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PL Example Film - Blog from Policy Lab on Vimeo.

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A Lesson in Interoperability from Adapterz on Vimeo.

Four-year-old Z. is frustrated to discover that his different construction toys are not interoperable.

Z. needs the Free Universal Construction Kit, a collection of nearly 80 adapter bricks that enable complete interoperability between ten popular children's construction toys. The Kit was conceived and developed by F.A.T. Lab and Sy-Lab in partnership with Adapterz LLC. Complete information about the Free Universal Construction Kit can be found at fffff.at/free-universal-construction-kit.

Lego®, Duplo®, Fischertechnik®, Gears! Gears! Gears!®, K'Nex®, Krinkles®, Lincoln Logs®, Tinkertoy®, Zome®, and Zoob® are trademarks of their respective owners. The Free Universal Construction Kit is not associated or affiliated with, or endorsed, sponsored, certified or approved by, any of the foregoing owners or their respective products.

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LUVBOT LEICA Shot in 4K with Sony F65 and Leica Summilux-C lenses from Philippe Ros www.philipperos.com on Vimeo.

SHE FALLS FOR HER BUT SHE’S AN ANDROID. CLASSIC FUTURE Directed by Ben Elia Philippe Ros, cinematohgrapher A.F.C., explored the 4K potential with Olivier Garcia, engineer (Gamma designer, calibration manager), Laurent Desbrueres, senior colourist and François Dupuy, technical manager at Digimage Cinema post house. We chose a classic way to tell the story of this science-fiction film: two women of different ages with scenes that embody beauty shots as well as drama shots. Also inclining to show "skin tone control" ranging from low lights to bright lights, making this a huge task for Luna Elisa Federowicz, the make-up artist. How to create and distinguish two strong characters (a human and an android) through make-up, lighting and colour correction?

Produced by Martin Kreitl a Munchen-Calabrian brother, LUVBOT was shot in Munchen, Germany, in the first class FGV Schmidle Studio lent to us by Markus and Oliver Schmidle. Special Thanks to Gerhard Baier From Leica and the Munchen Dream Team leaded by Production manager: Benedikt Wiedenmann and First assistant Thomas Fischer. Ainara Porron and Peter Sykes from Sony Europe joined former contributors Digimage Cinema and HD Systems.

BEAUTY CONTROL

Our goal was to make the android believable.I knew that grading is part of his imaging work. During this phase, Laurent Desbrueres emphasised on light directions, overexposure and low light as well as on make-up choices. It worked so well that we had to give this research phase a name: The "Aesthetic Quality Control" or "Beauty Control". Cinematographer: Philippe Ros AFC Camera operator: Christian Meyer Focus puller: Philipp Chudalla Digital Image Technician: Kai Daniels Preparation of camera, DIT: Florian Rettich – BVK Gaffer: Jürgen Thiele Lighting technicians: Stefan Jütte, Niko Szabo & Christian Weischer (‘’Spanier’’) Set runner: Bernhard Koesters Make-up artist: Luna Elisa Federowicz, assisted by: Karin Steinhäuser HD make-up consultant: Isabelle Voinier Costume designer: Jolanta-Irma Kämmer Set constructor: Josef Jacob, François Rolland, Mathieu Lamare Catering: Kyra Thaysen Editor: Claire Balbusquier Original music: Christian Fabre dit Garrus Sound design: Marcel Rouste, Sound engineer: Karim Lekehal Foley recording: Gling-Glang

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the Intersection - A film by Superflux from Superflux on Vimeo.

Set in the near future, 'the Intersection' journeys from a violent present to a cooperative future. Telling stories of active hope from those who have fought to reimagine extractive technology, to serve community, support nature, and value planetary relationships.

It is commissioned by Eshanthi Ranasinghe, Julia Solano and Nicole Allred, Exploration & Future Sensing, Omidyar Network, and is conceived and produced by Superflux 2021.

To learn more about the topics addressed in the film and additional resources visit the-intersection.io/ and for an overview of our foresight, research, and critical sensemaking work please visit: superflux.in/index.php/work/the-intersection/

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La Lucha de los Raíces from Lauren Williams on Vimeo.

La Lucha de los Raíces is a design research project that pursues a nuanced understanding of how Black identity and consciousness are shaped in México. Through metaphor, making, movement, and the media produced during these engagements, this project contributes to a narrative about Black identity and racialized experience in México—of individuals and as a collective—with Black-identifying Mexicans as primary storytellers.

