thewritingdragonelf

[thewritingdragonelf]

writing ask game

🌻 — prompts

(1) share an excerpt you're proud of, and elaborate on why.

(2) share an excerpt of [character pairing] interacting, either selected from the work or written now.

(3) pick a branching universe you would enjoy writing from the canon of [project]— a character makes a different choice, the dice roll a different number, etc. describe what it would look like and/or write 100+ words in this universe.

(4) pick an alternate setting you would want to put either the main cast of your work or [specific characters] in— zombie apocalypse, medieval fantasy, regency era, office hijinks, etc. describe what it would look like and/or write 100+ words in this universe.

(5) describe what [project] would look like if it were bad. (alternatively: list out what hypothetical horrible interpretations of the work would look like. fake socmedia discourse emulator optional but encouraged.)

(6) describe the premise/plot of [project] from the perspective of each main cast member.

(7) if you were writing an individual project based on each main cast member in [project], what would they look like? what genre would each main cast member do best in?

🌺 — questions

(8) what are your favorite character dynamics from [project]? elaborate on why. what scenarios not followed through with in-story would you want to put each dynamic in most? (ex: truthserum-ed and locked in a room; roadtripping; coffeeshop au; etc)

(9) who are your favorite characters from [project]? what do you want most from them as characters: to have them heal and be content/happy, or to run them under a cheese grater? how does this compare to what they undergo in the story?

(10) which characters do you personally dislike most from [project]? elaborate on why, bonus points for how impassioned your answer is.

(11) is there is anything intangible or inanimate in [project] which qualifies as a character in its own right? (ex: a specific theme, setting, etc)

(12) which scene/plot beat is your favorite? elaborate on why.

(13) which aspects of worldbuilding are your favorites? (if not applicable: which parts of the setting interest you most?)

(14) what are the focal points of [project]? what does it revolve around emotionally?

(15) in what ways are you challenging yourself with [project], and is there anything specific you want to come out of the work having improved skills in? on the other hand, which aspects are fully in your comfort zone?

(16) what sparked [project]? what was the original premise or jumping-off point, and do you have any records of the first notes from its creation?

(17) do you have a specific structure or method of plotting for [project]? what does your drafting process look like?

(18) pick 1-5 songs which you believe define either [project] or [character (relationship)] and elaborate on why with attached lyric selections. (optionally: link a playlist)

(19) what text/message have you sent about [project] which is most unhinged or incomprehensible out of context?

(20) do you think there's anything about [project] which is predictable from your previous works/interests, or to anyone who knows you well enough? if the work was written by someone else, what would a recommendation designed to personally bait you look like?

[thewritingdragonelf]

"just write a little every day" ok but what if i write nothing for 3 weeks and then suddenly type like i’m being hunted by god

[thewritingdragonelf]

Zoom In, Don’t Glaze Over: How to Describe Appearance Without Losing the Plot

You’ve met her before. The girl with “flowing ebony hair,” “emerald eyes,” and “lips like rose petals.” Or him, with “chiseled jawlines,” “stormy gray eyes,” and “shoulders like a Greek statue.”

We don’t know them.

We’ve just met their tropes.

Describing physical appearance is one of the trickiest — and most overdone — parts of character writing. It’s tempting to reach for shorthand: hair color, eye color, maybe a quick body scan. But if we want a reader to see someone — to feel the charge in the air when they enter a room — we need to stop writing mannequins and start writing people.

So let’s get granular. Here’s how to write physical appearance in a way that’s textured, meaningful, and deeply character-driven.

1. Hair: It’s About Story, Texture, and Care

Hair says a lot — not just about genetics, but about choices. Does your character tame it? Let it run wild? Is it dyed, greying, braided, buzzed, or piled on top of her head in a hurry?

Good hair description considers:

Texture (fine, coiled, wiry, limp, soft)

Context (windblown, sweat-damp, scorched by bleach)

Emotion (does she twist it when nervous? Is he ashamed of losing it?)

