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woozihae · 1 year
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my liege you cannot trust this buffoon. he doesn’t even begin every other sentence with “my liege.” he‘ll never whisper in your ear the way i do it, my liege. sire. your fuckableness
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woozihae · 1 year
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woozihae · 1 year
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Fortesa Latifi, from The Truth About Grief.
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woozihae · 1 year
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when you love . it goes out from you in radio waves pinging beautiful things every way
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woozihae · 1 year
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IF THE ROUTINE NO LONGER SERVES, YOU MUST ALTER THE PATTERN, WHAT ARE YOU WAITING FOR?? YOUR LIFE STARTS WITH YOU
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woozihae · 1 year
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Charlotte Brontë, from “Jane Eyre”
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woozihae · 2 years
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everything everywhere all at once is about intergenerational trauma. about depression and passive suicidality and the gravitational appeal of nothingness. about aging, getting older in your twenties and getting older in your fifties. about the specific hurt mothers can cause their daughters and daughters their mothers. about the harsh reality of the immigrant experience and the american dream. but it’s mostly about kindness and family and it’s about choosing to sit at home talking about taxes with someone who loves you, and it’s about telling your daughter that you’d choose her over the entire universe, and it’s about how even in the universes where life didn’t form, love can still exist. and it’s really all of that at once.
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woozihae · 2 years
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“they/them pussy is-” whatever. they/them cock is like the blue potion. from zelda. they/them cock is like when you stand up too quickly and pass out for .0612 seconds and visit the machine elves and they teach you about 3-dimensional numbers
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woozihae · 2 years
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being able to say see you tomorrow to someone you love is truly one of the most precious things in this world
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woozihae · 2 years
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something about the way that yoo joonhyuk’s ghosts don’t only haunt him via regression depression but also literally come to hunt him down…the way that even when he doesn’t remember every life he’s lived he’s still burdened with the regrets and the rage of every ghost he’s left behind, the way that even when he’s free of being the protagonist the weight of his narrative is constantly tearing at the seams of the pages, the way that he’s literally!! haunted and hunted by himself!!!
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woozihae · 2 years
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[guy experiencing the first stage of grief voice] damn i got through the five stages of grief pretty quickly 😄
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woozihae · 2 years
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woozihae · 2 years
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cooking site, 10th paragraph of page titled “rustic pulled pork recipe”: my grandfather’s childhood was tough. every day he had to work the mines. he was only 6 months old when he held is first pickaxe.  As he crawled into the mine elevator, just a little baby boy of one, he-
me, growing frantic: resippy
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woozihae · 2 years
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Orv is so good, like actually it’s SOOO good. Its a story about stories, like literally in a watsonian sense on a meta level…like a story about a story that LOVES it’s readers and a story about a story that loves people… and how EVERY story deserves to exist, because every story has an audience that would benefit from reading it. and how stories can save people but people also save stories, just by them reading it. And how even if a story just has one reader, it’s worth it. But also like in a watsonian sense because the characters are being broadcasted to the constellations, and ‘stories’ are how you get power, and the worst thing that can happen to you is being forgotten. It’s definitely not a book for everyone. I think if you're not someone who can resonate with kim dokja’s story, with his life, you will not finish/like the book. And it’s LONG too. 551 chapters in it’s entirety, though in the end there are 30 or so chapters that are labeled as ‘Epiloges’, but i dont think they’re epiloges in the normal sense of the word. In orv the ‘■■’, or ‘the ending’ has a lot of importance.( -Because like I said earlier, orv is a story about stories, so what happens when a story ends?) But i really wish everyone could read it because its so good and i NEED someone to talk to about it. The story (the first 520 ish chapters) ends on a tragic/sad ending, but the epiloges have a hopeful ending. That kinda sounds bad, like “oh so it’s retconning its ending?” but its not, because the epiloges are a part of the main story. Like i said earlier, orv has an importance placed on the ■■. I think that the last 30 chapters are the chapters that just so happen to have ‘Epilogue’ in the title. Anyways ITS SO GOOD PLEASEEEE READ IT ITS SO GOOD!!!!
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woozihae · 2 years
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they hate me for finding romance in the violent & violence in the romantic. also for the killing
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woozihae · 2 years
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choose your fighter!
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woozihae · 2 years
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goncharov (1973) dir. martin scorsese // h of h playbook - anne carson // @/orpheuslament (x) // wolf in white van - john darnielle // “the gods show up” - michael kinnucan (x) // @/annevbonny (x)
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