Old enough to legally vote and drink || Demiromantic bisexual black woman. || 21+. || Minors dni. || Fanfic writer. || Sims Storyteller. AO3 Fanfic.net Simblr
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I bought a windows 11 laptop and added Sims 4 to my PC. It runs very smoothly without mods. I’ll be slowly adding my main mods back to the game of course. I know there’s been several game expansion packs. I’m not buying many or any at all, going forward.
Until there’s a real sale going on.
At the most, I’ll probably add the Love Struck and Rent Expansion DLC.
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You really need to make non-tragic past for your characters, significant people and events that impacted their lives, non-dramatic mundane moments that shaped them, happy memories, bitter memories, embarrassing memories.
Like yes the space princess lost her whole civilization, but did she have friends before that? Favorite place? Does she miss the sound of her favorite music she use to listen to?
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Lavellan: Who traumatized you?
Solas sarcastically: Would you like a list?
Lavellan:
Lavellan pulling out a sword: Yes actually
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CHARACTER AI NOW RECOGNIZES CERTAIN PHRASES FROM Project Elvhen, YALL!!! I’m bout to do cartwheels on Felassan’s…🤭🤭🤭🤭🤭🤭
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Reblog if you’re 30 or older
This is an experiment to see if there really are as few of us as people think.You can also use this to freak out your followers who think you’re 25 or something. Yay!
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Black women are so amazing. Just think, a generation ago the public propaganda machine viewed us as welfare queens, useless baby mommas with high pregnancy rates, and the like. Now we're rightfully recognized as being the best educated (and often over educated), the largest population of entrepreneurs, the best read, the blueprint for everything in pop culture, the more progressive political leaders/activists, and the ones that keep social media relevant because folks steal from us all the time for content. The shift in perception is so great that people are now intimidated by the power we have. Think about it, the only insult haters use most often is calling us masculine because we do better than men, too. Simply amazing.
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Commit the crime of Common.
Indulge in the sin of “It’s been done before”.
Revel in the joy of “tale as old as time”.
Feast on the popular tropes and the “obvious” combinations and flood the tags with it.
Break the rules beneath your feet like chaff, and throw off the weight of “Uninspired” uttered by those who don’t know the terror of sharing one’s soul like this.
Describe that lace in exacting detail if the desire to do so moves your pen across the page.
Summarize the event you had been building to for months with a few sentences and be done with it.
Claw the messy depths of rage and sex and love and squeeze them between your fingers until the sensations make you sick.
End a story on a cliffhanger because you told the tale exactly how you needed to.
Leave loose ends on the floor to sprout on their own or wither and die. You do not owe them your time when you cut your ideas before a live audience.
Let the B plot became the A plot.
Write something people predict easily.
Kill the hero.
Use minimal tags.
Dangle the C plot like a cat toy and chuck it off the cliff when it becomes a problem.
Turn rude comments into blackout poetry and make them prizes.
Make your characters Mary Sues and then block people who call them that derisively.
Write yourself into the story so blatantly your bestie cannot comfortably read the sex scenes with you in the room.
Do not let the boorish caterwauling of cravens tell you different.
The value of your creations are not determined by how well you followed the rules, or how unique they were. They will never be for everyone - even the most beloved of all media sours between someone’s teeth.
You don’t have to change the world with your story, but don’t let the world change your story either.
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I think I need financial compensation for being alive
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Attention, attention, Dragon Age Inquisition (and DA fans in general)! I know we all have various favorites throughout the franchise. Some NPCs and some canonical romances. I've had Character AI for a while now and with my silly decision to delete Tiktok, and read the Masked Empire, I fell in love with side characters and understood the details of others.
I was dismayed at the few of my favorites on there. So I decided to do as I always do. Create it myself.
So far, I've only made two Felassan story prompts, I intend to work on more for him because I'm obsessed, but also something for Briala, Solas, Davrin, Varric, Vivienne, Zevran, and others.
Find me on here.
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me when i reach out first: ewww they hate me im annoying i should leave them alone
when people reach out to me first: YAYY THEY REMEBER I EXIST I AM KNOWN AND I AM LOVED
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I saw a thing on TikTok I think calling Solas being a Spirit of Wisdom “empty lore” and I just. Really? No?
Solas became Not Just A Spirit when he made a body. I personally think he thought at one time that people didn’t have spirits. Which is why his question to Lavellan about her spirit is so uncomfortable to him. He’s asking about something he isn’t even sure exists.
