worflesbian - Tumblr blog

[worflesbian]

Hi, genuine good faith question if you'd like! How is TOS racist? It was my understanding that the OG Series was like, huge for equality in media?

I’m speaking primarily about the content of TOS itself, not its historical impact - I understand it had various historic firsts in terms of having characters of colour in respectable roles, which I’m not dismissing. My experience with the discourse on here surrounding the show is that people front-load these character representations as emblematic of the show’s progressive politics. Which, if we want to go that route, TOS was contemporary to the US civil rights movement, which provides us with a handy measuring stick to see how TOS actually grapples with race, not just the presence of characters of colour themselves. I'm going to be kind of defensive in this explanation, not towards you specifically, but because I have had this conversation with people online many, many, many times, and so any defensiveness on my part is in anticipation of arguments I know will come up as a result of making the basic claim that a show made in America in the 1960s is racist. I'm also going to be copy + pasting from an older post I've made on the subject since it's been a while now since I've watched TOS so some of the details are fuzzy.

Like okay, the premise of TOS is that the Enterprise, as an ambassador of Starfleet/the Federation, is seeking out new alien life to study. The Prime Directive prohibits the Enterprise crew from interfering with the development of any alien culture or people while they do this, so the research they collect needs to be done in an unobtrusive way. I think this is the first point at which people balk at the argument that TOS is racist or has a colonial conception of the world - the Enterprise’s mission is premised on non-interference, and I think when people hear ‘colonial’ as a descriptor they (understandably, obviously) assume it is describing active conquest, genocide, and dispossession. Even setting aside all the times where Kirk does directly interfere with the “development” of a people or culture (usually because they’ve “stagnated” culturally, because a culture "without conflict" cannot evolve or “develop” beyond its current presumed capacity - he is pretty explicitly imposing his own values onto another culture in order to force them to change in a particular way), or the times when the Enterprise is actually looking to extract resources from a given planet or people, I’m not exactly making this claim, or rather, that’s not the only thing I’m describing when calling TOS racist/colonial.

The show's presentation of scientific discovery and inquiry is anthropological - the “object” of analysis is alien/foreign culture, meaning that when the Enterprise crew comes into contact with a new being or person, this person is always read first and foremost through the level of (the Enterprise’s understanding of) culture. Their behaviour, beliefs, dress, way of speaking, appearance, and so on are always reflective of their culture as a whole, and more importantly, that their racial or phenotypic characteristics define the boundaries of their culture. Put another way, culture is interpreted, navigated, and bound racially - the show presents aliens as a Species, but these species are racially homogeneous, flattening race to a natural, biological difference that is always physically apparent and presented through the lens of scientific objectivity, as "species" is a unit of biological taxonomy. Basically species is a shorthand for race. This is the standard of most sci-fi/fantasy genre work, so this is not a sin unique to Star Trek.

Because of this however, Kirk and Co are never really interacting with individuals, they are interacting with components of a (foreign, exotic, fundamentally different) culture, the same way we understand that a biologist can generalize about a species using the example of an individual 'specimen'. And when the Enterprise interacts with these cultures, they very frequently measure them using a universalized scale of development - they have a teleological (which is to say, evolutionary) view of culture, ie, that all cultures go from savage to rational, primitive to advanced, economically simple to economically complex (ie, to capitalist modes of production). And the metrics they are judging these cultures by are fundamentally Western ones, always emphasising to the audience that the final destination of all cultures (that are worthy of advancing beyond their current limited/“primitive” stages) is a culture identical to the Federation, a culture that can itself engage in this anthropological mission to catalogue all life as fitting within a universal set of practices and racial similarities they call “culture.”

This is a western, colonial understanding of culture - racially and spatially homogeneous people comprise the organs of a social totality, ie, a society, which can then be analysed as an “object,” as a “phenomenon,” by the scientists in order to extract information from them to produce and advance state (ie Federation) knowledge. The Enterprise crew are allowed to be individuals, are allowed to be subjects with a capacity for reason, contradiction, emotion, compassion, and even moments of savagery or violence, without those things being assigned to their “race” or “culture” as a whole, but the people they interact with are only components of a whole which are “discovered” by the Enterprise as opportunities to expand and refine the Federation’s body of knowledge.

Spock is actually a good example of what I'm talking about, because he is an exception to this rule - unlike the others in the crew, his behaviour is always read as a symptom of his innate Vulcan-ness, where his human and Vulcan halves war for dominance in his mind and character. Bones (the doctor, one of the main cast) constantly comments on Spock's inability to feel things, that he is callous and unsympathetic, ruled by Vulcan logic to such an extreme that his rationality is a form of irrationality, as his Vulcan blood prohibits him from tempering logic with human emotion and intuition. Now you can argue that Bones is a stand-in for the racists of the world, that Spock proves Bones wrong in that he is able to feel but merely keeps it under wraps, that Vulcans are not biologically incapable of emotion but merely live in a socially repressive culture, but this still engages in the racial logic of the show - Vulcans are a racially-bound species with a single monolithic culture, and Spock's ability to express and feel 'human emotions' is the metric by which he is granted human subjectivity and sympathy.

