i don’t know if i’m making sense but 😭😭i’ll def have to make a post about how i think this combo makes it hard to feel comfortable within your sexual expression. NOT IMPOSSIBLE but a little bit more complex.

[thecoiledserpent]

i’ve been wondering about tropical leo placements being dramatic and creative and such, and wondering what cancer nakshatra is reflects the main one they are talking about.

like it could be pushya bc most pushya natives ive met are quite melodramatic. maybe early early stages of magha because the magha portion feels very regal to me. ashlesha is the only one i’m confused about because women like lana del ray does not seem like your typical tropical leo moon or jennifer lawrence being a tropical leo sun. ashlesha are also closed off as they are the coiled serpent so maybe they are the ones who are more likely to be performative ??

idk idk

[thecoiledserpent]

omg you’re back !! how have you been?

I know it’s only been a few months yet I couldn’t help but worry. hope you’ve been doing well, hun <3

im doing great, tysm for checking in lovely!! tbh i was lagging behind a bit in studies so i wanted to catch up and took a break from astrology. anyway, im back! i hope you've been doing great, too!

[thecoiledserpent]

hi, I wanna ask a question.

Why is that death is related to black colour in movies. Like yamaraj, and even Shani also. There's a movie american God where there also death is depicted as black man. Also. Saturn dk have dark skin man 🎀

death is all consuming. when a person dies, their body, their physical achievements everything is consumed by the earth and the soul is released. black colour is representative of all consuming energies because black is the colour that absorbs light of all colours into itself. black, you could say, is representative of entropy or end; and for the human body, the end is death itself.

similarly, white is used for pure things. white is the colour that reflects all colours back, so it remains untouched entirely. that's why pure, or untainted things are represented by white.

don't relate saturn with black, it is represented by deep blue colour. black is representative of rahu, the all consuming head.

[thecoiledserpent]

Hi, by the way I get suggestion from Kiddotarot for following you to learn more about vedic astrology and after scroll up your posts its more like you're kind of spiritual teacher. So I hope my curiosity (question) is still apply in your term!

I just learn and interest in vedic astrology although to be honest most of the time it make me worry 😅. For example: I have D9 Hasta Sun in 7th and Magha Venus conjunct Purva Phalguni Ketu in 6th. After I saw YT like KRS, Gina, Kadamri (that suggested). All of them, informed that I probably will have "Divorce" I had shock (more like depress maybe). When I read the comments its make me more down!

Then I just realize, I don't know yet about the full story and what people said in comments more about their experienced. That I thought they knew the placement mean, after it already happen in their life. So I cannot use it as predictive things of my charts!

The question is how we need to react if some of our placement may known as bad placement, but it not yet happen to us?

By the way, I'm Ardra lagna and moon, Ashlesha Mars (AK), and Dhanista Sun (I thought you will understand my wild thinking habit 😆)

im glad im being recommended and trusted XD 🤭 tysm for trusting me with your question!

to answer your query: look, the thing is that deductions aren't drawn from air. when i say a person with a 3rd house mars will have a bad relation with the males in their life, i say it because that mars indicates this person will have harsh speech and will challenge the egos of the people around them simply due to the way they speak.

similarly, when i say a person with a second house ketu will have poor relationship with the people around them, i say it because such a person's words cut, and they cut deep. nobody wants to get hurt unnecessarily, so they'll avoid such a person.

you have a hasta sun in 7th. you'll have this natural tendency to desire to be on the top or be recognised for even the smaller things you do. people may entertain this for a while, but they'll eventually grow tired or irritated. you get egoistic easily and you want things to go the way you imagined in your head, and when they don't, you get agitated. if your spouse doesn't earn as much as you expected them to, you'll be disappointed.

now think about your spouse. the relationship between a husband and wife is the most sensitive one because you don't have any blood ties here. if you keep criticising your other half for something that is simply not under their control, they'll constantly feel criticised by you. regardless of how much you meant it, it will hurt them all the same and that sense of shame or distaste will make your relationship bitter over time.

as for whether or not you WILL have a divorce, you'll need to see your spouse's nature to be sure but even without that, men usually don't accept being looked down upon in relationships, assuming you prefer a male partner so yes, there are chances of a divorce if such an issue isn't fixed.

so the crux of the matter isn't that you'll have a divorce, it's WHY you'll get a divorce. im making my observation based off a single placement of yours, so it's not whole, but if you'll be honest with yourself, you'll find whats wrong with your demeanor. and once you identify it, the key is to fix it. i'm an ashlesha person, i recognize that my words and mannerisms hurt people, so i limit my expression or use it very carefully so as to avoid hurting others.

so yeah, ill tell you to look inside yourself amd question what's up with the way i act. you'll find answers surprisingly quickly when you're willing to accept criticism and approach the difficult parts of your personality with a tendency to fix them, not to accept them.

and, well, if you don't, then i'm sorry but yeah, nobody likes a partner who constantly looks down upon them yk? your partner wants your love and care, not constant scrutiny.

again, im sorry if anything came off as too harsh but it's pretty much the truth yk? and it's completely alright to have such a flaw, just don't accept it, work towards fixing your attitude in that domain.

