ubik-void
ubik-void
UBIK VOID
1K posts
Oh ! Ce soir soit pour nous le dernier soir tombé, et puisqu'il faut rêver, rêvons la mort des rêves.
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ubik-void · 5 years ago
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Full Scale Model of the Country House “Ellenwoude”. Wassenaar, Netherlands 1911. Ludwig Mies van der Rohe
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ubik-void · 5 years ago
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new vernacular in the draa valley, morocco image jeroen verrecht
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ubik-void · 5 years ago
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Baukuh - Hatlehol Church,  Ålesund, Norway, 2010. Via.
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ubik-void · 5 years ago
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Gottfried Bohm - St Josephs Church, Zabrze, Poland, 1931. Via.
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ubik-void · 5 years ago
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Emanuel de Witte - Oude Kerk, Amsterdam (1655).
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ubik-void · 5 years ago
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Illustrations extraites du Carré Bleu n°2/1994, Donner des idées : Robert Le Ricolais 1894-1977
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ubik-void · 5 years ago
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Tower of Toghrul, Rey, northern Iran, circa 1860s.
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ubik-void · 5 years ago
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angelo mangiarotti - modular shelving
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ubik-void · 5 years ago
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Eugène Viollet-le-Duc, Reconstitution du gibet de Montfaucon (XIVe siècle)
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ubik-void · 5 years ago
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Alain Gamard, Daniel Lombard & Édouard-Marc Roux, École Saint-Merri (Paris, 1974)
© Photo D. Lombard
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ubik-void · 5 years ago
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Auguste & Gustave Perret, Salle Cortot (École normale de musique de Paris, 1929)
© Photographies Chevojon © Fonds Perret, Centre d’archives d’architecture
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ubik-void · 6 years ago
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Démolition des fortifications de Paris, Enceinte de Thiers (1920)
© Direction de l’Aménagement urbain/Pavillon de l’Arsenal
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ubik-void · 6 years ago
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Charles Lansiaux, Fortifications de Paris (1919-1923)
Vers la Porte de Montempoivre, entre le quartier de Bel Air et Saint-Mandé
© Archives de Paris
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ubik-void · 6 years ago
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Cyprien Gaillard, Belief in the age of disbelief (2005)
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ubik-void · 6 years ago
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Lavoir des Chavannes (1922-23, Montceau-les-Mines)
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ubik-void · 6 years ago
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Paul Klee, Zeichen verdichten sich (1932)
Henri Michaux, Sans Titre (1959-60)
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ubik-void · 6 years ago
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From: Lina Nordenström, every letter b be come become, Timglaset Editions, Malmö, 2019 [17 pages digitally printed on Munken Cream Print 150 gsm from a typed and hand-drawn original; cover and back cover letterpress printed on grey, 300 gsm board at Grafikverkstan Godsmagasinet, Uttersberg, Sweden; handbound in an edition of 100 copies]
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