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ppl seemed to really like my other two of us (2000) post so here are some of my favorite reviews on letterboxd





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Twitter becoming a funnier, more chaotic site than Tumblr was not on my 2022 bingo card but here we are.
Itâs a hellscape over there
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THE BEATLES with their Yellow Submarine counterparts. 1967.
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finally a list that actually has the real hits
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âChainsâ by Tom Murray 1968.
âWhen we went to the St Katherine Docks area we managed to stay for quite a while, because there were no mobile phones or stuff like that to notify people. For some reason, Paul decided to take his shirt off and stand by the side of the River Thames. He draped a set of chains around himself and we took the shots.â - Tom Murray 2018.
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I'm a Loser
Surely many of you have heard about this, but stillâŠ
Performance of the song I'm a Loser in Paris 1965 (Palais De Sports)
In the first chorus John sings as usual:
I'm a loser And I lost someone who's near to me
But in the last chorus, you can clearly hear John singing:
I'm a loser And I love someone who's near to me
And you can see how Paul smiles at this. Seeing his reaction, John also smiles.
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WALLS AND BRIDGES
âWritten amidst a turbulent, chaotic period in his personal life, John Lennonâs 1974 album Walls and Bridges is his most misunderstood â and arguably finest â solo LP.â
âHow very different he sounded on Walls and Bridges, exposing the demons which hanged him mercilessly. Lennon could comfort himself musically in the reliable hands of reliable session players Klaus Voorman, Jim Keltner, Jesse Ed Davis and Ken Ascher, knowing they could capture the backing he needed to duet with Elton John. A jaunty number, âWhatever Gets You Thru The Nightâwas the product of Beatle progenitor and studier laughing, stomping and clapping their way to the top of the US Charts. Lennon would join his namesake John at Thanksgiving performance at Madison Square Garden that November, Lennonâs last major concert at that. For all his new-found muse, the treasures of fame were lost on Lennon, a year where he watched Paul McCartney become an Oscar nominee and stadium highlight. Pencilled by many as the darkest Beatle, Lennonâs greatest work was his most truthful and it was only through the depravity of his darkest secrets that he re-capture that spark that so many envied. Born in confessional agony, Lennon strums the opening chords âNobody Loves You (When Youâre Down and Out)â cascading the desolate whims heâd fancifully throw to the bellowing horns which blasted the audience. As it ended on an aphorism, Lennon proffered the sadly prophetic âeveryone loves you when youâre six feet undergroundâ with causality and silence. No quip, no glib remark, only a doleful whistle to comfort his listeners. In all his primal agony, Lennon had never shown such pain with such dignity. An epochal moment, it might be the finest song Lennon ever wrote.â New Sounds writer, Eoghan Lyng âThe Walls And Bridges sessions were the most professional I have been on. He was there every day, 12 oâclock to 10 oâclock, go home, off the weekends, eight weeks, done. John knew what he wanted, he knew how to get what he was going after. He was going after a noise and he knew how to get it. And for the most part, he got it. What he explained, we used to get.â Jimmy Iovine, Overdub Engineer on Walls and Bridges The LPâs inner sleeve was enclosed inside another card container featuring more photographs of Lennon, and an eight-page booklet completed the package. The booklet contained song lyrics, five more artworks from the 1950s, and an extract from the book Irish Families, Their Names, Arms And Origins by Edward Maclysaght which detailed the history of the name Lennon. The booklet also featured credits for the album, and two quotations: ââPossession is nine-tenths of the problemâ â Dr. Winston OâBoogieâ; and âOn the 23rd August 1974 at 9 oâclock I saw a U.F.O. â J.L.â
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John Lennon's Naughty Birthday Card to Elton John


Text and Pictures Taken from Christies Auction; Rock & Pop Memorabilia, July 2008
John Lennon "Who was Mother Goose"? for Elton signed by John and Yoko on front and reverse, titled, dated Tuesday March 25/75 and annotated by Lennon, monochrome and coloured printed paper, machine-print and photograph collage, the front comprising a colour photographic ground to which Lennon has pasted various cut-out images, birthday messages and colour snap-shots, the reverse on the fitted card interior of the perspex box frame; the front signed by John Lennon and Yoko Ono in black felt pen on a publisher's book order coupon for Pumping Iron attached to the bottom right corner, the coupon additionally inscribed by Lennon giving his City as: Yes, State: Hi and Zip: Up; the reverse inscribed in Lennon's hand with the title and date and the message ...happy birthday dear Elton from John and & Yoko, above Lennon's self-portrait caricatures of their smiling faces 14x11in. (35.7x28cm.) framed; accompanied by a signed letter concerning the provenance from Sir Elton John (2)
Before we get into the long description.. can I just ask one thing:

CHRIST ON A BIKE, IS THAT PAUL?!?! (Will get into that later)
Don't TL:DR this, it's really interesting!
