whorebughaze

[whorebughaze]

Today is my birthday and other than my housemates the only person who remembered and texted me was my evil ex…

[whorebughaze]

[whorebughaze]

📻🍎 bow to the king ~

[whorebughaze]

Shhh… nobody wake them.

[whorebughaze]

Drew more Dog Hazbin Hotel au lol, this time Alastor and Vox ✨

[whorebughaze]

Come on ~

Artist: Unknown

[whorebughaze]

Possessive. :P

[whorebughaze]

Sick Day 🤧🤒

[whorebughaze]

[whorebughaze]

💜❤️

[whorebughaze]

the op of jjk season 2 is rife with symbolism. there's one particular motif, however, that foreshadows the trajectory (and tragedy) of gojo and geto's love story.

almost immediately, we see geto running through the rain. the stylistic choice to portray him holding his bag over his head is deliberate, because it emphasizes what he conspicuously doesn’t have but so clearly needs: an umbrella.

gojo, on the other hand, is not operating with the same sense of urgency, seen through him taking his time looking at a cat. gojo has what geto needs, but he's not rushing. their behaviour is incongruous; geto is hurrying to get out of the rain, and gojo remains still, because he’s absolutely not hurrying at all.

the sense of urgency is compounding, seen through geto bouncing his leg. he’s waiting impatiently in the rain, and he's not using his bag to cover up his head anymore. geto knows gojo is coming; that's why he's impatient— because he's waiting for someone who has what he needs that hasn’t shown up yet.

geto needs him, yet gojo doesn’t pick up the pace. this is despite the fact that he needs to because it’s raining and geto doesn’t have an umbrella. we, as the audience, feel geto's impatience and we're urging gojo on, yet he still doesn't go any faster.

sharing an umbrella is an established trope in japan. it’s widely recognized and practiced enough to have its own designated terminology.

gojo is bringing an umbrella for them to share. that's why it’s repeatedly reinforced to the audience that geto doesn't have one. that’s also why the shots cut between them; it highlights what gojo has that geto doesn’t, and in doing so, ties the narrative together through the umbrella.

by the time gojo finally shows up, the sun has come out. gojo lowers the umbrella and smiles sheepishly, rubbing the back of his neck. contrarily, geto almost seems resigned, like he’s accepted the fact that gojo took too long. they can’t share the umbrella anymore because they missed their chance to use it.

we can see that geto is saying something to gojo when he finally shows up with the umbrella. you know what i would bet actual money it probably was?

“you’re late, satoru.”

[whorebughaze]

Reading Cannibalisation of the Apex atm, it’s wonderful 💖

[whorebughaze]

Wanted to make an Actor AU for Hazbin for a while, so I did

They are a goofy family behind the scenes

[whorebughaze]

More hazbin actor au

They are very silly backstage, Charlie and Angel are the resident troublemakers. I know a lot of people's design for Angeldust is different but I don't really vibe with it, wanted to lean more on the fact he's Italian

[whorebughaze]

Gang is this freaky?

[silly doodle before sleep <3]

[whorebughaze]

They are so in love <3

[whorebughaze]

Soooo, I listened to Heathers.....again