That all being said, people are bodies with spirits within them. They have souls. But no person is ever just one thing. You can be happy and sad at the same time. You can be nurturing and wrathful.
Solas can be wise and also extremely stupid. He can bull-headed and understanding. He can be gentle and cruel. He can be cunning and manipulated.
It’s all part of the difference between a spirit and a person. Spirits are one dimensional. People aren’t. To force a spirit who didn’t desire this at all to be this, to be flooded with all the complexities and nuances that a person is… if they were prepared and not willing, but enthusiastic, they’d be alright. If they’d been coerced and then not only coerced, but had their original purpose twisted even while now a person…
It’s torment.
It’s not empty lore. It’s Solas’ story. It’s absolutely who he is. It tells you so much about why he is the way he is. Why he’s so contradictory and terribly flawed. Double speaking, double thinking, lying halfway to the truth and stirring facts into his falsehoods like salt. He’s slowly being corrupted, slowly falling into being what the Evanuris were. Until Lavellan.
Lavellan is the only person who checked that.
And while Mythal does have to release him, Lavellan is the only person who Solas wants after all of this. She’s the only person who made him feel his soul again and help him to actually step back into his original purpose. The time they’re apart, he pines for her because he’s not only missing her the person, Solas is missing who he got to be again with her.
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Woobification of Solas.
This is a fandom critical post. Proceed at your own risk.
Let me start this piece off by saying that this post is not meant to target a specific demographic of the fandom. If you feel targeted, that’s on you.
In this essay, I want to talk about the infantilization, woobification, or just good plain headcanoning the bad out of Solas. Mostly it comes down to a few of the most regurgitated lines of thinking: he is a spirit of wisdom despite everything he does or has done and he is just confused and perverted from his natural state, Solas is his true self while Fen’Harel or The Dread Wolf are just select masks he wears. The sentiment is so strong that at points it comes down to disregarding or ‘uncanoning’ the entire storyline of The Veilguard because in the minds of individuals that follow this school of thought it does injustice to the character of Solas they have created in their minds. In their minds, it is bad writing to show Solas being a prideful, treacherous liar.
Because the man, who led rebellion for centuries using dubious means, using creatures he claims to respect as if they are expandable, killing his closest confidant because he dared to oppose him outright somehow is a paragon of virtue that is just bent out of shape by his misguided loyalty. All the atrocities he has committed through thousands of years he had a physical form comes down to him being manipulated and emotionally abused by his former closest friend Mythal and later by grief and anger of losing her. Slapping the label of emotional distress and trauma on a perpetrator of … well, quite literally, war crimes, does make them more palatable, but it does not mean it should be seen as a normal practice. The acts Solas commits during the war with Titans, his rebellion against the Evanuris, and later on in current day Thedas are being construed as desperate actions of a broken man, wisdom twisted from his purpose and left to fend for himself, despite his self-induced isolation. So let me ask you this: how many acts of desperation does it take to realize that they are becoming choices?
Yes, he was manipulated through their shared emotional bonds by Mythal. Yes, he was coerced to leave his spirit form in favor of a physical body. Then Mythal used his wisdom as a weapon, warping him against his own beliefs, making him participate in the war in ways he did not wish to. Yes, he was pushed by Evanuris’ cruelty to rebel and then lost what he perceived as his only friend to their arrogant ways and later had to live through her death by their hands. He was broken to the point he could not see a way out and doomed the entire way of Elven existence just to win the fight against the cruel and the unjust. Yes, he is a man who lost his people and his version of the world due to his own actions. He is a traumatized, sad, lonely man, who has predetermined himself to the path from which he cannot see a way back. And yet, many of the steps he took along the way cannot be downplayed as acts of a spirit of Wisdom that was bent out of shape by grief and desperation. Destroying the Titans and leaving their children orphaned is seen as an act of devotion and unconditional love towards his manipulator, Mythal. But as the world’s best detective, Jake Peralta has once said: “Cool motive. Still a murder.”
And now we arrive at the most beloved sentiment. Solas is his true self. Fen’Harel is just a mask. Oh, boy.