LITERATURE
DOGGETT, Peter, article entitled John Lennon's Collage For Elton John WHITE, Timothy Elton John: The Billboard Interview, October 4, 1997
This collage, painstakingly compiled by John Lennon for Elton John and sent to him for his 28th birthday on 25 March 1975, reflects the high regard and deep affection Lennon felt for Elton. As Peter Doggett observes in his detailed analysis of it, this highly personal collage must have taken a considerable amount of forethought and time in its execution:
...Lennon assembled the material for the collage from a wide variety of sources - porn magazines, women's magazines, newspaper advertisements, even the sleeve for one of Elton John's records. It also incorporates a personal photo of Elton, presumably taken by John in the Dakota Building, which appears to show the singer sitting in a room, with Yoko Ono on a bed nearby. Carefully and playfully assembled, the collage was probably planned over a period of time, as Lennon cut out and stored images that he thought would be appropriate for the piece. It is amusing to note the heavy dominance of gay iconography and male images in the collage; in 1975, despite some media speculation and the camp nature of his public appearances, Elton John was still officially portrayed as being resolutely heterosexual...
A recurring theme throughout the collage is the reference to Lennon's highly significant appearance with Elton John at Madison Square Gardens in New York a few months earlier on 28 November, 1974 in what was to become his last live appearance. This came about as a result of the two men's collaboration on Lennon's single Whatever Gets You Thru The Night and a wager that subsequently ensued. As Doggett recounts: ...At the time the record was made, Lennon's career appeared to be in commercial decline whereas Elton John was arguably the most popular solo artist in the world... In a Billboard interview in 1997 Elton recalled telling Lennon: ...Listen, if your record "Whatever Gets You Through The Night" [as part of The Plastic Ono Nuclear Band], gets to No. 1. you're going to come on stage with me in New York. We'll shake on it." To Lennon's surprise, that is exactly what happened..
References to the three songs Lennon performed at Madison Square Gardens [MSG] are woven into the front of the collage. The single word Lucy at the foot for Lucy In The Sky With Diamonds. The song title I Saw Her Standing There clipped from the picture sleeve for Elton's latest US single Philadelphia Freedom where the Lennon/Elton duet from the MSG concert appeared as the flipside; and the title Whatever Gets You Thru The Night cut out from the corresponding sheet music for the song.
The collage reflects more than just a musical resurgence for Lennon, it also marks a romantic milestone for him. The Guest Pass for that Madison Square Gardens concert, is probably the one used by Yoko herself [as it is printed with the words No Stage Access]. That evening John and Yoko who had been separated for nearly 18 months, met backstage, and to use Elton's words ...."they got back together again." As Doggett observes:...As a result, Lennon always held particularly fond memories of the gig, and of Elton John's role in their reunion...
In the course of Christie's research into this piece we discussed it with Paul Gambaccini who had attended the MSG concert on 28 November, 1974 and Seymour Stein who also attended the concert and threw the after-show party. Gambaccini, newly graduated from Oxford University and working for a radio station in Boston recalled that Lennon, whom he'd met for the first time a few days earlier in Boston where he'd attended the Elton John concert in preparation for MSG, was incredibly nervous on the night. Elton too recalled that Lennon was ... physically sick before the show with worry and nerves... and that ...When John came on stage, I've never heard a louder reception in my life for anyone...It moved us all to tears...The band was crying, I was crying. And for 10 to 12 minutes, the audience would just not stop cheering and clapping...it was so moving for him to feel that amount of love...". Gambaccini too recalled how the crowd went wild, he said that he had never seen such a mass expression of enthusiasm, warmth, excitement, before or since and that the power of the emotion the audience expressed was so extreme you felt it could have physically lifted the roof off the building. Gambaccini described Lennon's appearance at Elton's MSG concert as "...the crossroads night in Lennon's life..."
