toofarawaytoseethefallout - Tumblr blog

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being born in the late 90′s is a really weird time because our coming of age is/was so tied into the expansion of personal technology? like for so many of us the transition from getting your first flip phone to smartphones wasn’t just a technology shift, it was part of growing up. and it created this really weird timeline where new technologies were being created right as we entered the right age market to use them, so now we all know intuitively how to use snapchat or the social context of emoji use or whatever but we can also remember childhoods spent (almost) entirely outside and offline. like you get all the disillusionment of the older millennial generation except now with the stress of spending your adolescence measuring yourself against others on social media and it’s really fucking confusing

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“What is a ghost? A tragedy condemned to repeat itself time and again? A moment of pain, perhaps. Something dead which still seems to be alive. An emotion suspended in time.””

— Guillermo del Toro, from the screenplay The Devil’s Backbone (Anhelo Producciones, 2001)

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one time a guy i know whose girlfriend was heavily pregnant didn’t tweet anything for a whole day so i texted him ‘congrats on your baby’ and made him think i had some kind of baby precognition 

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So anyway Christopher Tolkien literally took 70 boxes of his father’s disorganised notes and spent his whole life turning them into something that could be read, appreciated, studied and loved. Words can’t express how much this man did for everyone to whom Tolkien’s work means something…thank you so much, Christopher. Safe journey to the white shores under a swift sunrise.

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"I'll stare directly at the sun but never in the mirror

It must be exhausting always rooting for the anti-hero

Sometimes I feel like everybody is a sexy baby

And I'm a monster on the hill

Too big to hang out, slowly lurching toward your favorite city

Pierced through the heart, but never killed"

- Anti-Hero, by Taylor Swift

I've been waiting to comission this art for some time now and I couldn't have loved the result more. I love Taylor Swift and I think this song fit Nesta character quite well.

Art by: ehmandinha (instagram)

Comissioned by: me

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The next time you've got a friend over, set an example and put your phone on the table, visibly there but not too far away, to let them know that you're intentionally present, not distracted, your attention is undivided and you want to be fully focused on being right there to spend time with them. Don't mention it or draw attention to this, you're not doing this to be preachy or wanting praise, you just want to be a good friend and you value your friend's time. Ideally, your friend will either notice this or even pick it up without conscious notice, and set their own phone aside on the table as well.

Then, when your friend takes a minute to go to the bathroom, grab your phone and take a photo of your friend's phone sitting on your table. Do not touch it, and put your own phone back exactly where it was immediately once you've got the picture. Carry on with whatever you two were doing.

Once your time is up and your friend has left for home, wait for a good 15 minutes or so, for them to either get back home or be well on their way there. Text your friend, "hey, you forgot your phone", and send them the photo you took of their phone on your table. Set a stopwatch running from the moment your friend sees the message.

Measure how many seconds it takes for your friend to process this and tell you to go fuck yourself.

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Friendly reminder to go watch Mystery Incorporated

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funniest thing about any scooby doo remake is when they make fred a mean jock when in reality he’s a mom friend

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The French really don’t fuck around.

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Obviously Velma sucks but if we do ever make a more adult Scooby Doo I want a semi realistic period piece from the late 60s where the Scooby Gang are draft dodgers and hippies that just happen to stumble into the crime fighting business because there is just a fresh stream of con artists when you’re drifting town to town in a van.

Freddie and Daphne start it all. Instead of showing up at boot camp when drafted, Fred Jones got the van he bought with his summer job and ran off. Daphne, his girlfriend (who frankly has the least strong feelings about Vietnam but for gods sake are they not taking Freddie there) runs along to be supportive and to get away from her strict, stuffy family.

Velma catches wind of Fred and Daphne’s plan a few days before it happens. They invite her along but she has to consider it. A staunch feminist and the brightest girl in school, she has the most to lose if she leaves. However, she grows embittered by the fact she’s never gonna get into her dream college since it doesn’t admit women, and decides to go along. Besides, if Fred and Daphne leave without her, there won’t be anyone like minded in their hometown for Velma to be friends with.

Shaggy wasn’t originally part of the group, but they find him and Scooby hitchhiking and pick him up. The gang learn he has similar circumstances to Fred for running away from home, being a conscientious objector who ran off when they tried to put him in a non combative position instead. He opposed even this as it still meant he would be part of the war machine. He comes bearing plenty of 8 track tapes and some real good pot, so he’s welcomed along happily.

Along the way they become friends and use their combined skills to solve cases of supposed hauntings. Every single one is shown to be some kind of capitalist fraud.

