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Water Lilies painted by Claude Monet (1840 - 1926)

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Guangzhou in December, guangdong province in china

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~ Franz Xaver Winterhalter, Portrait of Anna of Prussia (1858) (detail)

via bonniesoubise

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Late Victorian and Edwardian fashion in portraits by Giovanni Boldini (Italian, 1842-1931)

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by Anita Austvika  

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Zacarías González Velázquez

Spanish, 1763-1834

Manuela González Velázquez playing the piano, ca. 1820  (details)

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Moon landscapes, spring.

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Matchbox labels from Pinsk Match Factory in Belarus (1960)

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Portrait of Marie Joséphine Louise of Savoy (detail), by Francois-Hubert Drouais, 1771. Oil on canvas.

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François-Hubert Drouais (1727–1775), Portrait of Madame du Barry (details)

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Charles Louis Hinton (1869-1950, American) ~ A Summer Shower, 1898

[Source: bronxvillehistoricalconservancy.org]

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Before Barbenheimer, there was “Apocalypse in Pink,” the August 1983 theme of fashion/culture magazine SPECTAGORIA. The issue’s controversial imagery of Barbie-esque models attempting to stay gorgeous and glamorous amidst nuclear annihilation sought to, in the words of editor/photographer Sera Clairmont, “revel in the morbid absurdity of the new American condition,” an “anxiety vibrating underneath all our plastic smiles.”

“It’s The Hot Pink Cold War,” Clairmont wrote in her introduction. “It’s ‘Material Girl’ on the radio and ‘WarGames’ at the drive-in. It’s ‘Girls Just Wanna Have Fun’ interrupted by the emergency broadcast signal. We’re told to look sexy, dress fashionable, make money, and spend money, but be sure we’re just the right amount of terrified about the bomb. Get that Malibu dream home, keep working on that perfect body, sip cocktails by the pool in your little pink bikini and watching the stocks go up — but STAY VIGILANT! and for God’s sake vote Republican, because that dream home could melt into a pink plastic inferno at any given moment. Just don’t stop smiling as the blast liquefies your skin into bubbling ooze like a Barbie doll in a microwave - it’s bad for the economy.”

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NOTE: This is a work of fiction created by me. This alternate reality horror story is part of my NightmAIres narrative art series (visit that link for a lot more). NightmAIres are windows into other worlds and interconnected alternate histories, conceived/written by me and visualized with synthography and Photoshop.

If you enjoy my work, consider supporting me on Patreon for frequent exclusive hi-res wallpaper packs, behind-the-scenes features, downloads, events, contests, and an awesome fan community. Direct fan support is what keeps me going as an independent creator, and it means the world to me.

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Vittorio Matteo Corcos, 1859-1933

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Arantza Sestayo - Ophelia

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spring for tokyoites 2023