Flat: “Her long brown hair framed her face.”

Better: “Her ponytail was too tight, the kind that whispered of control issues and caffeine-fueled 4 a.m. library shifts.”

You don’t need to romanticise it. You need to make it feel real.

2. Eyes: Less Color, More Connection

We get it: her eyes are violet. Cool. But that doesn’t tell us much.

Instead of focusing solely on eye color, think about:

What the eyes do (do they dart, linger, harden?)

What others feel under them (seen, judged, safe?)

The surrounding features (dark circles, crow’s feet, smudged mascara)

Flat: “His piercing blue eyes locked on hers.”

Better: “His gaze was the kind that looked through you — like it had already weighed your worth and moved on.”

You’re not describing a passport photo. You’re describing what it feels like to be seen by them.

3. Facial Features: Use Contrast and Texture

Faces are not symmetrical ovals with random features. They’re full of tension, softness, age, emotion, and life.

Things to look for:

Asymmetry and character (a crooked nose, a scar)

Expression patterns (smiling without the eyes, habitual frowns)

Evidence of lifestyle (laugh lines, sun spots, stress acne)

Flat: “She had a delicate face.”

Better: “There was something unfinished about her face — as if her cheekbones hadn’t quite agreed on where to settle, and her mouth always seemed on the verge of disagreement.”

Let the face be a map of experience.

4. Bodies: Movement > Measurement

Forget dress sizes and six packs. Think about how bodies occupy space. How do they move? What are they hiding or showing? How do they wear their clothes — or how do the clothes wear them?

Ask:

What do others notice first? (a presence, a posture, a sound?)

How does their body express emotion? (do they go rigid, fold inwards, puff up?)

Flat: “He was tall and muscular.”

Better: “He had the kind of height that made ceilings nervous — but he moved like he was trying not to take up too much space.”

Describing someone’s body isn’t about cataloguing. It’s about showing how they exist in the world.

5. Let Emotion Tint the Lens

Who’s doing the describing? A lover? An enemy? A tired narrator? The emotional lens will shape what’s noticed and how it’s described.

In love: The chipped tooth becomes charming.

In rivalry: The smirk becomes smug.

In mourning: The face becomes blurred with memory.

Same person. Different lens. Different description.

6. Specificity is Your Superpower

Generic description = generic character. One well-chosen detail creates intimacy. Let us feel the scratch of their scarf, the clink of her earrings, the smudge of ink on their fingertips.

Examples:

“He had a habit of adjusting his collar when he lied — always clockwise, always twice.”

“Her nail polish was always chipped, but never accidentally.”

Make the reader feel like they’re the only one close enough to notice.

Describing appearance isn’t just about what your character looks like. It’s about what their appearance says — about how they move through the world, how others see them, and how they see themselves.

Zoom in on the details that matter. Skip the clichés. Let each description carry weight, story, and emotion. Because you’re not building paper dolls. You’re building people.

[thewritingdragonelf]

writing is so funny because i could write nonstop for 9hrs and then hit a block where im like "how do i transition between this moment and the next?" and then i just dont touch it for 6 months

[thewritingdragonelf]

"just write a little every day" ok but what if i write nothing for 3 weeks and then suddenly type like i’m being hunted by god

[thewritingdragonelf]

writing is hard. you’re doing it anyway. you’re basically a god. a really tired, under-caffeinated god in pajamas.

[thewritingdragonelf]

anybody else . can anyone hear me

[thewritingdragonelf]

The fun thing about people with ocs is that you can just ask them about their ocs opinions. Like oh what would your oc say about this. What would they think. How would they tell me good night. It's great

[thewritingdragonelf]

[thewritingdragonelf]

Emotional Walls Your Character Has Built (And What Might Finally Break Them)

(How your character defends their soft core and what could shatter it) Because protection becomes prison real fast.