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Thinking about how I would write an adult Scooby-Doo series, because I think it can be done.

The first thing I’d do is make the characters actually be adults.  Still young, but adults, in the mid to late 20s range.  Mystery Inc. is a private detective type business that they run together.  In this universe, the supernatural/ghosts/etc are real, but not necessarily common, so when they take on a case, the culprit might be a person disguised as a monster, or it might actually be a real ghost.  The stakes can be higher; sometimes a bad guy is legitimately trying to kill them.  Sometimes the mystery they’re trying to solve is a murder.  Sometimes they actually get hurt on their cases.

Fred: the core of Fred’s character should be that he’s incredibly kind.  Like, give a stranger the shirt off his back kind.  The “Fred can’t talk to potential clients because he might take a case for free and we need to eat” kind.  He’s an honest and good person and sometimes gets himself into trouble because he assumes other people are too.  While he’s not very good at reading people or noticing ulterior motives, he’s brilliant when it comes to mechanical or engineering type stuff, so he’s the one who keeps the mystery machine running, builds their gadgets, and of course, designs the traps.

Daphne: she comes from old money, and her parents absolutely despise her life choices, to the point where they haven’t officially disowned her, but they have basically cut her off, so she doesn’t actually have access to any family money.  Growing up wealthy has granted her a variety of skills, including speaking multiple languages, horseback riding, and fencing.  She’s very into fashion and jewelry (even if she can’t afford it anymore) and has extensive knowledge of both that can occasionally provide a vital clue in a case. And even though her parents have cut her off, Daphne still has a wide network of contacts she can ask for favors sometimes, because she’s personable, and people tend to like her.  Daphne is also very emotionally intelligent, and is usually the one who can spot when someone is lying to them.

Side note - I ship Fred and Daphne, so I think I would start them off as an established couple for this universe.  Dating, engaged, married, I don’t care.  They are stupidly in love, ride or die for each other.  There’s no will they, won’t they, no worries about cheating.  They are in a healthy, happy, loving relationship, and no one (not even Daphne’s disapproving parents) are going to mess that up for them.

Velma: she is the forensics nerd who sometimes gets super excited about the wrong thing at the wrong time (”He was mummified in seconds? That’s so cool!” “Velma!  His wife is standing right there!” “Oh.  Sorry.”).  She’s not purposely insensitive, she just gets laser focused on her work and forgets to filter herself sometimes.  She’s also the one who can get so fixated on solving whatever mystery they’re working on, she’s willing to bend or maybe break laws.  Is breaking and entering really so bad?  Not if it gets them answers.

Shaggy: he is still the comic relief, but he’s the comic relief by being the only person in the group that actually has common sense.  He manages the business’s finances, he’s the only one who knows how to cook, and the others tease him for being a coward sometimes, but Shaggy maintains that if a ghost with an axe is coming for you, running is the only sensible option.  He should also have a range of random knowledge that sounds useless, but sometimes saves the day (ex ventriloquism, origami, the history of spoons, etc).

Scooby: as this is a universe where supernatural creatures exist, Scooby is an ancient eldritch type being that took a shine to Shaggy when he was a kid, and took the form of a talking dog to befriend and hang out with him.  Aside from the talking dog bit and not aging, he never uses his powers in a way that anyone notices.  The audience is not told upfront that Scooby is an ancient eldritch being; it should slowly be hinted at throughout the series so the audience put it together, but the characters never realize it.  Scooby genuinely considers Shaggy to be his best friend, and cares about the rest of the gang too.

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Look, all I’m saying is that they really just don’t make movies like National Treasure anymore. Like this movie is about two dudes in a van who beat a team of highly trained criminals to stealing a valuable document from a high-security museum, by sheer accident get an antiques expert to come along with them to keep the document safe, get involved in several major chase scenes, escape the FBI twice, find a massive treasure, get someone else arrested for their crimes, and then give the treasure back to museums before yeeting out to do it all over again in the sequel. No one was doing it like them. And the thing is, by all accounts, this plot is ridiculous and the dialogue is ridiculous but it works unbelievably well because the writers and actors committed to the bit. This movie is campy and absurd and it’s also one of the most fun and quotable movies of my early childhood because the creators embraced the camp and did it with such a sincerity that it’s a goshdarn delight to watch. Top all of that off with a soundtrack that went WAY harder than it really needed to, excellent atmosphere throughout the whole film, and visuals that were darn near perfect and National Treasure becomes a classic. I’ve been chasing the high I got the first time I watched it my whole life. What a movie.