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reflection
As a past student who has attempted this paper before, I still found this journey difficult. Last year I didn't hand in my paper as I couldn't wrap my head around this concept and how to use Adobe after effects therefore never learnt any previous skills. This was my chance to understand fully and immerse myself in focusing only on this one paper. I found that my plans for an easy ride would not be so true as I am now a 6-hour drive from uni. I found it extremely difficult to afford weekly trips to class so making the decision to work over going into campus was extremely tough for me.
I allowed myself time to really focus on understanding how adobe after effects works and I'm grateful that now I can confidently say I have experience in this field of design. I found that the fear of this application became friendly and it's all about knowing the basics and putting them into practice before reaching too far ahead of myself.
This project is something I am actually proud of even though the design I went for was quite simple. I am proud that I was able to finish something that I dreaded starting.
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Hand-drawn image which I then placed into Adobe illustrator to create a vector file in order to re-edit in Adobe After Effects
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I really like this colour pallet as the colours give a very soft feel as does her way of speech. Green represents her down to earthiness and purple meaning royalty. Pink for femininity
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This is my assigned voice note which I will be conducting my kinetic type from.
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youtube
Po Karekare Ana is a famous Maori love song written about the war time.
Māori[2]English[2]
Pōkarekare ana,
ngā wai o Waiapu
Whiti atu koe hine,
marino ana e.
Refrain
E hine e,
hoki mai ra.
Ka mate ahau
I te aroha e.
Tuhituhi taku reta,
tuku atu taku rīngi,
Kia kite tō iwi
raru raru ana e.
Refrain
Whati whati taku pene
ka pau aku pepa
Ko taku aroha
mau tonu ana e.
Refrain
E kore te aroha
e maroke i te rā
Mākūkū tonu i
aku roimata e.
Refrain
They are agitated,
the waters of Waiapu,
But when you cross over girl,
they will be calm.
Oh girl,
return to me,
I could die
of love for you.
I have written my letter,
I have sent my ring,
so that your people can see
that I am troubled.
Refrain
My poor pen is shattered,
I have no more paper,
But my love
is still steadfast.
Refrain
My love will never
be dried by the sun,
it will be forever moistened
by my tears.
Refrain
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Te Kiri Kanawa
Kiri Te Kanawa, in full Dame Kiri Te Kanawa, original name in full Claire Mary Teresa Rawstron, (born March 6, 1944, Gisborne, North Island, New Zealand), New Zealand lyric soprano best known for her repertoire of works by Wolfgang Amadeus Mozart and Richard Strauss.
As a five-week-old infant, she was adopted by Tom and Nell Te Kanawa and given the name Kiri. Tom, like her biological father, was Maori, and his wife, like Kiri’s biological mother, was of Irish descent. Kiri attended a Roman Catholic girls’ college in Auckland, where one of the nuns was a well-known teacher of singing. After leaving school, she won various singing competitions in New Zealand and Australia, and in 1966, after a period as a popular singer and recording artist, she became a student at the London Opera Centre.
As a soprano, Te Kanawa shot to stardom in the 1970s with a series of appearances at the Royal Opera House, Covent Garden, London, and the enthusiastic support of conductors such as Colin Davis and Georg Solti. Her first big success was as the Countess in Mozart’s The Marriage of Figaro in 1971. That was followed by a run of Mozart operas and, among others, a production of Giacomo Puccini’s La Bohème in which she sang Mimi. Her debut at New York’s Metropolitan Opera in 1974 as Desdemona in Giuseppe Verdi’s Otello was widely acclaimed. In 1981 she sang at the wedding of Prince Charles and Lady Diana Spencer, and her rendering of George Frideric Handel’s “Let the Bright Seraphim” reached a worldwide television audience of more than 600 million. She was created a Dame Commander of the Order of the British Empire (DBE) in 1982. She received similar honours in Australia (1990) and New Zealand (1995).
https://www.britannica.com/biography/Kiri-Te-Kanawa
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Reflection
I am very happy with how my project turned out. The changes that were made along the way were worth every bit of deliberation and confusion at times. I love how cohesive everything looks together and the way I have used simplicity to create impact. I wanted the reader to understand and enjoy reading through the different sectors of the brochure and glad that I have laid it out the way I have as its how I would want to read something. I am very grateful for the advise I was given as it pushed me to create better work. Overall I am proud of the design and very glad I can add this to my portfolio of work
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