Giant moodboard. The ocean, dark fashion, folklore, cryptids, fantasy horror, design. Original content where indicated. Header photo by Michael Yalamas
Don't wanna be here? Send us removal request.
Photo
Judy Garland performing “Ol’ Man River” on the debut episode of The Judy Garland Show (1963)
3K notes
·
View notes
Photo
Leticia Román in La ragazza che sapeva troppo (a.k.a. The Girl Who Knew Too Much) (Mario Bava, 1963)
352 notes
·
View notes
Photo

Undine Rising from the Waters: Chauncey Bradley Ives
7K notes
·
View notes
Photo






‘Biopiracy’ - Iris van Herpen F/W 2014 (2014)
“In the recent past, patents on our genes have been purchased. Are we still the sole proprietor of our bodies? From this question arises a sense of arrested freedom in one’s most intimate, solitary state. Models float in the air, embryonic, seemingly weightless and in a meditative suspended animation”
4K notes
·
View notes
Photo


“If the enemy waits then he should be pressured, put into obedience and deceived; teaching the enemy, the threatener of life, that he is not worthy of the pleasure of living.”
Francesco Ferdinando Alfieri, La Bandiera (1638)
2K notes
·
View notes
Photo

Details of The Jewish Bride, c, 1665, by Rembrandt (1606-1669)
3K notes
·
View notes
Photo

Jessica Hurley Scott (American, b. 1978, NY, USA) - And Again, 2015 Paintings: Acrylics on multiple Acrylic Panels
160 notes
·
View notes
Photo

~ Akt die Treppe herabsteigend ~
c-print on alu-dibond
© Carina Linge (2016)
2K notes
·
View notes
Photo


Paris/Vel d'Hiv, Lisa Rosowsky, 2011.
Two-sided quilt. Cotton, polyester, paper, glass, wood, 40" x 40"
When the French police rounded up Jews in the summer of 1942, they were taken to the Vélodrome d’Hiver, where they languished for days without adequate food, water, or sanitation before being deported to internment camps outside the city. Meanwhile, non-Jewish residents went about their daily lives in wartime Paris. The German magazine Signal, eager to show the world that the Nazis were benevolent occupiers, hired the photographer André Zucca to photograph Parisians enjoying “life as usual.” To produce this propaganda, Zucca was provided with what was then extremely rare Agfacolor film. The contrast between what was happening behind the walls of the arena—which people claimed to know nothing about at the time—and what went on in the streets was remarkable: two sides of the same city. The Jews were sent by train from the Vélodrôme d’Hiver to Drancy, and from there to Auschwitz. Witnesses recall letters being thrown from the trains, requesting anyone who picked them up to deliver them to loved ones back in Paris. I have included printed facsimiles of some of these letters in the borders of this piece, as well as other paraphernalia of the Vichy régime.
574 notes
·
View notes
Photo


2018 “Bad Witch” higher resolution images.
Art direction: 12:01 - Office of Hassan Rahim
Design: J.S. Aurelius & Travis Brothers
639 notes
·
View notes