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Lista de conferencias disponibles:

1.- Carlos Salinas de Gortari y la masonería; 2.- Santa Anna, masón; 3.- Porfirio Díaz, masón; 4.- Porfirio Díaz, ocultista; 5.- Logias y masonería en la tesis Unam de licenciatura de López Obrador; 6.- Plutarco Elías Calles, espiritista; 7.- Plutarco Elías Calles, masón; 7.- Madero, masón y espiritista; 8.- Manuel Luyando; 9.- El marqués de Uluapa; 10.- Los domicilios físicos de la logia Arquitectura Moral; 11.- La calle de Las Ratas; 12.- Octaviano D’Alvimar; 13.- La logia Arquitectura Moral en Guatemala 47 y 49; 14.- Zaragoza, ¿masón?; 15.- ¿Masones en la Independencia?; 16.- El falso cuadro de Benito Juárez como masón; 17.- ¿Arquitectura Moral en la obra de José María Mateos?; 18.- Los falsos cuadros de Hidalgo como masón; 19.- Maximiliano, ¿masón?; 20.- El capítulo perdido de José María Mateos; 21.- La masonería en los libros de texto; 22.- Lindo y Cabo Franco en 1808; 23.- Benito Juárez, masón; 24.- Iturbide, ¿masón?; 25.- Maximiliano y la esclavitud; 26.- Santa Anna, Maximiliano y Cárdenas, ¿salvan la vida por la masonería?; 27.- Una explicación para las afirmaciones de Jose María Mateos; 28.- La expulsión masónica de Luis Mier y Terán en 1879; 29.- Heriberto Jara y Maples Arce, masones; 30.- Vasconcelos, espiritista, filonazi y masón; 31.- Pancho Villa, un crimen ritual; 32.- Guillermo Prieto y el Portal de Tejada; 33.- La Independencia de México; 34.- Joaquín Pérez Budar y el papa Eduardo I, masones; 35.- Los negocios de Cunha Reis con Juárez y Maximiliano; 36.- M. B. Cunha Reis, traficante de esclavos;

Advertencia: en ninguna uso fotoshop, de manera que si a alguien le encanta ser embaucado con fotoshop, mejor no las pidan. https://www.instagram.com/p/CeMCVI2OUegdtm7gzFmuyYdRK9EV3wNygEw9e80/?igshid=NGJjMDIxMWI=

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20/100 days of productivity

Today I woke up early for do all of my things 4 this day ‘cause I was plan to distract in the afternoon with walk for Tihuatlan.

Distract with the nature gives me the energy that I need to do my best every day. Who don’t enjoy a beautiful sunset?

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Background art from various “Scooby-Doo Where Are You!” episodes.

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Angels Ministering to Christ, 1820, William Blake

Medium: pen,wash,ink,watercolor,paper

https://www.wikiart.org/en/william-blake/angels-ministering-to-christ-1820

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Behemoth and Leviathan, William Blake, 1825, Tate

Purchased with the assistance of a special grant from the National Gallery and donations from the Art Fund, Lord Duveen and others, and presented through the the Art Fund 1919 Size: image: 200 x 151 mm Medium: Line engraving on paper

http://www.tate.org.uk/art/artworks/blake-behemoth-and-leviathan-a00026

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Remember: Absence is compensated when you make yourself present with immeasurable faith.

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A white haired man in a long, pale robe who flees from us with his hands raised, 1794, William Blake

Medium: etching,ink,watercolor,paper

https://www.wikiart.org/en/william-blake/a-white-haired-man-in-a-long-pale-robe-who-flees-from-us-with-his-hands-raised-1794

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William Blake, The Ancient of Days //  Hadewijch, Stanzaic Poem 29 (trans. unknown) // Salvador Dalí, The Apparition of Christ // Karma Lochrie, Mystical Acts, Queer Tendencies // William Blake, The Marriage of Heaven and Hell // Hadewijch, Poem 16 (trans. unknown) // William Blake, Orc // Dante Alighieri, Paradiso (trans. Rabinowitz) 

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The Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4), William Blake, ca. 1803-1805, Brooklyn Museum: European Art

Size: Image: 17 3/16 x 13 11/16 in. (43.7 x 34.8 cm) Sheet (with inlay): 21 11/16 x 17 1/16 in. (55.1 x 43.3 cm) Medium: Black ink and watercolor over traces of graphite and incised lines on wove paper

https://www.brooklynmuseum.org/opencollection/objects/4368

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The Angel of Revelation, 1805, William Blake

Medium: pen,ink,watercolor

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Illustration to Milton`s Paradise Lost, 1807, William Blake

Medium: watercolor

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Night Startled by the Lark, 1820, William Blake

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The Hiroshima Shadows 

On August 6th 1945 the world changed forever within a blink of an eye. Japan had no idea what was about to happen to them and the world looked on in horror. August 6th was the day that ‘Little Boy’ was detonated 1,900 feet above the city of Hiroshima. 

Residents who were going about their daily business saw a bright flash of light, followed by the heat that was 10,000F destroying anything in its path. The U.S had just released Little Boy over Hiroshima and had similar plans for Nagasaki. The U.S hoped that by weakening Japan they would force them to surrender and the war would finally be over. 

The U.S also wanted to show off to the world their new technology and used Hiroshima and Nagasaki as a warning to any other country who believed that they could take them on. When Little Boy was dropped, residents had little time to run for safety as the heat and clouds engulfed them. The most affected site was the Sumitomo Bank as it was closest to where the Little Boy was. 

The heat from Little Boy had been so intense that it had bleached everything in the immediate area, leaving shadows of anything that stood in its way. Perhaps the scariest and most famous photograph from this time is the photo of the Hiroshima Shadow Man. 

This photo shows the shadow of an elderly man who was sitting on the steps of the Sumitomo Bank, complete with the shadow of his walking stick. Hiroshima is dotted with shadows just like it, displaying people’s final moments before their lives were taken. It wasn’t just people that left shadows behind either, bikes, water tanks and structures all left their mark. 

These shadows are well documented but the photo of the man on the steps is the one that we all associate with Hiroshima. The shadows remained there for decades until the wind and rain took their toll. 

However, the infamous shadow of the man sitting on the steps was removed and placed in the Hiroshima Peace Memorial Museum where visitors are able to see the shadow up close and personal.

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