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[weeesi]

The problem with commercial F/M romance is that it's written by the most heterosexual women alive and reading it you feel yourself slowly suffocating from the Gender of it all like a fish in a eutrophying lake. And what we actually need as a culture is F/M written by insane bisexuals violently allergic to heteronormativity

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Tomorrow im going to remove some original work from ao3 fyi

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life really is just like. you meet people you love them and then you lose them and you never see them again. and it's inevitable and it happens to everyone and there's nothing you can do about it

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I’ve returned from my semi-hiatus to let you know I’m still on semi-hiatus! Real life and mental health stuff is sucking the life out of me and sadly Sherlock stuff is making me feel worse. I’m not sure when I’ll be back more regularly again. Be as well as you can be 🩵

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Dancing Men (p3)

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"Made and then broken in the army, but then subsequently fixed at 221b Baker Street"

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What made bbc johnlock even crazier is things like the furtive looks they would do when the other wasn’t looking, the fact there were things they wanted to say but never said to each other, how they would both constantly prioritise their relationship at the expense of other relationships. The ‘look at us both’ line, the ‘you look sad when you think he can’t see you,’ ‘your damsel in distress,’ the sherlock restarting his heart scene. It’s the repression and intensity between them, and what they choose NOT to do about it. To me that’s what really stands in the way of platonic readings, of whatever the writers say they’re trying to do. I think it’s also what made it such a popular ship, and why tjlc endured despite the writers explicitly saying that’s not what was happening. There’s something always there beneath the surface of their relationship that has no good explanation apart from the one we are able to supply

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Sherlock : Do you love me?  John: We’re literally married.  Sherlock : Yeah, but as friends or—

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For @sherlockchallenge​​ June prompt JOKE

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you came back wrong and i am racked with guilt because i cannot bear to see you like this and i should have let you rest. i loved you so much that i defied death itself but i do not think either of us are happy

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‘unreliable narrator’ but it’s ’narrator is deeply in love with the person they are narrating’

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Me, before posting a chapter on AO3: Wow. This is really good. The syntax, the inner turmoil, the grammar. Impeccable. 10/10

Me as soon as the chapter is live: yeah, no. I deserve to be shot.

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“We hope this email finds you well” babe, the only emails I hope find me well are the ones from Archive of Our Own

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As for Inception, Gordon-Levitt’s character might be best remembered for his physics-defying hallway fight scene, but a small corner of the Internet prefers to see the film as a love story between his character, Arthur, and Tom Hardy’s Eames. When I bring this up, the actor smiles for a moment while calibrating his response. “I’ve seen some of that fan fiction,” he says. “It’s very inspired and inspiring.” As for whether there might be any credibility to those theories, your guess is as good as Gordon-Levitt’s. “What is credibility? Art is up to the viewer to be whatever they want it to be,” he adds wryly.

JGL for Inverse interview, great read, actually!

[weeesi]

they match each other’s freak to a degree that is dangerous to the public