I would like to acknowledge that I practice on Yuin Country. I acknowledge the Yuin, Ngarigo and Bringja Yuin Peoples as Traditional Custodians of these lands and waters, and offer my respects to their Elders past, present and emerging.
Don't wanna be here? Send us removal request.
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/ Productivity / Setting the stage for potentials
Potentials for growth.
Potentials for regeneration.
Potentials for change.
“Engage with the process progressively... responsive to change.”
Five Points of View
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/ Productivity / Stage for Potentials.
Exploring how object can become prompt. A prompt to suggest an encounter. An encounter that is determined by the individual. What will that encounter be?
To throw the book aside and bask in the sun.
“I think that an audience is shaped in the moments that it encounters/perceives/engages with a work.”
Five Points of View
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Setting the stage for potentials to occur with the ephemeral.
Shifting and rolling in the wind, stretching metres across the gravel. The wind picks it up and places it else where.
Documenting this encounter looking at form between object and condition. it performs.
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Exploration 2 from the other side
Taking a different stance. Viewing from the other side.
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Ian Burn
Xerox book # 1. 1968
Thinking about this precedent moving forward.
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Ian Burn
Xerox book # 1. 1968
Thinking about this precedent moving forward.
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Task 6:
The encounter between.
Translates from a digital document > encounter between ink and paper > intersection/overlapping of ideas > digital document.
Becomes about process, the act of notating, the paying of attention.
A first iteration, a beginning.
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Task 6:
Transformations of the line: Traces, Threads and Surfaces By Tim Ingold
Surface: The page, Intervention: The reading, Other Surface: The ink, Encounter: The additive of ink on page and how the nuance was traced.
Accidental mishaps. A glitch. How that can become something of itself.
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