✶ Sarcasm as armor. (Break it with someone who laughs gently, not mockingly.) ✶ Hyper-independence. (Break it with someone who shows up even when they’re told not to.) ✶ Stoicism. (Break it with a safe space to fall apart.) ✶ Flirting to avoid intimacy. (Break it with real vulnerability they didn’t see coming.) ✶ Ghosting everyone. (Break it with someone who won’t take silence as an answer.) ✶ Lying for convenience. (Break it with someone who sees through them but stays anyway.) ✶ Avoiding touch. (Break it with accidental, gentle contact that feels like home.) ✶ Oversharing meaningless things to hide real depth. (Break it with someone who asks the second question.) ✶ Overworking. (Break it with forced stillness and the terrifying sound of their own thoughts.) ✶ Pretending not to care. (Break it with a loss they can’t fake their way through.) ✶ Avoiding mirrors. (Break it with a quiet compliment that hits too hard.) ✶ Turning every conversation into a joke. (Break it with someone who doesn’t laugh.) ✶ Being everyone’s helper. (Break it when someone asks what they need, and waits for an answer.) ✶ Constantly saying “I’m fine.” (Break it when they finally scream that they’re not.) ✶ Running. Always running. (Break it with someone who doesn’t chase, but doesn’t leave, either.) ✶ Intellectualizing every feeling. (Break it with raw, messy emotion they can’t logic away.) ✶ Trying to be the strong one. (Break it when someone sees the weight they’re carrying, and offers to help.) ✶ Hiding behind success. (Break it when they succeed and still feel empty.) ✶ Avoiding conflict at all costs. (Break it when silence causes more pain than the truth.) ✶ Focusing on everyone else’s healing but their own. (Break it when they hit emotional burnout.)

[thewritingdragonelf]

some people think writers are so eloquent and good with words, but the reality is that we can sit there with our fingers on the keyboard going, “what’s the word for non-sunlight lighting? Like, fake lighting?” and for ten minutes, all our brain will supply is “unofficial”, and we know that’s not the right word, but it’s the only word we can come up with…until finally it’s like our face got smashed into a brick wall and we remember the word we want is “artificial”.

[thewritingdragonelf]

List of British words not widely used in the United States. Lists of words having different meanings in American and British English. List of American words not widely used in the United Kingdom.

[thewritingdragonelf]

Why would I write when I could imagine my characters going through the story and then get upset when a copy of the work doesn’t magically appear in front of me

[thewritingdragonelf]

20 Ways Your Character Might Self-Sabotage

(Because sometimes the biggest threat to them… is them.)

➵ Pushing people away before they can leave.

➵ Saying “I’m fine” when they’re not, and getting mad when no one sees through it.

➵ Pretending not to care so they don’t get hurt.

➵ Quitting things they love when they start to go well.

➵ Staying in bad situations because at least it’s familiar.

➵ Ghosting when things get too emotionally intimate.

➵ Joking about real pain so people don’t take it seriously.

➵ Falling for people who are emotionally unavailable.

➵ Making plans they know they’ll cancel.

➵ Overcommitting to avoid dealing with themselves.

➵ Getting angry instead of being honest about fear.

➵ Comparing themselves constantly, to everyone.

➵ Never celebrating wins, only fixating on flaws.

➵ Sabotaging good relationships because they don’t think they deserve them.

➵ Chasing chaos because peace feels boring (or unsafe).

➵ Apologizing too often or never at all.

➵ Giving up halfway just to say “See? I told you I’d fail.”

➵ Playing the therapist friend but never talking about their own pain.

➵ Procrastinating until it's impossible to succeed.

➵ Acting like they don’t care about something they actually desperately want.

[thewritingdragonelf]

writing is 10% storytelling and 90% rearranging three sentences for an hour like you're trying to solve an ancient curse

[thewritingdragonelf]

"IT WAS ONLY SUPPOSED TO BE A ONESHOT!!!" i scream, desperately clawing at the floor, as the fic drags me back into The Depths to continue writing against my will for the rest of eternity

[thewritingdragonelf]

me: this scene is stupid.

also me: writes it anyway and accidentally unlocks the entire plot.