twofacedm1lkshake

[twofacedm1lkshake]

ghost stories are alarmingly easy to spread tbh

when I was like ten I was walking back from the chip shop near my gran's house with a neighbour and we took a short cut down an alley which was enclosed by garages except for one part which was wire fenced and led to the electricity shack

and while I was walking I chucked a chip over the fence. the girl walking with me, C, reasonably asks why I did that

"oh, don't you know?" I say, as if I'm not equally out of my own loop

she shakes her head. the enclosed alleyway has no streetlights. it's after dark. the shack is isolated in the distance.

"a little girl who lived up on the court climbed the fence once on a dare. she went up to the shack and touched it, but there was a wire sticking out, and when she touched it, she got electrocuted and died, right there. if you come back in the daylight, you can still see the black mark."

[editor's note: the court was the smaller road off the side of the crescent, which was the one C's family and my gran lived on. the houses there were slightly more expensive and newer, almost all occupied by wealthy commuters to the city, where most of the crescent houses were occupied by retirees and locals who worked on the trading estate. naturally, crescent kids hated the court. houses there got bricked about once a month.]

"no she didn't," C says

I made up this story for absolutely no reason and with no plan, but I'm not gonna back down now. "sure she did. and if you go past on your way back from the shops and you don't leave her an offering, she'll follow you home through the streetlights. one flickers behind you, then the next, then the next, until you get home. and then the lights start to flocked inside the house. even if you turn out all the electrics before bed, it'll be too late. she's inside. and you'll wake up on the night and see her, and she'll be so awful to see it'll stop your heart."

[editor's note: the streetlights always flickered. this was because our neighbour monkey george kept setting the junction boxes on fire]

"I never did before and she never followed me home!"

"do you come down the alley after dark? or do you take the main road with the streetlights?" I knew she didn't use the shortcut, because I'd been the one to talk her into it that night. she was three years younger than me and scared of the dark.

C claims not to believe me, but she throws a chip over the fence too, and walks the rest of the way looking over her shoulder. I get to pride myself for the night on being good at scary stories, and don't think much more about it.

fast forward six or seven years. I'm back in town. I'm on my way back from the chip shop, taking the same shortcut home. ahead of me on the road are a couple of kids I vaguely recognise as old playmates' younger siblings.

they stop, and I watch one fish out three sweeties from the pack they're sharing. they take one each and throw them over the fence. they carry on walking.

I realise that this is probably my fault, as are any resulting pest control issues around the old electricity shack.

when I get to the fence, I throw a chip over.

[twofacedm1lkshake]

Penelope: Yeah, this shroud is taking me 20 years.

Suitors:

[twofacedm1lkshake]

as a fat person who's always clamoring for more interesting fat characters in media, I honestly think one of my all-time favorite depictions of a fat character is Jumba from the original Lilo and Stitch - both visually and personality wise

from a design perspective, even though he's an alien, he has so many little anatomy quirks that make him a more believable fat character than many fat human designs in other media. I love the realistic sag and layering of the fat on his arms, the lack of neck definition, the rim of chub around his face and upper back, the way his back is rounded. his clothes pull taut and pinch in anatomically accurate places (e.g. shoulders are firmer = smoother outlines, the sides and back are squishier = bumpier outlines).

and he's stylized so well! all these great details boiled down to some simple shapes and pen strokes. IMO the Lilo and Stitch art style is extremely appealing - it's warm and clean and visually pleasing, but every character is super unique. Jumba isn't supposed to be pretty, but even though he's a very large, very fat, bald older guy who spends most of the movie in crop tops, the way he's stylized and staged makes it clear the audience is supposed to find him interesting to look at, and variably intimidating/cool/powerful/capable. he's often funny, but the physical aspect of his comedy is derived from being so hefty the other characters struggle to prevent him from barreling ahead and doing whatever he wants; being fat makes him come off more in control of the funny situations he gets into, not less. also, because the art style is what it is, a lot of his character acting also just makes him look kind of cute ... though that's universal across the cast

I also really like the fact that his size clearly gives him both realistic advantages and realistic disadvantages. along with having a stronger sense of agency in the comedic scenes, his size in combination with his impulsivity also makes him a more intimidating antagonist. you never know what he's going to do, and his size makes it difficult for other characters to stop him when he's made up his mind. at the same time, it seems to take him longer to catch his breath, he sometimes grunts when moving around a lot to imply it takes more effort, and he clearly struggled to find clothes that fit him when putting together his disguise. I think it's awesome that the character's size impacts how he interacts with the world so much, and again, in relatable ways

and personality wise, it is ALWAYS great to see fat characters portrayed as intelligent - not only is Jumba an accomplished scientist, he's also crafty and witty! a few quiet scenes imply a philosophical side, as he ponders on Stitch's existence and feelings as a living weapon. with Stitch explicitly being made in his own image to an extent, I'd argue there's even room to interpret some of the things he says about Stitch being hints to how he sees himself; we never learn much about Jumba's past, but it's clear he's a social misfit and strongly defiant. I don't think it's a stretch to assume some of what he said to Stitch about being a monster who can never belong anywhere was intended to read as projection (which makes it all the more heartwarming when both of them find a place to belong on Earth)

it's also a nice twist that toward the end, Jumba is the one who is unexpectedly compassionate toward Nani, while Pleakley tries to urge him to ignore her. again alluding to a level of emotional depth and intelligence that is often missing from even well-intentioned depictions of fat people. his character isn't even fully explored, and yet he's one of the most dynamic and interesting supporting characters in a movie full of fantastic characters. the audience is expected to find him fascinating and even sort of mysterious, and he is!

the sequels and spinoffs were more merchandise-driven franchise fluff for kids than the artsy direction of the original movie, but even so, I remember Jumba went on to become Lilo's lovable, amoral uncle figure, which I also thought was so fun as a kid. I love that they committed to the fact that he was more caring and compassionate than he seemed. not only was he a cool evil mad scientist character, but he was also eventually ... a friend ...

and he was even gay

[twofacedm1lkshake]

on a dark & stormy night, there was a creature . & you’re never going to beleive what it did next

[twofacedm1lkshake]

i love poison omelette

[twofacedm1lkshake]

[twofacedm1lkshake]

damn people rly hate type 2 diabetics don't they

[twofacedm1lkshake]

NEVER GIVE UP

[twofacedm1lkshake]

We are all going to fuck!ng die, man

[twofacedm1lkshake]

Last call for "it's 100% June"

[twofacedm1lkshake]

daily affirmations:

i am kind

i am in control of my emotions

it does not bother me when someone is in the kitchen while i was planning to be in there alone

everyone in the house has the right to be in the kitchen

i am kind and in control of my emotions even when someone is in the kitchen while i was planning to be in there alone

[twofacedm1lkshake]

[twofacedm1lkshake]

[twofacedm1lkshake]

those ads for ai integration on phones are so funny bc it seems like they cant. come up with that many use cases that arent already on a phone? "ask gemini to give you recipes when youre cooking!" "use our AI assistant to find the perfect gift for your girlfriend" yeah or i could just like. google it. you've spent millions on a slightly fancier version of an alexa. good job man.

[twofacedm1lkshake]

writing tip #3834:

it doesn't matter if readers have no idea what's going on, as long as you, the author, have no idea what's going on either

[twofacedm1lkshake]

my mental state this past week

[twofacedm1lkshake]