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Yea I want to rearrange your guts but first how was your day? Did you eat?
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watching Seven Samurai
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ordered pizza from a small local place and they didnt actually cut it so i've chosen to revert to a wild animal and begin ripping it apart instead of just using a knife to portion slices
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I thought about Wait post canceled what the fuck
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Wow. The patience, kindness and calm communication skills. Outstanding.
From raindovemodel
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If you see this you’re legally obligated to reblog and tag with the book you’re currently reading
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me, pacing erratically: see, the thing is, link from the original legend of zelda did not have a sword before he got one from the old man in the cave and yet he managed to defend impa from the monsters pre-game so skillfully that impa was legitimately impressed with him and pleaded with him to help defeat ganon in the first place. so how did he do it? how did a ten-year-old boy with no weapon manage to singlehandedly drive off a bunch of monsters from terrorizing an old woman? my answer: i think he used rocks. i think that boy was throwing rocks left and right and bashing them into their fucking skulls and whatnot. and just given that the intentions of the original legend of zelda games were ultimately to let the player fill in the blanks as they played the game and as the final battle with ganon was so simplistically done (because, again, much was left up to the players' imaginations) i think from a theoretical standpoint, if we are to imagine the final battle with ganon as it happened in-universe—that is to say, a ten-year-old boy with absolutely no formal weapons training other than "run through monsters with the sharp end" fighting against the monstrous king of darkness who can and does turn invisible during the course of the battle—would it not be a fun idea to assume, then, that at some point ganon could have knocked the sword out of his hands? that at some point during the battle this iteration of link could've just gone "fuck it we ball" and grabbed a rock and managed to wrap himself around ganon's head and just start bashing him with it? like the absolute fucking feral child he is? would it not be a fun idea to assume that instead of eventually shooting ganon with the silver arrow from afar he simply grabs it from his bag in the scuffle (wherein ganon is trying in vain to remove the Screaming Fucking Child from his general head area) and stabs it into one of his eyes while he's up there? would it not be fun? would it not set him apart from the other iterations of link in the way that the games he features in already DO as zelda lore has evolved over the last almost-forty years more games have been released? we're talking about the version of link who, as the original manual says, mysteriously appears out of nowhere and disappears just as quickly after the events of zelda 1 (though clearly he does eventually return to hyrule as evidenced by the events of zelda 2). would it not suit him to match the general atmosphere of the original legend of zelda game and fight in a manner that speaks more of survival than fight in a way that imitates polished heroics like you would see from some sort of knight? would these hypothetical scenarios as to how the final battle with ganon could have gone down not add an infinite amount of characterization and flavor to an otherwise simplistic fight? does this not interest you?
you, tied to a chair in my basement: ggod pleas,,e,,, jsut let me go i want to see my fuckign family,,,,,,,
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really helpful technique ^ once you know how to divide by halves and thirds it makes drawing evenly spaced things in perspective waaay easier:
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3ds games be like “remember to take breaks”
remember to eat my ass, bitch i only been playin for 6 hours
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humans really went off with building on precipitous rock faces
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Gold hair in the sunlight, my light in the dawn
If I had an orchard, I'd work 'till I'm sore
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“But let me give you the dark side of writing groups. One really dark side of writing groups is, particularly newer writers, don’t know how to workshop.
“And one of the things they’ll try to do is they’ll try to make your story into the story they would write, instead of a better version of the story you want to write.
“And that is the single worst thing that can happen in feedback, is someone who is not appreciating the story you want to make, and they want to turn it into something else.
“New workshoppers are really bad at doing this. In other words, they’re really good at doing a bad thing, and they’re doing it from the goodness of their heart. They want you to be a better writer. They want to help you. The only way they know is to tell you how they would do it, which can be completely wrong for your story.”
—Brandon Sanderson, Lecture #1 Introduction, Writing Science Fiction And Fantasy
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me.
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