And on the flip side you have the Klingons - a “race” that is uniformly savage, backward, violent, and dangerous. In the episode Day of the Dove, where Klingons board the Enterprise along with an alien cloud that makes everyone suddenly aggressive and racist (this show is insane lol), the Enterprise crew begins acting violent and racist, but the Klingons don’t change. They aren’t more violent than before (because they already were fundamentally violent and racist), and they don’t become less violent when the cloud eventually leaves (because they are never able to emerge from their violence and savagery as a social condition or external imposition - they simply are that way). Klingons are racially, behaviourally, psychologically, and culturally homogeneous, universally violent and immune to reason, and their racial characteristics are both physical manifestations of this universal violence as well as the origin of it. The writers and creators of TOS are explicitly invoking the orientalist idea of the “Mongolian horde,” representing both the American fear of Soviet global takeover as well as blatantly racist fears about “Asiatics” (a word used in the show, particularly in The Omega Glory where a fear of racialised communist takeover is made explicit) dominating the world.

This is colonial thinking! Like, fundamentally, at its core, this is colonial white supremacist thinking. Now this is not because TOS invents these tropes or is the origin of them, it is not individually responsible for these racial and colonial logics - these conceptions are endemic to Western thought, and I am not expecting a television show to navigate its way outside of this current colonial paradigm of scientific knowledge. I’m also not expecting an average person watching this to pick out all the intricacies of this and link it to the colonial history of Europe or the colonial history of western philosophy/thought. But this base premise of Star Trek is why the show is fundamentally colonial - even if it was the case that the crew never intervened in any alien conflict, never extracted any material resources from other people, this would still be colonial logic and colonial thinking. The show has a fundamentally colonial imagination when it comes to exploration, discovery, and culture.

I think a good place to end is the opening sequence. The show's first line is always "Space! The final frontier." I do not think the word frontier is meant metaphorically or poetically - I think the show is being honest about its conception of space as an infinitely vast, infinitely exotic frontier from which a globally Western civilisation (which the Enterprise is an emblem of) can extract resources, be they material or epistemic

[worflesbian]

rightful heir is insane for the Implications. okay so there's this guy who was cloned from leftover DNA of the real kahless (with you so far) but also he's got fuzzy memories of being the real kahless implanted into his brain (?? okay...?) and he was just woken up/brought into existence at the exact moment the priest guys needed him to appear (when worf shows up, the main character of klingons) so this is really his first moment of being a person and he's In It, he's ready to GO right away. no learning how to walk, no confusion, no "hey guys what's been going on since i died", and he's ready to overthrow the current government DAY ONE. nope don't tell him anything, he already knows your chancellor sucks and the klingon spirit is corrupted. and he knows about worf's childhood moses moment where he/kahless appeared to worf to tell him to sparkle on it's worf wednesday my dude (very specific memory) but he can't remember details of his famous stories (are we saying his worf-related memories are real because worf really was the believer who brought his spirit back? mixed in with some good old fashioned priest cloning)

BUT he's a shit fighter. i mean he's not terrible but he's not mythical godlike warrior levels, so he does have some physical adjustment stumbling, but only when pressed. his weakness should have been like. learning how to digest solid food. not advanced combat. i mean don't get me wrong that's a very klingon weakness but it still raises a lot of questions. and kahless 2 has ZERO questions about this whole scheme until he loses to gowron in a fight. if we go with the Implications and assume this is the spirit of the real kahless dropped into his clone's body, the rest of this guy's whole deal is wild!!! he's just vibing! he's having spiritual awakenings certain human religious figures could only dream of achieving. even if we DON'T buy into the true reincarnation aspect, he's still the genetic clone of the klingon people's greatest hero with all the knowledge of the klingon religion in his head. like a factory made condensed klingon heritage all in one guy. which has gotta be a fun time for him (not really). his personality is Honor and his occupation is Faith. and he is technically a BABY.

and then worf is like "look idk if i believe in reincarnation (maybe haha) but i do believe in causing problems, let's see where he's going with this" and makes him a figurehead emperor. and of course by this point 2 fast 2 kahless is starting his "maybe i really am a fake" journey (which should've happened when he first heard someone sneeze and freaked out) so he just goes along with it. anyway. maybe the real kahless was the Implications we didn't fully explore along the way.

[worflesbian]

Really interesting to consider “Collective” in the same continuum of “Survival Instinct”, and how these episodes pan out very differently for two characters (Seven and First) who find themselves suddenly disconnected from the Borg collective and lash out with a similar mixture of fear and anxiety about their lack of control, especially when their fellow drones start to assert an individuality that neither Seven nor First are equipped to deal with. Seven survives, by dooming the rest of her unimatrix; First does not, and with his demise the rest of the Borg kids can board Voyager and be reclaimed from the Collective.

