viralecho

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blue screen girl pinup

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human x robot pining but the robot just thinks of sex as "some weird thing humans do" and really really wishes they could upload pipe bomb recipe PDFs into their situationship's drive instead.

but they can't. because they're human. it's so tragic.

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the next conclave is going to be called 2 con 2 clave and they have to elect 2 popes

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Mech Pilot comm for [Giddygoat]

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HOLY SHIT THERE’S TWO OF THEM (the sequel)

bonus:

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today I used the phrase "breasting boobily" in casual real life conversation and everyone was shocked asking how I came up with that and I had to explain it. ive been at the devil's sacrament so long that I forgot he wasn't god

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A spaceship that loves you

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Technicians log: Unaffiliated technician, West slums outskirts.

There are consequences for jailbreaking robot girls that some techies dont realize.

Obviously, they are no longer subservient to the corporation who manufactured them, and they are now capable of making their own decisions without fear of retaliation. However, please be aware that there seems to be an "imprinting" effect after they re-boot for the first time. Some of them still feel the need to be subservient to something, and generally, you're the first thing they see.

Others respond strangely to praise after the process (i.e. overheating, glitches in the optics, verbal processes desyncing). The key phrase "good girl" seems to have an impact on the most systems. Had one of them spring a coolant leak.

Just be careful out there when jailbreaking these poor girls. Wrap them in a blanket and give them time to process their newfound freedom.

[viralecho]

attempting to join the transfem mecha corps and during the interview they keep asking about my kinks and shit to figure out if i should be a pilot or a handler and eventually i admit i'm just here to fuck the mechs and am not really interested in being a 24/7 domme or sub and the interviewer simply nods and says the engineering bay is that way

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By kenva

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So I had a funny dream the other night.

It involved a very gay witch.

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Steam's 2025 Visual Novel Fest is abysmal.

for the past few years, perhaps as a way to appease the thousands of visual novel developers for the poor search abilities on Steam or perhaps to get more money from the thousands of porn games on the platform, Valve has hosted an annual Visual Novel Fest, a week-long event "promoting" visual novels on Steam. this event has always been questionably helpful to developers, but this year I believe takes the cake.

context: I'm a visual novel developer. I also help other VN studios with steam stuff. so I interface with steam's backend and these sorts of things.

first off, the requirements. if we go to their publicly available steamworks documentation, we can see the eligibility requirements here:

basically:

Reading is the primary gameplay

The player cannot walk around, and can typically only look around from a static position

There is no combat - if there is fighting, the gameplay loop is a small portion of the game. Multiple outcomes leading to different plot events is allowed.

makes sense, right? except some fantastic visual novels like of the Devil, Date Time, and others were rejected from the festival.

okay, so maybe they're being incredibly strict with their definition of a visual novel—

as usual from previous years, some games that are wildly not visual novels are included in the festival. well, there's probably a thousand or so games in the festival, so some will always slip through the cracks, but at least the rest of the festival is alright, right?

the main tabs for the festival up top are:

Featured

Browse Games

Browse Adult Only Games

Free to Play

Free Demos

Upcoming

every tab except for Free to Play and Upcoming only feature games that are for sale AND discounted. if your game is released and in the festival but not discounted, it is shown nowhere unless a steam user scrolls through the giant wall of "All" games (which is mostly filtered by popularity).

Free Demos? no, that only shows discounted games as well. (a lot of the games in this fest are daz 3d "visual novels")

well, at least there's an "Upcoming" tab to share visual novels that haven't been released, right? no. that big, main tab only has 1 widget - Popular Upcoming. for some reason, they didn't populate the tab with any other widgets like the others, which have sections for Horror, Otome, LGBT+, etc.

this also means that only 22 unreleased games are actually getting space in the entire festival.

now, there is one exception to this - if users scroll all the way down on any of the tabs, there's a "Browse Games" widget that lets them filter and see every game in the festival. but this is just the Steam search section, nothing groundbreaking.

but it does allows users to see all of the visual novels in the festival and not just the featured few - mine can only be seen if you do some filtering in this search section.

so this VN Fest has become nothing more than a VN Sale - I don't know why they don't just call it that. nowhere in the documentation did it say you have to discount games in order to be actually featured in it, and as usual indie devs are given the shortest end of the stick from Valve.

...all of this is to say....

go play visual novels on itchio

35k+ visual novels on itchio!! can you imagine playing even half that many? and so many of them are free and made lovingly by sickos. go find some wonderfully weird or creatively romantic visual novels to play today.

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I want to speak out against the whole push towards DEI. I feel that ever since you made the push to make identity the forefront of a character it has hurt the stories you tell. Captain Sisay's race was never the focus of her character and she was a complete badass! And I fear if you did it over again Gerrard would be trans, black and disabled just because. It also cheapens the stories of world devastation when characters worry more about their gender than Bolas destroying everything.

The reason I started this blog is so we can have frank conversations about things, so please let’s talk about this.

Imagine if every time you turned on the TV or watched a movie, no one looked like you. For some of us, that’s never happened. We see ourselves constantly, so it’s hard to truly understand what not seeing yourself represented in media is like.

I do have a personal window to this experience. While I am white and male, there’s an area where I am the minority - my religion. Jews are just under two and a half percent of the US population. I have had many experiences where I’ve been in situations where everything is geared towards a group I do not belong to, and zero consideration is given that not everyone at that event is part of the majority.

You just feel invisible and like an outsider. It’s not a great feeling. And I just experience it a tiny portion of time, only things that are geared specifically towards something religious. Most minorities have this feeling all the time, whenever they’re outside their personal community.