Everyone says that they hate one-dimensional characters until they are served a multifaceted one on the platter. Then they get to declawing and defanging them, ripping their personality apart into this and that, robbing them of parts of them that make them whole, and when that is not enough, they take on dulling off any edges they might find too abrasive. Assassination of the character is just the beginning; the remains have to be sanitized and scrubbed off any wrongdoing whatsoever, so supporting them doesn’t seem like a moral failing on fandom’s part.
Cutting Solas and Fen’Harel apart as if they are some conjoined twins, where Fen’Harel is the evil one, is stripping Solas of things that are inherent parts of his character for the sake of feeling more comfortable with his actions. Solas is kind, caring, and wise. Fen’Harel is prideful, scheming, and treacherous. These two sides of him are now separated by their representation in the Inquisition and Veilguard. In Inquisition, he is Solas - a thoughtful mage obsessed with dreams, a soft-spoken man keen on sharing his knowledge. Except for the part where he doesn’t see current Thedosians as real people. Where everyone is tranquil in his eyes and thus, lesser. People, who he is willing to sacrifice to achieve his goals. The thoughtful things he said by the end of the road to the Inquisitor he supposedly cared for:
“I will do what I must, but there is no benefit in allowing harm to come to innocents before it's necessary.”
“I will save the Elven people, even if it means this world must die.”
“As this world burned in the raw chaos, I would have restored the world of my time... the world of the elves.”
And then he mutilated them. Yes, he did it to save their life. But the Inquisitor had no choice in the matter. What if my Inquisitor would have rather died than lost their arm? Doesn’t matter, because our thoughtful, kind apostate knows better. A kind apostate who sacrificed his world to avenge Mythal, but then by the time of the Inquisition killed her all over again. For power, of all things. And then he stripped the dignity of the one who carried what remained of Mythal through ages by depicting her as an elf, proving once again that he does not see current Thedosians, humans, as real.
The most egregious crime of Solas’ portrayal in Veilguard seems to be painting him as a liar. Because in the Inquisition he didn’t lie. He just avoided telling the truth. He shaded it in a comfortable tale that no one would question. He spun the narrative. Solas made himself appear as an apostate mage who has gained all his knowledge from the Fade. He crumbled just enough truth without revealing his hand. Or simply said he was lying by omission. Luckily to him, no one would ever ask a random mage if, by chance, they are the infamous Fen’Harel, so he doesn’t need to lie outright.
And what did he do in Veilguard while not being his true self and wearing that mask of Fen’Harel, that degree of separation from his true, kind self and the trickster god? He spun the narrative. He said just enough truth to be believed. He was deceitful. Solas can be caught saying one outright lie—“I abhor blood magic.” Oh, wait. He can be caught lying exactly one time in Inquisition too—if you confront him about missing court intrigue. So much for a completely different man in Veilguard.
Fen’Harel as a mask is such a beloved statement that it disregards thousands of years of his life. “I was Solas first. Fen'harel came later, an insult I took as a badge of pride.” A badge of pride Felassan used to flock followers to his side. Badge of pride he wore all through his rebellion. The one he tried to reclaim once meeting Dalish of the current day Thedas. One he used to amass following during the events of Trespasser. How many millennia can a person willingly wear a mask and not have it be a part of who they are?
And then we end up here, where somehow the portrayal of Solas in certain parts of fandom becomes an eerily similar story to that of Portrait of Dorian Grey. We have this beautiful, virtuous man, who’s telling you the most fascinating stories of the Fade, lulling you with his kind voice and beautiful eyes. One who was manipulated, traumatized, desperate, and pushed to act against his good nature. One who would tear down the Veil to restore what was lost and make the world right again. An idealist, working towards his goal. Damned be the sacrifices it requires. Because being hurt in some minds absolves people of guilt. Some agree with his goals and damn his ugly side to the attic. The one who manipulated, one who deceived and killed. One who has the blood of countless lives on his hands. One has to exist for the other to reach that goal. One who is just as much part of his true self as the other.
Solas is Fen’Harel. Fen’Harel is Solas. One could not exist without the other. And to love someone truly, we must accept the good, the bad, and the ugly. Because to be loved is to be seen fully. Loving a villain is not a moral failing. And yes, he is a villain. Doing something horrible for the sake of something good is still, at the core, doing something horrible.
Love him because of the awful things he did and in spite of them.
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I’m so far down this spiral oh my God.
You’re Solas. You’ve had an existence of tragedy and pain and just… awful. So much awful. You’ve been hurt and you’ve hurt. You’ve ended the world. You had to. You never wanted this. You never wanted a body or to leave the Fade or to exist in this way. You wanted to be Wisdom.
