Can we get on with this? I have some place to go. Television counts as a place.
Jane
Daria, s1 e3 “College Bored”
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Ted Chaough
Mad Men, s7 e7 “Waterloo”
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Bert Cooper
Mad Men, s7 e7 “Waterloo”
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As Philip seems to be crumbling, though, Elizabeth’s resolve is only getting stronger, and that’s emphasized through the brilliantly crafted final sequence. As Reagan goes on and on about the “Evil Empire” that is the Soviet Union, Elizabeth is drawn to the screen, unable to tear her eyes away as she seems more focused and determined than ever. The camera zeroes in on her, purposely making Philip fade into the background, someone who’s drifting farther and farther from his original cause. It’s a devastating scene to watch because Philip is obviously hurting, yet Elizabeth is captured by Reagan’s words. And as she looks at the screen, she realizes that her world is about to change, that March 8, 1983 is a transition point. [x]
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Daria Morgendorffer & Jane Lane
Daria, s1 e1 “Esteemsters”
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Joan Harris, Kevin Harris, & Gail Holloway
Mad Men, s7 e6 “The Strategy”
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Pete Campbell
Mad Men, s7 e6 “The Strategy”
3 notes
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What if there was a place where you could go where there was no TV. And you could break bread. And whoever you were sitting with was family.
Peggy Olson
Mad Men, s7 e6 “The Strategy”
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Are there people who eat dinner and smile at each other instead of watching TV?
Peggy Olson
Mad Men, s7 e6 “The Strategy”
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Gene Draper & Betty Draper
Mad Men, s7 e3 “Field Trip”
4 notes
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Cookie Lyon & Lucious Lyon
Empire, s1 e7 “Our Dancing Days”
4 notes
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“We got to move these good TVs”
TVs on TVs on TVs
Hakeem Lyon, Anika Calhoun, Andre Lyon, & Cookie Lyon
Empire, s1 e7 “Our Dancing Days”
2 notes
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Dana Scully & Fox Mulder
The X-Files, s6 e2 “Drive”
20 notes
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Hakeem Lyon, Lucious Lyon & Cookie Lyon
Empire, s1 e4 “False Imposition”
2 notes
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Liv Moore & Aly Michalka
iZombie, s1 e3 “The Exterminator”
2 notes
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