[thecoiledserpent]

Hie how can I learn Vedic astrology ?

i have some beginner friendly resources and guides on my account, you can go through them if you'd like. otherwise you can start by creating your chart and slowly learning about the placements, what does sun signify, what does moon signify, where is it sitting how it meshes with other planets.

there's really no rigid way of doing this, it's purely experimental and beyond that, intuitive. astrology is spiritual knowledge, so you have to be let in into deeper knowledge by spiritual forces, you can't simply intrude on it, yk? but if you want a starting point, id say create your chart and try to learn what the placements mean and how they work.

[thecoiledserpent]

mercury saturn pairings and the innate desire of the mercurial person to prove themselves to the saturn person.

the saturn person will quite literally see mercury as a kid due to their desire for fun and mental stimulation all the while the mercury person tries their best not to compress under the weight of the saturn person's discipline. mercury pokes saturn, runs away, pokes them again, runs away again while saturn will just be sitting there like: 😑 and then the mercury person just grows bored or intensely curious, but it's almost always one sided.

the saturn person will see mercury as unstable, and immature so they'll hold back affection or resist opening up to them ir playing along with their mind games. add the cherry to the top if the mercury person eventually leaves; it solidifies the saturn person's belief that thry were right to not open up to the mercury person and the cycle continues. especially worse with pushya and ashlesha pairings or jyestha and anuradha pairings.

ofc, it's not always or necessarily going to be a bad thing, since if the mercury person desires stability them this pairing is extremely healing and stable. it's like a calm cow or buffalo paired with a very curious cat. the cat wants to keep poking and playing, while the cow just provides her with stable, tranquil energy.

it's a very cute pairing if the mercury person has the gears to chill out, or if the saturn person has the ability to be verbally affectionate or witty.

[thecoiledserpent]

The meaning of chart patterns in astrology

Seesaw pattern: it feels like these natives are constantly being pulled in two different directions in their lives, reflected by the planets situated on the opposing ends of the astrological wheel, forming two clusters. This may lead to feeling disoriented and/or maybe attracting situations where the natives’ real values are being called into question.

Their life is characterised by duality, sometimes expressing the energies of one planetary cluster, and other times behaving unexpectedly or in a contradictory fashion (when the energy of the other cluster is being expressed).

You may also find that you identify more with one “end” of the seesaw and have the tendency to deny/reject the other part of yourself that you find less desirable.

Relationships likely mean a great deal to you and it’s only in relationships that you feel truly complete and balanced. You may be unconsciously seeking the very same energy in other people that you deny within yourself.

It’s important: to accept that there are contradictory sides to your personality and integrate them as best as you can. Aim to achieve balance. Some people may find it weird. But this is what it means to be you. And if you learn how to properly utilise your gifts, you’ll be able to accomplish absolutely extraordinary things! Look at Robert Downey Jr. and Frank Sinatra’s charts for inspiration🫶

Bowl pattern: these people have solid values, are stable and probably have a good grasp of their weaknesses. There may be a reluctance to get out of their comfort zone and they may always feel like “something” is missing from their life (the other half of the wheel). They will be looking for that special half that makes them feel complete.

They aren’t dual or contradictory like the see-saw or splay people, but rather constant and they have specific talents and attributes that are reflected in the houses their planets fall into and.

They may not be as flexible or open to change as other patterns. They are focused, resilient and self-contained typically. There may be a need to develop certain qualities that they miss.

Depending on which side of the wheel is occupied, it manifests differently in the native’s life. If the upper half is occupied: there is more focus on external activities: social gatherings, public image etc. If the lower half of the wheel is occupied, the emphasis will be on the family, home, closer relationships, the self. If the planets fall on the right side of the wheel, the person will be easier to influence, and personal relationships will be quintessential to the native’s well-being. And finally if the planets are all on the left side of the wheel, the person will be enterprising, self-motivated and with a strong direction in their life.

Special attention should be given to the leading planet, that is to say the first one that is situated counterclockwise starting from the empty space.

Dominik Cruz and Ella Fitzgerald had this chart pattern.

Locomotive pattern: these people are independent and self-starters. They have a thinking of their own and often may feel misunderstood. Their ideas are ahead of their time usually. They can be motivational and quite stubborn. They are ambitious and steadfast people who have quite a few interests. Their focus is not as narrow as with bundle type. They are energetic people who want to improve the world around them and may feel a constant sense of “emptiness”, as though something is missing in their life.

It’s important to look at the first planet that rises clockwise starting from the empty space. It will significantly influence the native’s life.

George Washington and Isaac Newton had this chart pattern.

Bundle pattern: the native’s focus is oriented in limited, very specific areas of their life, in detriment to other important areas. They are very focused and driven people who usually become proeficient, real masters in whatever activity/job they have chosen for themselves.

There could be a tendency to be narrow-minded, rigid or unusually ignorant in areas outside of their interest range with this pattern however. Obsessive thoughts and behaviours are also possible. It’s an excellent chart type for a professional athlete, politician or car mechanic for example, depending on the houses and signs.