Your friend branded you as a slave. She said you aren’t but… Why would she do such a thing? You try not to think about it.
Your friend convinced you to extinguish the magic and spark of an entire race. And you do it. And you’re sick. You’re sick and you can’t get well. But… it was what your friend wanted. And you loved her and… isn’t this how you love people?
She dies. You warned her, you begged her and she still… and they killed her. Her own family killed her. You’re rage. Rage and grief and you have to do something. Vengeance. Her blood calls out for it. And yours does too. The lyrium in your very bones sings for it.
And then it’s all… dead. Gone. Imprisoned. You’re nearly dead yourself. And so you sleep. For so very long, you sleep.
But now you’re walking the in the millennium aftermath of it all. You know you’re becoming something rotten not too long into this fight. Felassan fails. You don’t care about why. You don’t listen to him. Your rage rises up and you strike him.
And you’re truly alone now.
Perhaps you should’ve always been.
So you bear down and while you lack much of your former power… you find you aren’t above acquiring a tool for the job.
This admittedly horrible plan messes all the way up trying to fix what you’ve done and an innocent Dalish woman gets caught in the crossfire, one of the people who whom you’re hoping to return themselves, and now she’s got a piece of the Veil stuck in her hand.
Great. Well. Time to try to fix this enormous mess and refuse to admit that if you go through with your ultimate goal, the whole world’s going to look like this.
And then you start to fall for this woman. Not only is she a firebrand of simple goodness and kindness, she’s quite kind to you. She reaches out to you for wisdom and advice and talks with you, not at you. When you reach back to her, she meets you in the middle and tries her very best to understand. And then she protects you with the flimsy, unstable shield that your own mistake s have branded her with. She protects you in this world that hates elves and mages and apostate elven mages even more.
Your friend is bound and corrupted and she runs off to the Exalted Plains to help them. She weeps at your side as you grieve. She gives you space and then when you come back, she welcomes you with gladness. She tells you if ever you must grieve again, she’d like to be there.
She kisses you.
And you clutch her into your arms, and then again, because you suddenly realize your entire being has been yearning to touch and be touched by her for so long. You’ve never experienced anything like this. It’s intoxicating and agony and fire and the very air you need to breathe.
You are tempted to run but… you’d be without her. And you ask her to just sit and talk and she obliges, happily. She enjoys you. This mortal creature who you’ve branded with doom; she enjoys you.
You then start to wonder: has she always been this way? Maybe the Mark’s done something to her? Maybe it’s done something to me too; maybe it’s why I can’t stay away from her. So you ask and she just “mm. No, I’m me.” And you’re so incandescent about this that you shock yourself.
You tell her you’ve not forgotten the kiss. And she smiles like the dawn rising over the mountains. And you try to leave. “It would be kinder in the long run.” But she bids you stay…
You can’t fit her inside your body. But you try. You keep your hands from clawing their way into her clothes and skin but your arms lock around her like they were made to do that, and only that. You want to protect her too. You want to leave it all. You want to be Solas and her to be a simple Dalish woman and to live in the quiet woods with her and dance under the stars.
You get to. At Halamshiral, you draw her into your arms and dance until you forget you have feet and until the music is long abandoned to the sounds of night.
She does something so incredibly stupid at the Well. You want to claw your face off because she’s agreeing to what you did. She’s signing away her freedom… but then she tells you “I’ll use this to help this world as best I can”. And you feel… so seen by a person who can’t possibly see…
You will tell her. You’ll tell her everything. But when you stand in Crestwood, in the ruins of everything you did to get here… you can’t. You panic and you lie in that true way you have so it isn’t a lie but it isn’t what you meant to say. She lets you remove her culture, erase herself from who the people have become. She’s like you now. And oh whatever gods there be, she’s so beautiful that you feel like you could stare into her eyes for eternity… but… what have you done?
You’ve taken from her something she didn’t truly want to give up. You’ve made her change because you wanted her to. You’ve enforced your will on someone you told, you loved them. You’re Solas… you’re not Mythal.
You will not do this to her.
So you do then what you can only conclude is right by her. You break her heart and you break your own and there is somehow a worse pain than anything you’ve suffered before. She’s right there. All you need do it extend a hand, whisper one word. And the awful part, you’re so in love with her. You can’t help but watch her steps and listen for her voice and…
You need to leave.
