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— Louise Glück, from “Timor Mortis.”

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Sleepers, Limerick, Pa., 1970.Credit By Donna Gottschalk

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Amour, 2012

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Anaïs Nin, from Incest: From a Journal of Love

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Ada Limón, from “Late Summer after a Panic Attack”

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Cameron Awkward-Rich, from "Another Middle-Class Black Kid Tries to Name It" [transcript in ALT]

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Marco Pandullo

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⊱𝔠𝔦𝔯𝔠𝔢⊰

1: George Romney // 2: Beatrice Offor // 3/4: John William Waterhouse

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PORTRAIT OF A LADY ON FIRE (2019) dir. Céline Sciamma

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Blood beats ever stronger In a body wounded by desire.

Anna Akhmatova, from “The Fisherman.” (excerpt from “To The Muse”, in Evening), The Complete Poems of Anna Akhmatova: Expanded Edition, trans. Judith Hemschemeyer (via soracities)

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isolated houses - john divola

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In the Dream House, Carmen Maria Machado

[ID: “Sometimes your tongue is removed, sometimes you still it of your own accord. Sometimes you live, sometimes you die. Sometimes you have a name, sometimes you are named for what—not who—you are. The story always looks a little different, depending on who is telling it. There is a Quichua riddle: El que me nombra, me rompe. Whatever names me, breaks me. The solution, of course, is “silence.” But the truth is, anyone who knows your name can break you in two.]

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To everyone saying that I’m destroying my books by annotating them, have you considered that they destroyed me first? 

Perhaps I am not bringing my pen and marker into innocent books. Perhaps this is revenge.

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Van Halen, "Push Comes to Shove" | Oscar Wilde, The Picture of Dorian Gray | Greta Gerwig, Lady Bird (script) | The Bastard Son & The Devil Himself, episode 8 | Hayao Miyazaki, Spirited Away (transcription) | @h-isforhiatus | Mitski, "Remember My Name" | Carmen Maria Machado, In the Dream House

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“Love is so embarrassing. I bled in your bed. I’m sorry. I have built you a shore with all my best words & still, the waves.”

— Claire Schwartz, from Bound