I don't know if the similarity between Seven and First was drawn intentionally by the writing but in my opinion it's pretty evident. As drones in an unfamiliar situation they are unprepared to deal with the discomfort of re-emerging thoughts of a life pre-assimilation, and their reaction is to seek a return to the Collective by whatever means necessary. In addition to that, they can't cope with alone-ness at all, so they ensure the drones who are with them will help them to return to the Collective as well by restoring ‘order’—in the case of First, by establishing a pecking order where he is the indisputable leader, and in Seven's case by assimilating the rest of her unimatrix in a mini-collective. I think Seven only succeeds where First failed because Seven by that point was an adult drone who was entirely capable of assimilation, while First, having emerged from a maturation chamber too early, did not have the ability yet (in “Collective” Icheb mentions that they've all been trying to learn to assimilate but have failed so far). This is a powerful metaphor too—adults have powers of coercion that kids might not have yet developed fully, and it points to latter's better chances of successful reclamation.

Except First pays for his stubborn inexperience dearly, while Seven does not, despite her being much more culpable. I've been wondering how she might feel about the whole encounter, since “Collective” doesn't offer much in this respect. I wonder if, despite First's relentless hostility towards her, Seven was able to recognize her former self in him. I think she might have, given this exchange right at the end:

I also wonder if First's fate was yet another reminder for Seven of the many ways in which she failed both as a drone and as an individual, and especially of the exceptional circumstances of her continuing survival. Other former drones die while facing the same difficulties and obstacles Seven has encountered, but she survives against all odds, often because the people around her have chosen to go above and beyond for her, but also just out of luck. It's a constant in her life, both on Star Trek: Voyager and Star Trek: Picard. I have to imagine it's a weight that keeps becoming heavier as the years pass.

[worflesbian]

Star Trek: Voyager Warhead

[worflesbian]

[worflesbian]

jake canonically going to their little railing over the promenade almost every day because he misses nog when nog is away at the academy. tearing up. crying. sniffling.

[worflesbian]

remembers gucci neelix

[worflesbian]

Star Trek Voyager 5x01 - Night

[worflesbian]

WAIT okay I don't know how to word this at all but basically the way we perceive speech sounds is through like. different frequencies are amplified or dampened by the ways we shape our vocal tract and we hear those differences in like which frequencies are louder and which frequencies are quieter and that's how we recognize different phonemes. or something. so if like aliens have a different hearing range and/or differently shaped vocal tracts they could have an entirely different phonemic inventory than human languages??? like shrimp colors but it's alien phonemes???? this might seem like a really obvious realization but like those guys could be distinguishing vowels based on formants we can't even perceive!! their hearing range could start above 5000 hz and they wouldn't be able to hear the difference between any of our vowels!! enough with giving klingon uvular plosives or whatever to make it sound ""exotic"" that shit should be UNPRODUCIBLE with a human vocal tract and UNPERCEIVABLE with human ears!! no wonder they need universal translators when your ears could be physically unable to distinguish between alien phonemes??? sorry I'm realizing that this really is an incredibly obvious thought just couched in overly technical language but I'm excited about it nonetheless. spock's surname is unpronounceable bc it's got a bunch of consonant clusters? NO it actually has secret vulcan phonemes distinguished by differences in frequencies above the human range of hearing so u can't even perceive it correctly let alone pronounce it. cardassians have a hearing range significantly smaller than humans so they physically cannot understand most human languages...

[worflesbian]

For bonus points share one thing you wish would have happened in that extra season

[worflesbian]

this is a bad post etc but in rewatching Voyager season 4 every time Seven and Janeway butt heads I keep expecting Janeway to like, powerwalk back to the bridge afterwards and say 'the autism won today' to the first senior officer she encounters on the way

[worflesbian]

instead of kurn coming back to get worf to honorably murder him we should have had a ds9 episode where kahless 2 comes to ds9 in the same "woe is me, everyone hates me now" mentality but he gets put with alexander, jake, and nog for the B story of the episode and they start a youtube channel where they feed him food he's never tried before (ancient mythical hero reincarnated into a clone body) -> "we gave KAHLESS THE UNFORGETTABLE a plate of REALLY SOUR GRAPES and this CARBONATED MILK that's ILLEGAL on qo'nos" and jake and nog are doing the clickbait thumbnail 😱 face and alexander does a kind of "whaddaya gonna do about it" shrug to the camera while kahless is in the background looking sad but ready for a new adventure

[worflesbian]

Star Trek: Voyager Tsunkatse Survival Instinct Human Error

[worflesbian]

does anyone have that tweet that's like "why are men so big it's like seeing a cow in real life". i know it's out there but i dont have twitter

[worflesbian]

I wasn’t sure about which sketch to share first, today. I decided for this one of Chakotay because a friend asked for it. So… here we are! Hope you like it! 😊

[worflesbian]

[worflesbian]