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A policeman rips the American flag away from 5-year-old Anthony Quinn, Jackson, Mississippi, 1965. Photo by Matt Heron

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Twiggy in John Bates for Jean Varon Wedding Dress, photographed by Norman Parkinson for Vogue, 1967

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Arizona, 1964

Robert Amstutz

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#mood

source

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Micah Lexier, Tracing John Swiss, 2006, laser-cut steel, waterjet -cut aluminum, enamel paint.

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原來什麼都可以不怕 而我突然發現自己最怕失方寸 然後慌張到哭起來

那個叫 孤單 的感覺會實體展現

然後什麼都做不到 莫名的好害怕 好害怕

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Frontage Typeface

Frontage is a charming layered type system with endless design possibilities using different combinations of fonts and colors. Achieve a realistic 3D effect by adding the shadow font or just use the capital letters of the regular and bold cut for stark artwork. The typeface’s design is based on a simple grid which creates the friendly, handcrafted look of facade signs. It is generously spaced for maximum impact of your message. As a display typeface Frontage loves color and is suitable for headlines and logotypes. Details include 224 characters in five styles and manually edited kerning.

youworkforthem.com

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1ème jour

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merci beaucoup pour toujours

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cry

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Milton Avery (American, 1885-1965), Swans, c.1940. Oil on canvas, 36 x 28¼ in.

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ROUTINE = PATTERN | #Blackandwhite #pattern #art by #unknown #artist #bnw #people #graphic #design #inspiration #photo #photography #print

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Christopher Phillips on “Light, Paper, Process: Reinventing Photography,” an exhibition at the Getty Museum in Los Angeles:

At a moment when smartphone users send more than a billion digital images cloudward each day, a growing number of contemporary artists are turning away from screen-based images to explore the photograph’s existence as an insistently material object. Often dispensing with the camera and lens entirely, they employ the bare essentials of paper, chemicals, and light to fashion near-abstract images that have a tantalizing physical presence. 

Photographs by Alison Rossiter.