These people are passionate, unique, strongly hold onto their identities and are relentless when pursuing their chosen goal. They might feel like “something” is missing in their life and they need someone who teaches them to think outside the box and help them develop their weaker energies in their chart.

Harrison Ford and Sylvester Stallone had this chart pattern.

Splay pattern: these people are incredibly talented and have lots of potential. Their interests are in 3-4 areas and they may sometimes find it difficult to concentrate as their attention is quite divided. They are individualistic, inquisitive and open-minded people who have the potential to achieve great things if they “pull themselves together”. Their talents could be unrelated to one another and they may fight it hard to integrate their strengths into something concrete/tangible.

Some call this chart pattern the tripod.

These natives definitely march to the rhythm of their own drums. They are adaptable people who make interesting conversation partners.

They don’t like strict schedules or being atunci into routine for too long.

The aim should be on correctly distributing their focus so that they properly develop their talents and live up to their potential.

Franklin Roosevelt and Sandra Bullock had/have this chart pattern.

Splash pattern: these people’s talents are incredibly diverse. They are open-minded, inquisitive, curious people. They enjoy exploring different ideas, activities. The love new things and probably have lots of hobbies and interests. Choosing one career option is probably very difficult for them. They don’t like to focus on one single activity for too long, contrary to bundle pattern people. Their attention is very divided. They can be forgetful at times.

They likely have mercurial qualities and can easily adapt to almost any situation. They make very flexible people.

They can be quite confused especially during their youth or feel like they can’t find their direction in life. There is a desire for self-reflection and independence inherent within this placement. Many famous thinkers such as Carl Jung and Firjof Capra had this chart pattern.

They may have trouble focusing or be scattered due to which they never develop any of their talents deeply and fully. Their outlook on life is broad and brain-oriented.

Bucket pattern: these people are ambitious, enterprising, passionate, self-contained; they pursue their goals in a realistic fashion. It’s important to look at the planet that plays the role of the handle as it will play an important role in the natives’s life (the sign and house, major aspects).

They want to be recognised for their talents and be part of society in some way; they likely focus their attention in a single direction when trying to achieve their goals. The “handle” signifies the area of their life where they invest most of their energy or where they seek satisfaction.

They could be predisposed to conflict or do their best to avoid it.

Their challenge is learning to manage the energy of the “handle.”

Like with the bowl pattern they could at times feel like something is missing in their life.

Will Smith and Prince Charles have this chart pattern.

[thecoiledserpent]

you turn the wifi router off for a minute and there's mfs coming out the rooms you have never seen before

[thecoiledserpent]

Hello, I hope you had a great day! Im wondering how I could balance out a placement in my chart that has affected most of my struggles in life. I have ketu in magha in the fifth along side with moon and Saturn in purva phalguni, my rahu is in dhanistha and is conjunct to my atmakaraka in mercury. I realised this gave me horrible luck in school and when I want to write in pursuit for creativity, it falls short. I get burnt out very easily as well, I am ashwini ascendant by the way. I really appreciate your posts!

send the degrees brother, the entire chart if possible. roughly i'd suggest to sit for some time, and stare silently at a lit candle. clear out your mind, rid yourself of every thought. just sit and stare at it until 20 minutes. also, never stay up after 12, keep a proper sleep schedule. if possible for you, then keep a glass having fresh water in front of you ( do this on the ground ) and meditate in front of it, and drink that water after 15-20 mins of meditation.

[thecoiledserpent]

Hi! I hope you are doing great. Can you please do a detailed birth chart reading about Charles Leclerc's future spouse? Who is she? Her character, job, look etc. How they going to meet and their first impressions about each other? Will the relationship be successful? Thank you so much ♥️ [His birthday is 16 October 1997, hour 9.25 am in Monte-Carlo, Monaco.]

i'm sorry i'll have to deny this request, i don't do readings like these. the reader and the one being read should have a proper exchange to avoid karmic debt.

[thecoiledserpent]

Hello. What does it mean when Sun and Jupiter are both debilitated in navamsa? Anything to look out for? Like for eg, I heard sun is debilitated in libra and I have that placement in the 12th house in my D9 chart. Also I also hear Jupiter is debilitated in Capricorn so yea, I have it in my 3rd house in D9 too. Are there any side effects to having these placements in D9?

sun is okay, in fact it reaches the strength of an almost exalted planet, but jupiter is weak. it is in indicator that your luck might fall short in places. never disrespect religion, teachers, elders and spiritual practices.

if sun is good in d1, then this is a supporting placement. depends on the dasha too though like if you are going through your sun md and have a benefic sun in d1 then you'll gain respect and prestige in this period. if your sun in malefic tho then it can be problematic if present with soft planets or in the wrong houses. like an 8th house sun, or a sun with venus. take care of your eyes.

jupiter tho is in a poor position, your luck will leave you when you need it. when jupiter falls short we turn to saturn, so make sure you work hard enough that you don't need luck. but if you still can't succeed, then leave it and move on. not every success is guaranteed, knowing what to hold on to is important here.