Additional Collage Details:
I Saw Her Standing There. Paul Gambaccini [PG] recalled that when he was waiting in the wings that evening, Elton passed him and said cryptically..."The Third Number". PG felt that Elton was probably remarking on the significance that Lennon was performing a Beatles song at this time, especially one written by Paul McCartney. [Lennon only sang a Beatles song in public on three occasions after the split]. Gambaccini said that Lennon hadn't ever sung this song before in any case, and that he'd introduced it on stage by saying it was written ...by an old estranged fiancée of mine named Paul...".
Pumping Iron publisher's coupon, signed and inscribed by Lennon is embellished by cut-outs of Arnold Schwarzenegger posing, these are not only decorative but highly relevant as according to Peter Doggett the book Pumping Iron ... was a best-selling investigation of the body-building business which turned Schwarzenegger into a national celebrity...
Central comic book hero portrait according to Gambaccini and other comic book afficionados is thought to be that of Edgar Rice Burroughs's creation Tarzan.
The moustache below Tarzan was probably taken from a photograph of one of America's most famous sporting heroes of the early '70s, Olympic swimming champion Mark Spitz, after his record breaking gold medal triumph at the 1972 Games.
Steam train logo to the right of Tarzan is probably a reference to Elton's record company Rocket Records and 'borrowed' from one of their adverts.
Ivory Snow advertisement on the reverse could, according to PG be symbolic of several things. Ivory Snow was a soap powder and therefore could be a reference to cocaine. However, interestingly, the girl in the ad was called Marilyn Briggs who later became porn star Marilyn Chambers who took the lead in the film Behind The Green Door, made and released in 1972, the same year as the notorious Deep Throat which Lennon and Elton were apparently obsessed with at the time. Gambaccini pointed out the great irony of the Ivory Snow ad is that Marilyn Briggs was the sister of Bill Briggs, member of the group The Remains, who opened for the Beatles at Shea Stadium. He thinks it is highly unlikely John Lennon knew this when including the Ivory Snow ad, but it's certainly is a fascinating coincidence.
Who Was Mother Goose the title of the collage repeated on both sides of the collage remains as Peter Doggett comments the biggest enigma of them all and was presumably an in-joke between the two men ...But much of the humour in the collage, from the phallic images and imagery to the suggestive juxtapositiion of pictures and text, is only too obvious, and characteristic of Lennon...
Christie's would like to thank Paul Gambaccini and Seymour Stein for their helpful assistance with the preparation of this catalogue entry.
Photograph courtesy of Redferns Music Picture Library
I'm sorry, I keep on going back to the mystery naked man, who just happens to be raven haired and juicy assed. It seems to be the only image *not* explained in the 'Additional Collage Descriptions'.
The infamous Madison Square Garden gets referenced A LOT, which is interesting because there seem to be two conflicting romances going on. Doggett goes for the safe option and frames it as the night that John and Yoko reunited, but the text does heavily lean on the fact that John was dedicating a song by an old estranged fiancée of mine named Paul... (also I think it's no coincidence that Paul Gambaccini, who is openly gay, mentions Elton John making a cryptic remark about the significance of the song).
The horoscope is.. weirdly specific? It makes references to Venus and Mars, and mentions games (Mind Games?) and watching out for ex lovers who want to just be friends. It *could* have been cribbed from some trashy mag, but I have my tin hat suspicions.
Back to the naked mystery man. I guess you'd have to be open to the concept that J&P were a) shagging, b) still shagging in the 70's (judging by the hair cut), c) had a romp in the long grass and John brought his camera and d) John would have thought that Elton John would appreciate the picture for his birthday card.. I have no problem believing any of this, but others might disagree. *starts crying at the possibility of someone finding evidence to dispute naked man - is Paul theory *
I hope no-one has a problem with ding-dong's on display.. it's art!
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The Beatles + Their Art: Paul McCartney
âMy view is that these things are there whether you want them or not, in your interior.âÂ
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could i maybe get some dating one of the gallagher brothers or john lennon headcanons? adding a lil smut is ok with me btw đ€đ€
Maybe I'll do some John Lennon headcanon's after I finish the Albarn smut from another one of my followers đ€
Anyways!
