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Jitterbugging On A Saturday Evening, Mississippi, 1939
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“A huge collection of Regency mother of pearl gaming counters and thread winders. Many fish-shaped, many with engraved monograms.”
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official ultraman cat stickers for wechat
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There's a book that we had in our house growing up that I was obsessed with as a kid. It was just called "PAKISTAN: PAINTINGS BY LIN YONG AND SU HUA" and it was an art book of 100+ paintings/sketches by two Chinese artists who travelled thru Pakistan in 1978 and 1981, a sort of travelogue of their trip, and to little-kid me, it was some of the most beautiful things I'd ever seen. I have no idea why we had that book, but I would stare at it for hours, and it made me wish I could draw/paint/do whatever it was that these artists had managed to do.
Anyway, we've moved house a bunch of times and I lost track of the book and haven't seen it for probably two decades now. But I think about it now and again, and had struggled to find it over the years, but I finally, finally got my hands on a copy of my own and i want to cry haha
I was afraid that maybe the art isn't as good as I remembered, being just a kid and all, but I cracked it open and nope, it hits me just the way it used to. Maybe even more now. It's so fucking pretty. Have some random pages:
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i don't think this is out of bounds for what a sentai op can sound like (it kind of reminds me of the kyuranger one) but it doesn't match what i would personally think of if you asked me what i think a standard sentai op is. like the average sentai op has a specific macho energy to it that isn't in this
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Megumi Odaka behind the scenes of Godzilla vs. King Ghidorah (1991)
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