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Koen Hauser

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Contemporaneous computer magazines featured photographs of flashy new merchandise with large puddles of text advertising the contents. Byte set itself apart by offering vivid artistic metaphors that hinted at what was inside.

(via Vintage Technology Daydreams: Byte Magazine's Extraordinary Cover Illustrations)

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(via How to Succeed in RPGs or Die Trying: RPGs Aren't Art)

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(via How to Succeed in RPGs or Die Trying: RPGs Aren't Art)

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(via The Great Dispersion | No Mercy / No Malice)

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(via From The Anthropocene To The Microbiocene - NOEMA)

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Found at http://transparency.agency, without any description or link. Tried to find it through image search, unsuccesfully. Wonderful stuff.

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“I have resolved to avoid the phrase “back to normal” and to instead use the phrase “forward to normal”, and let that ‘normal’ be, if not said in a French accent, at least more hopeful and more open to possibility.“

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(via Strange Days | Not a Blog)

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One thing Halt and Catch Fire and Lurking have in common, one powerful ~vibe~ that binds them, is the depiction of an internet before Google or Facebook. An internet that is all archipelago, no mainland. An internet where you can still get lost.

The master tapes

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(via Opinion | You Are Now Remotely Controlled - The New York Times)

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(via Opinion | The Darkness Where the Future Should Be - The New York Times)

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Plug the new account into Grids for Windows (or Mac OSX) or whatever similar app your operating system uses. Don’t add anyone you know. Use it to find beautiful things, so that it becomes a proper window on the world. Grids will slowly update the feed on its own, so the windowframes shift. It goes up on the external monitor on my desk. It’s calm. It does not engage. It’s a receiver. The value of receivers is a thing that could stand to be rediscovered.

WARREN ELLIS LTD | Warren Ellis is a writer from Britain