What dating Liam would include..
there's a little bit of smut in here;â -)
He will literally drag you along to every single Oasis concert's and tour's.
If you refuse to accompany him on either of those,he will stick himself unto you and sulk like a toddler who's just been denied candy.
"Liam I would love to go to every single one of your show's,but I have a jobâIf I keep on missing work the company will fire me."
"I'll buy the fookin' company then!"
If he's drunk enough onstage and you're behind him shying ever so slightly away into the backstage, expect to get pulled out and flaunted to at his fan's as he continues to go on a drunken ramble about how he had won the lottery with you being his. To the dismay of the management and Noel of course .
Jealousy and insecurity
He is a jealous man
Like jealousy doesn't even fully describe it.
Of course he trust's you and know's that you'd never actually act unfaithful âstill sometimes just like any other human in love,his jealousy and insecurities begin to rise up whenever he sees you with someone else. Be it man or woman.
Will hover between you and whoever that he suspects has their eye's on you,if he feel's extremely threatened he would pull your waist and subtly hint that he didn't like where this was going.
In rare occasions, well not all that rare he would just call the person his favourite catch phrase.
"You fucking wanker can't you see that they're not interested!"
Might need your reasurence afterwards.
Actually he desperately needs it because despite the hilarity of the situation he still has a tear of worry in his heart.
Usually can be cured by messy smooches and maybe a little action.. ;)
Just because he is insecure it doesn't mean that You could ever in a million year's be insecure about anything at all.
If you came to him and expressed that you felt insecure about yourself or about your guys relationship âhe will waste no time in cupping your cheek's and giving a quick peck on them before suffocating you in a this-is-how-much-I-love-you hug.
"I love you more than John Lennon, bloody hell you mean I could ever find someone better?"
Family
Prepare to hear him complain about his "estranged"brother Noel Gallagher and how he was actually Satan in disguise.
At this point you've started programmatically nodding off every time you hear the word Noel, because you know that what followed up next would be the most merciless insult in all of mankind.
Also prepare to hear their joyful hellish banter everyday in the studio as they once again fight over who was the rightful owner of Oasis.
SLIGHT SMUT
Despite the macho tough guy persona Liam actually like's it when you give him hickey's,consider's it one of the biggest turn on's. Won't miss the chance to gross out Noel by constantly showing them off because
A)He gets to annoy Noel
B)He actually feel's proud of having your mark's on him.
He adores it when you hastily unbuckle his belt to give his cock a slight rub whenever a makeout session ensues.
He likes shower sex because the very image of you soaking wet and standing vulnerably naked right Infront of him âto make it comprehensive and short, smoking hot.
#liam gallagher x reader#Liam Gallagher headcanon's#oasisxreader#rpf fic#noelgallagherxreader#britpopfic#rpfheadcanons#damonalbarn x reader
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Damon? Itâs the police. They want you to stop playing the f*cking flute.
Bananaz (2008) dir. Ceri Levy
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Hello! I have loved your blog for years and have thoroughly enjoyed reading your mclennon posts..I was wondering what your thoughts were about the cherry bomb incident at the Memphis coliseum in 1966..I believe there is a quote from either John or Paul saying that they were worried that the other was shot đ
Yes Iâve read this story many times and there are various versions. According to the Beatles, it was definitely a bomb. But according to Beatles fans who attended the event, it wasnât really a cherry bomb but a firecraker, and it wasnât thrown on the stage but near the stairs of the stage.Â
I think The Beatles believed it was a bomb because they were focused on playing and singing and they saw this fire and then the explosion which happened close to the stage, and they were a bit upset, also because it was the period of the âbeatles bigger than jesusâ controversy with strong Anti-Beatles feelings in America, fans burning their vinyls on the streets and many protests,...so there was tension at Beatles concerts. And that firecracker might have been a consequence of that turmoil.
I remember that John revealed in an interview that when the âbombâ exploded they suddenly looked at each other to check they were fine. Some Beatles fans who have attended the concert also reported that Paul suddenly looked at John to check if he was alright. â€
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glyn johns stopped letting musicians do drugs in the studio in the 1970s because he believed it made them easily distracted and hampered their ability to communicate and get things done. i wonder if that had anything to do with



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