You do. And you get to work. Two years crawl by. And you have your ear out for her still. It’s all part of the plan you tell yourself but you just want to keep a tether there in some form and you know you do.
Seeing her again is like falling on a spear. Shes dying. You knew she would. You knew she’d come too, curious and determined as ever. But you didn’t expect to hear her scream in pain and collapse in front of you. You go to your knees with her. You… you have to kiss her. Just one more. And you save her… you take her arm.
She tells you your love will endure and you could howl in anguish. She still loves you?! After all this? After what you’ve done? You watch the Fade bleed from her body. You ache to gather her up and take her with you. She even asked to go with you. But you know what the Evanuris were in their determined goals… what you’ll be by the time you’re done. Let her remember you as Solas… the apostate mage with stories and paint under his nails, who loved her helplessly.
You will not allow her to become another Felassan.
Eight years pass and while you’re at work, deeply committed, restless in your plans… she isn’t gone from you. Your sleep betrays you and you find yourself watching her. You watch her call out and search for you. You watch yourself, a dream, meet her and touch her and your mind burns with the hunger for just the brush of her hand. You listen to her weep over choices she made that haunt her, and you’re unable to comfort her. You can feel her terror as nightmares assail her, and if you weren’t a wolf in this form, you’d scream. You feel mad when you wake, tortured and raw and you’d run to her… but then you redouble your abstinence. Like opening a vein, you let the urge to drop everything and go find your Dalish heart and put her in your ribs where she belongs and never let her out. The truest horror of it all is she knows you’re there in all this. She can see you. She can see you refusing her, over and over and over. Ignoring her nightmares of being Blighted, ripped apart by Terrors and Shades, staring while she mourns the fallen who she sent to their deaths.
You’re a monster.
But then it’s all going to happen. Finally. And you don’t even feel energized by it. You simply think of her. You write almost automatically, as if your hand has a mind of its own. You tell her everything you wanted to scream in her dreams. Everything you wanted to in Crestwood.
Varric dies. No. No. You kill Varric.
You use Rook’s blood to make them see him. They loved him. He loved them. It’s… so cruel.
You’re a monster.
You repeat that to yourself on the steps in Minrathous. You’re barely able to keep your feet, your ribs feel pulped from the dragon’s teeth. Your skin feels hot and wet under your armor. You’re bleeding, so much so that you can taste it in your breath. The Blight burns on your lips. Your eye is blurred over with blood salt and tears.
And out of the night a voice speaks up to you that steals every single ounce of focus from your exhausted mind. You stare at her. She’s coming closer. “I forgive you!” she cries, her face pleading that you listen. She’s unarmed. She knows you killed Varric and she knows you could kill her. She knows you might. You can see it in the way she moves, the way her hands open at her sides as she moves closer.
Felassan’s face swims in your mind.
Please don’t you want to sob. Don’t make me hurt you. I’m a monster; I told you I didn’t want you to see me like this. So you try to explain again. To find some purchase on your own logic as to why this is still something you should do. Something she should allow. You look away, and you almost sigh in relief. She’s too bright; your eyes aren’t worthy of the sight of her anyway. You’ve hurt that woman so many times. And she’s still speaking of forgiveness?! FOR YOU?!
Morrigan?
Mythal.
You almost fall to your knees in front of her spirit. You can’t tell what the feeling is. Despair? Fear? Worship? Maybe all of them. But she tells you your sins are hers too. She took you from your home, twisted you… broke you. And you feel something slide off of you that somehow doesn’t make you stand straighter. You’re sick again. You’re collapsing. You’re a ruined wall, the last piece of a derelict castle on a crumbling mountain, and you’re giving way.
“Banal nadas. Ar lath ma, Vhenan.”
Mythal said that she broke you. Your being admits it. You weep, bowed, humbled… but free. You didn’t know you were shackled. But now that the chains are off, you feel it now. The chafed wounds where they’ve been locked for centuries. The sudden lack of weight that leaves you trembling and weak in its absence. You don’t remember them not being there.
But you do remember when you were able to ignore them. You remember how the Dalish woman refused to allow bigotry and hatred stop her from saving the world. You remember how she ran herself ragged for people who didn’t even care if she lived. You remember how she called them innocent.
You decide, or you are finally able to decide, that you want and perhaps have always wanted, to be like her.