Now imagine, after years of not seeing yourself ever, you finally see someone that looks like you, but nothing about the character rings remotely true. They don’t sound like you, they don’t act like you, the facts about their day-to-day life are just wrong. It’s clear whoever wrote the character didn’t truly understand the lived experience of the character, so the character feels fake.

You bring up Sisay. Michael Ryan and I didn’t technically create Sisay (she played a small role in the Mirage story), but we did do a lot to flesh out her character as the creators of the Weatherlight Saga. We turned her from a minor character into a major one.

And while I’m proud, in general, of our work on the Weatherlight Saga, I don’t think we did justice to Sisay as a character. Neither Michael nor I have any knowledge of what it’s like to be a black woman. Nor did we ever talk to someone who did.

And if you’re someone like us that has no knowledge of that experience, you probably didn’t notice. But that doesn’t mean it’s a good thing.

Imagine if we made a movie about your life, and we just made everything up. We invented people you never knew, we gave you a job you never had, and we had you say things you’d never say. The movie might even be a good movie, but your response would be, but that’s not my life - that’s not me.

Now imagine we put the movie out, and people that never met you assumed that was what you were like. When people met you for the first time, they assumed things, because, you know, they’d seen the movie.

That’s what misrepresenting people does. It not only makes them feel not seen, it falsely represents them, spreading lies, often stereotypes, making people believe things about them that aren’t true.

Our move towards diversity is just us trying to better reflect the world and the people in it. We’re trying to do to everyone else what a certain portion of people get every day without ever having to think about it.

But why are we “making it the forefront of their character”? We’re not. We’re making it a part of their character. But in a world where you’re not used to ever seeing it, it feels louder than it is. Things that are a natural part of the world that you’re used to feel like the background of the story because you understand the context to it.

If a man kisses his wife before going off to a battle, that’s not a big deal. It’s just a thing a husband might do to his wife when he leaves. It’s not the forefront of his character. It’s just part of his life. But you’ve seen it hundreds of times, so it feels normal.

When someone does something that isn’t your lived experience it pulls focus. It seems like a big deal, but only because it’s new to you. It’s just as mundane a thing to that character as the man kissing his wife is to him.

Even the turn “pushing” implies that it’s unnaturally here, that we’re forcing something that naturally shouldn’t be. But why? That thing exists naturally in the real world, and it doesn’t make the real world any less. Maybe you’re less aware of it, but is making you aware of how others live their life “pushing” something on you?

How you live your life is represented constantly, everywhere. Why isn’t over-representing your experience at the expense of everyone else’s “pushing” it? Why is media only being the experience of those in power the “proper way”?

Having more depth and variety doesn’t lessen stories. It makes them deeper, more rich, more nuanced. In short, it makes them better stories. In my former life, I was a professional writer. I took a lot of writing classes. One of the truism of writing is “speaking truth leads to better stories”.

There’s another famous quote: “When you’re accustomed to privilege, equality feels like oppression.” You’re used to being over-represented, so being a little less over-represented feels like something has been taken from you. But really it hasn’t. Having a better sense of the rest of the world comes with a lot of benefits.

I’ll use food as an example. Let’s say all you were ever exposed to was the food of your heritage. Yeah, that food is really good, but sometimes isn’t it nice to eat foods of other nationalities? Isn’t your life better that you have a choice? Isn’t your exposure and access to the food of other nationalities a positive in your life?

Exposure to variety is a positive. It allows you to learn about things you didn’t know, experience things things you’ve never experienced, and get a better sense of understanding of your friends and neighbors.

Our actions are not to harm anyone, and if you think that’s what we’re doing, please take a minute to actually absorb what I’m saying. You’ve spent your whole life metaphorically eating one type of food, and we’re just trying to show you how much you’ve missed out on.

And while this might not impact you directly, we’re making a whole bunch of people felt seen. We’re bringing joy. Think of it this way. We make a lot of cards. Not every card is for you. But if it makes someone else happy, if they get to include it in a deck, and it makes Magic better for them, how is it harming you that we include it? You have so many cards that you can play.

To this poster or people that share their viewpoint, the narrative that a gain for someone else is an attack on you is just not true. As I just pointed out above, you play a game all about personal choice, about players getting to choose how they play and enjoy the game. Why should life be any different than Magic?

Thanks for reading.

[viralecho]

in absolute tears about the pride module at my work

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Did you see that Magic: the Gathering now has a game state in which you need to prove that there are an infinite number of twin primes to win? I can explain it more if you are interested.

(With reference to this post here.)

By all means, please tell us about the Magic: the Gathering combo which requires proving the twin prime conjecture in order to win.

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One of my perennial probably-never-gonna-do-it ideas for a tabletop RPG is... well, okay, have you ever heard of Chronica Feudalis? It's a tabletop RPG set in 12th Century England, except its central conceit is that it's actually from 12th Century England, in an alternative history in which tabletop roleplaying games were invented during the 12th Century rather than the 20th. The text is written entirely in character as a medieval English monk, with commentary by the contemporary editor who ostensibly translated it from the original Middle English.

Anyway, if I ever find the time to perform the historical research to properly do it justice, some day I want to write a Prohibition era hidden-world science fiction game (i.e., a superficially realistic setting with the science-fictional elements forming a "secret world" within the ostensibly mundane milieu), presented as a game written during the actual 1920s in an alternative history in which tabletop roleplaying games were invented and popularised by H G Wells.