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Current mood

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of course you have blue curtains and subtext

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the author's barely disguised longing for a kinder world

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I feel bad replying to comments when I know I have nothing new to post (and won't for quite some time.) I feel guilty about obviously being around, but with nothing to share. And then after that, I run into the same as above, where I'm afraid it's been so long since I received the comment that it'll be weird to reply.

(so how long IS too long?)

Yes there's a typo in the first option but I am not redoing the whole thing

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It feels like this every time I write a fic

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“Authors should not be ALLOWED to write about–” you are an anti-intellectual and functionally a conservative

“This book should be taken off of shelves for featuring–” you are an anti-intellectual and functionally a conservative

“Schools shouldn’t teach this book in class because–” you are an anti-intellectual and functionally a conservative

“Nobody actually likes or wants to read classics because they’re–” you are an anti-intellectual and an idiot

“I only read YA fantasy books because every classic novel or work of literary fiction is problematic and features–” you are an anti-intellectual and you are robbing yourself of the full richness of the human experience.

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My brain: hmmm I want to write something.

Each of my WIP: me?

My brain: no 💅

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SGKSGKSGK MA’AM

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hey uh new type of ao3 spam comment just dropped. (I know it's spam because the fic they left this comment on . doesn't have chapters. lmfao). Report this kinda comment as spam and don't take it personally it is literally recycled bullshit

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big fan of stories that, while undoubtedly being about the power of friendship, acknowledge that the power of incredible violence is just as important

the love was there. the love changed everything. the crowbar helped also

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some highlights from my writing seminar with honestly one of my favourite authors of all time who shall remain nameless bc i dont want her to know i was spilling her secrets online

The first trick is to detach yourself from your idea. You don’t have just one novel inside you, and it’s not a big deal if you don’t finish this novel.

She was skeptical of the common advice “just write!!1!” - she talked about how long ideas for her most popular novels were marinating inside her before she properly wrote them

As a continuation of that, she was a big believer in knowing what you want to write before you write it. Not what you’re going to write, what you want to write. 

The first thing she decides about a novel is what the mood is going to be, and this informs every other decision (e.g. the mood for Shiver was bittersweet)

Ideas should be personal, specific, exciting and they should exclude secondary sources. A personal idea isn’t necessarily autobiographical (which should be avoided), but it speaks to your emotional truth. 

She said she had been read Ronsey fanfiction and she couldn’t view her car in the same way since. 

Story is the thing that seems most important to reader but is most changeable to the author - story is subservient to your mood and your message. Change what you like in the plot as long as your book retains its sense of self.

Story is conflict, exploration and change. A good story has active tension -the characters want something, instead of just wanting something not to happen (e.g. wanting to kill an enemy instead of simply defending a stronghold against an enemy) 

A story needs to have a concrete end, something to be done. 

Satisfaction is important - deliver what you promise to the reader. The other shoe has to drop. Ronan Lynch doesn’t ever talk about his feelings, so its rewarding when he does. 

Earn your emotional moments (she threw shade at Fantastic Beasts lmao)

Forcing a character to be passive is dissatisfying to the reader. 

Characters are products of their environments, consistent/predictable, nuanced and specific, moving the plot, and subservient to other story elements. 

She always starts with tropes for ensemble casts like sitcoms. Helpful for building good character dynamics.

Write scenes with characters saying explicitly what they’re thinking and then go back and make them talk like real people in the edit. 

An action can also prove what they’re thinking, instead of making them say it or another character guess it (e.g. Ronan punching a wall). 

Move the reader’s emotional furniture around without them noticing. 

All her books follow the three act structure. Established normal -> inciting incident -> character makes an Active Decision -> fun and games -> escalation -> darkest moment -> climax. 

Promise what you’re going to do in the first five pages. 

Read your book out loud. Record yourself reading it. 

If you have writer’s block, it’s because you’ve stopped writing the book you want to write. She likes to delete everything she’s written until she gets back to a point where she knew she was writing what she wanted to write, and then carrying on from there. 

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Most infuriating part of writing is having an idea and thinking oh, this is gonna be so good and wanting to IMMEDIATELY share the vision with other people because it's gonna be good but then you start writing it down and - it is gonna be good. Except. It is also gonna take so, so, so long to finish. And in the meantime. You are the only one with The Vision. Alone. Losing your mind. 😭

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my fave writing reminder

honestly, this phrase has been on my mind more times than i can count. i've kidnapped it, taken it as a hostage with no ransom money because i need it to live permanently in my head.

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You won't get media with messier, more nuanced, more realistic queer characters if you keep flying off the handle the second a fictional character has sex, does drugs, swears too much, or acts vaguely like an asshole.

You won't get more diverse queer media with wider stories if you can't handle it when queer artists make art that is raunchy, crude, edgy, and gross.

You won't get more diverse queer media if you shut everything down the second it does something you, personally, get squicked out by.

You will never get more diverse queer media if you contribute to the way queer media is picked apart, raked over the coals, and held to unreasonably high standards.

You will never get what you want if you keep tearing queer artists down for their weird experimental art instead of learning how to say, "this isn't for me, that's fine, and I'll be over here in my own space."

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also i think this has been figured out at this point but the whole "i miss queerbaiting" convo is like... the part of queerbaiting that ruled was because the show was usually putting forward two dudes, those two dudes got to have character arcs and motivations and writing behind both of them. they could both be interesting individually. because neither of them were shunted into 'disposable romantic interest' for each other.

but if a gay couple on tv is now supposed to be there, writers can fall for the m/f trap of 'only one of these characters needs to be fleshed out, the other is just here to explicitly be the love interest and maybe die later' except now they can both be dudes. it's not that queerbaiting was inherently better it's that unfortunately people have always been bad at understanding what makes fictional romance compelling, which is 'who the fuck are these people in the first place and why should i care'

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URGH. Emmerich Holyblade and I just went to The Ceremony to receive our RPG Job Titles, and he OBVIOUSLY got Chosen Hero Sword Saint. So now he's gonna set out to kill the Demon Lord of Darkness.

Me? I just got Dark Mage. Honestly, it's pretty rare, but the job opportunities are also limited. You either get into covert assassination or dungeon raiding.

God, just because we're the only two kids in The Village, Emmerich Holyblade automatically assumes this makes us friends. He doesn't even realize I hate him and his stupid smug swordsman ass.

URGGHHHH he just asked me to join his Grand Hero's Party. fuck. I can't just say no if the Grand Holy King himself is gonna payroll us to do this shit. Whatever man. Let's rock till the Demon Lord of Darkness is dead, and then I can retire and never see Emmerich Holyblade again.

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by far the funniest thing about reading fanfiction as a political professional is that I can always tell exactly who has and hasn't been to a fundraiser or gala based on how they write them