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Introduction on the 'Politics of the future' - by Jeroen Ooomen from Urban Futures Studio on Vimeo.

Researcher Jeroen Oomen explains why it is important to think about the 'Politics of the Future' when searching for a more just and sustainable future.

Created by Teaching and Learning Lab, Utrecht University

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XAPIRI from Leandro N LIMA on Vimeo.

Xapiri é um filme experimental, inspirado no xamanismo yanomami. Suas imagens foram registradas por ocasião de dois encontros de xamãs na aldeia de Watoriki, Amazonas, em março de 2011 e abril de 2012. Entretanto, o trabalho realizado sobre estas imagens escapa do registro documentário a fim de produzir uma simulação tecnológica livre a partir do universo visual e conceitual do xamanismo yanomami. Xapiri não pretende descrever e muito menos explicar o trabalho dos xamãs Yanomami. Deve ser considerado como uma tentativa de tornar sensíveis, através de nossas imagens digitais, certas ideias yanomami sobre as imagens xamânicas (utupë), sua ontologia e sua estética, sua transdução e mutabilidade nos corpos. Trata-se, antes de tudo, de uma homenagem visual à riqueza intelectual e poética do xamanismo yanomami. Bruce Albert

MOTTA & LIMA

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VISUAL DISTURBANCES from Denise Lewis on Vimeo.

AN ESSAY FILM ON CINEMATIC BLINDNESS

VISUAL DISTURBANCES explores the psychology of 'inattentional blindness' -- the inability to perceive things that are in plain sight directly in front of us.

The film applies this psychological theory to cinematic perception and proposes a radical history of film style. Examining a diverse range of filmmakers from the Lumière Brothers to Jacques Tati to Michael Haneke, filmmaker Eric Faden reveals a hidden film style he calls “the invisible cinema.”

To help see this invisible cinema, VISUAL DISTURBANCES utilizes new methods for visualizing eye tracking technology to illustrate how we actually watch a film and how filmmakers purposely utilize the invisible cinema to outflank our perceptual abilities.

mediacommons.org/intransition/visual-disturbances

directorsnotes.com/2019/02/19/eric-faden-visual-disturbances/

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Whatever the question, design has an answer. from Design Council on Vimeo.

Great design is about finding practical, real-world solutions to the biggest issues facing us today.

Healthcare, violent crime, housing, economic uncertainty, these are just some of the areas we’re engaging with, as we work to find the answers to society’s hardest questions.

Because design isn’t just about making things; it’s about making lives, communities and industries better.

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trailer - ERA UMA VEZ BRASÍLIA / ONCE THERE WAS BRASILIA from TERRATREME FILMES on Vimeo.

um filme de/ a film by Adirley Queirós

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Human Powered Computer Experiment / John Maeda from John Maeda on Vimeo.

In 1993, I simulated a fully working computer at the NeoMuseum (Director Nobuyuki Ueda) in Nara, Japan.

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Celebrating 10 years of Design Thinking at HPI from HPI School of Design Thinking on Vimeo.

The HPI School of Design Thinking was founded in Potsdam in 2007. See the highlights from the past ten years in our anniversary video!

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PUMZI from Awali Entertainment on Vimeo.

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Julia Szagdaj's Accentful Anthem from dunne & raby on Vimeo.

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Julia Szagdaj's Accentful Anthem from dunne & raby on Vimeo.

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Data poets from Gaston Welisch on Vimeo.

What if Play was part of our cities? The Data poets guide you through a moment of poetic play with the city. They are participative data gathering objects, provided by the Glasgow Office of fun and games to local enthusiasts.

For more information, visit our website: officeoffun.games/

Project and video by Gaston Welisch Special thanks to Elio Caccavale for his guidance and encouragement Project supported by the Glasgow School of Art’s Innovation School Music: Violet blues by Apoxode

instagram.com/gastonwelisch/

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Tweener from WALTZ BINAIRE on Vimeo.

A POC and implemented prototype to investigate user interfaces that adapt to the user’s natural way of moving. By using light weight machine learning solutions, we are able to extract the user’s personal fingerprint of movements and implement a highly individualized user experience.

waltzbinaire.com/

Credits --------- Creative Coding: Marta Soto Morras Sound: Christian Losert