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© hiroyuki ito - tatsumi apartment house - tokyo, japan

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There is no “ctrl + Z” Denis Andernach draws houses as formal studies in idealized landscapes. The images stem from the desire to present the viewer with an understandable building from the macro to the micro in a collaged fictional landscape.

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Antti Laitinen | Saatchi Gallery

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Walden 7 Ricardo Bofill, Barcelona

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Sydney Airport Control Tower Ken Woolley

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Untitled (Two Devil Gods Male/Female), Murat Brierre, Brooklyn Museum: Contemporary Art

Size: 17 x 17 in. (43.2 x 43.2 cm) Medium: Iron

https://www.brooklynmuseum.org/opencollection/objects/217848

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Untitled (Hatian God), Murat Brierre, Brooklyn Museum: Contemporary Art

Size: 15 x 11 ½ in. (38.1 x 29.2 cm) Medium: Iron

https://www.brooklynmuseum.org/opencollection/objects/217849

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Untitled (Haitian God “Wolf”), Murat Brierre, Brooklyn Museum: Contemporary Art

Size: 10 x 16 in. (25.4 x 40.6 cm) Medium: Iron

https://www.brooklynmuseum.org/opencollection/objects/217851

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Murat Brierre

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Murat Brierre

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KAZUYO SEJIMA & RYUE NISHIZAWA (SANAA) (1956) (1966) STOOL, model "Drop Chair" Museum of Contemporary Art in Kanazawa Aluminium and tubular steel. H 50 cm. D 58 cm

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Moore Street Electricity Substation, Sheffield.

Oct 23

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Ishigami -  Baloon, 2008

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“how can architecture re-enchant the world?”, Junya Ishigami — 2010 — How small? How vast? How architecture grows

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Junya Ishigami, house with plants

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Russian dachas by Fyodor Savintsev

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Love Me Tender, by Didier Faustino