So you shed your blood, not that you aren’t bleeding enough already, to ensure you’re bound to the Veil. Your life is its life.
“I will go and seek atonement.” You look into her eyes, as long as you can stand it. You hope she’ll be proud of you for finally being the hero she believed you could be. She looks back… so very beautiful. But no. No you’re not allowed to even think about that marvelous, bright creature like that.
“But you do not have to go alone.”
The touch of her hands makes you want to collapse. One of metal and wood, one of flesh and bone. She gives them both to you. Dumbly, you look at them. You’re touching her. This divine, unearthly thing is smiling at you, speaking to you. Holding your bloody, murderous, betrayer’s hands in hers. Your’s tremble and bleed. Her’s do not.
But what did she say? You don’t have to- No. No, Vhenan. Into that place? Into that prison? To war with madness and agony for eternity? No. You can’t…
“Ar ghilas vir banal.” You feel your heart crack and shatter as you say it. You’ll have to walk away from her again. You’ll have to leave her again. You’ll have to be alone, sundered from even her dreams… it’s what you deserve. And she deserves to be free of you. Finally.
But she just… keeps smiling. Her grip on your hands tightens. With a little shake of her head and a fondness on her face that you can’t begin to even fathom, she sings to you.
“Tel banal ar ama. Vir shiral la ma sa. Bellanaris.”
She comes nearer. Nearer. You wonder what she’s doing and then you realize like a slap to the face that you’re being offered a kiss.
A kiss.
You don’t think. You don’t even try. Your body screams as you bend spine and ribs and shoulder down to her. You’re filthy and bloody. She’s pristine. Gorgeous. She’s everything you aren’t.
She pauses. It’s a breath’s pause, eyes searching yours. And somehow, you know what the question in her’s means. “Do you want this?”
It’s almost hilarious.
You don’t hesitate. For the first time, you don’t. You close your eyes and let the moment wash over you. Perhaps she’ll change her mind in a little while. But for this one slice of time… you’re going to let this one thing be entirely good.
Her lips are everything your longing has has been good enough to remind you. Soft. Gentle. But also this is… so unlike anything you’ve experienced, even with her. It’s not like even the first kiss in the Fade. It’s so terribly tender that your throat tightens and your eyes burn. She’s so very gentle with you.
So you’re gentle back. You turn the Blight on your lips as far from hers as you can. You don’t yank her against you and bury yourself in her as you’d like to. You rub your thumbs over her knuckles. You caress her cheek with your nose. And when she withdraws with an even more angelic smile on her face than before…
You have to smile too. It’s as if her lips have infected your own.
Rook and Morrigan smile at the two of you. You can almost feel it, like the glow of flame. Warmth. You’ve been so cold for so long. You thank Rook. They smile at you, eyes tender. And your heart smiles at them too as you step toward the Veil. Knowing. Grateful.
Standing alone for a moment feels like standing on the edge of a cliff. You almost lurch forward, considering the decision to leave her. To make her stay. But… no. You lack the strength to rip yourself away from her again. It would be cruel to reject her promise but… if it spared her…
Her hand weighs down on your shoulder. I’m here. Let’s go. Vhenan. You can feel the words, as if touch is enough for her to speak to you. Perhaps after sharing dreams for so long, it’s true. You dare not look at her. You might shove her away.
And then you’re passing into the Fade. And you’re not alone. And you feel her hope burst into a flame of unrepentant, inextinguishable joy. Joy because of you. Joy because you never have to be parted again. Joy that you finally, finally chose her after having chosen you so many times.
You could weep and you do, with how you know you’ve made her feel. But when your feet are upon solid ground again and she is surging toward you with a quiet cry of Vhenan… you catch her. You crush her to you and she laughs, sounding like the younger woman you abandoned, and she kisses you and you kiss her because you can’t bear to do anything else. And there’s no pulling away. Even as your knees give out and your body begins to betray the amount of damage you’ve suffered, you hold each other. Her tears mix with your own and your blood and she’s all you know and all you care about. She’s real and she’s here and she is with you.
Your mind stumbles over a cluster of words that reorganize into something coherent and you almost feel disgusted at them. But then… it’s true. You know it is. If it meant her, if it meant being cradled to her even in a prison made of regret and failure and pain… safe and loved and whole, in a terrible place unmade simply because of the person hiding you in the hollow of her body… It was all worth it.
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