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Submitted propaganda for Satorl Marsh (Night)

The most beautiful, ethereal track. XC1 is a fantasy epic, and once you step foot onto Satorl and watch the sun set, you're transported to a realm completely unlike our own. The music is soothing and haunting, and matches the foggy marsh so well. I don't care that the enemies are worse at night, if it's day time, I switch it back to night immediately.

One of the most calming and ethereal pieces of XC1. I will literally listen to this is calm down and fall asleep some nights because it is so damn beautiful.

No submitted propaganda for Wir fliegen

[xenoblade-chronicles-brackets]

The Mechanical Rhythm stops beating; for now at least.

Submitted propaganda for Main Theme

this is THE best song ever. does it even need propaganda?

This piece is just so hauntingly beautiful. It fits the tone of XC1 perfectly, starting from a simple piano and building up to this massive crescendo of violins and horns, until settling back down to a similar but slightly changed version of the piano melody from the beginning.

It’s the very first track I heard from the series

Literally my favourite song on the entire trilogy’s soundtrack

Submitted propaganda for Mechanical Rhythm

*electric guitar shredding noises*

I have no real need to say anything, this goes hard af.

[xenoblade-chronicles-brackets]

Submitted propaganda for The Decision

Xenoblade 2’s biggest oh sh*t moment

let’s begin the experiment

When you first start Xenoblade 2, you assume it is going to be disconnected form the first one. It's a spiritual successor really, not a sequel. But then, you notice something. Small at first, ever so small. Maybe a line of dialogue, maybe a familiar enemy type. You have the barest hint of what is going on, thinking maybe there might be something more there, but you leave in the back of your mind. So you continue on playing, and more and more inconsistencies start adding up. You see things that shouldn't be. Malos has a monado, and the then there is the vision in Spirit Crucible Elpys, seeing the world engulfed in light only as you have but once before. The gears are turning, but still you don't quite know yet. Then, you venture through Morytha, and up the World Tree. More and more, a picture is forming in your mind that scares you. The reeks of implications you can't quite comprehend and are not sure if you want to, and then finally, after you kill Amalthus, there is but one place to go. You enter the elevator, and head up. The scene dims, and suddenly you see a set unlike any before in the game. People, dressed so out of place for Alrest, but would fit right in on Earth. They are rushing, panicking, and desperate. You don't know who they are or what they want, but because only one thing they say stands out. "We've been locked out by Professor Klaus" Suddenly, you understand. You see what you have seen before, on another side of the story. Everything that has been building this entire game leads to this point. This one moment where all becomes clear. And throughout this revelation, where you see the world killed in light and born anew, knowing what will come from this choice, the music continues on, desperate and pleading telling the story of this fateful choice. The strings and piano beg you listen, but can't change anything. All they can do is draw you in further, to watch this fateful "Decision"

I adore this song mannn

Submitted propaganda for Redeem the Future

Perfect throwback to the final bosses that have come before. Truly, the final boss theme of the Xenoblade trilogy

Truly, this is what it should sound like to fight a god.

[xenoblade-chronicles-brackets]

Submitted propaganda for A Step Away

What isn't there to say about this song. It's so sad and desperate, played to you when you are at your lowest. What I love though, is how the song plays with perspective. When you first hear it, you think it's between Noah and Mio, with either being able to make sense as the singer. Upon a re listen though, the true singer becomes apparent. It's M. M singing to N, about how close they are but how far. She didn't want forever with him. She only wanted one lifetime, but his greed cursed them to live forever, and now she can't even recognize the man she loves. But still, she does love him. M doesn't want to die, but what other option is left. She's trapped in an endless cycle, unable to break free and instead forced to help in causing the suffering. So, when given an opportunity to escape, she takes it, only hoping that in death she can get through to N. She'll be gone from the world, but maybe then she'll finally get N to return to who he once was, a step away from who he is now, and who maybe he can be again

No submitted propaganda for Agniratha, Mechonis Capital (Night)

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Submitted propaganda for Engage the Enemy

I will *never* get over Adam Howden’s scream

Submitted propaganda for Zanza the Divine

God-Slaying Sword is great, but can we get some love for how haunting and god-like this song is?

An absolute banger of a boss theme, the guitar is so punchy and the piano accompaniment gives it a unique flair that gives off a distinctly memorable vibe. I personally prefer the original version, as in the DE recording the guitar sounds more subdued.

[xenoblade-chronicles-brackets]

Submitted propaganda for A Step Away

What isn't there to say about this song. It's so sad and desperate, played to you when you are at your lowest. What I love though, is how the song plays with perspective. When you first hear it, you think it's between Noah and Mio, with either being able to make sense as the singer. Upon a re listen though, the true singer becomes apparent. It's M. M singing to N, about how close they are but how far. She didn't want forever with him. She only wanted one lifetime, but his greed cursed them to live forever, and now she can't even recognize the man she loves. But still, she does love him. M doesn't want to die, but what other option is left. She's trapped in an endless cycle, unable to break free and instead forced to help in causing the suffering. So, when given an opportunity to escape, she takes it, only hoping that in death she can get through to N. She'll be gone from the world, but maybe then she'll finally get N to return to who he once was, a step away from who he is now, and who maybe he can be again

No submitted propaganda for Agniratha, Mechonis Capital (Night)

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As the worlds separate, a Tyrant emerges from between them and takes over the scene.

Submitted propaganda for Uncontrollable

I love the big guitar rift at the start of it, setting upo the song like you are setting up your plan to fight. The 2 vocalists taking turn and swapping how sings is fucking cool as shit. i sing this song to my self all the time…with the wrong lyrics i will admit also i love the part where it slows down and is kinda soft and the giruar, and the 2 voices sing differnt lyrics, and then it drops and it just chefs kiss

Submitted propaganda for Where We Belong

I can't hear the song without seeing them try to run towards each other all over again.

It's the only time I have ever cried at a work of fiction, and I'm damn proud of it

[xenoblade-chronicles-brackets]

Submitted propaganda for A Step Away

What isn't there to say about this song. It's so sad and desperate, played to you when you are at your lowest. What I love though, is how the song plays with perspective. When you first hear it, you think it's between Noah and Mio, with either being able to make sense as the singer. Upon a re listen though, the true singer becomes apparent. It's M. M singing to N, about how close they are but how far. She didn't want forever with him. She only wanted one lifetime, but his greed cursed them to live forever, and now she can't even recognize the man she loves. But still, she does love him. M doesn't want to die, but what other option is left. She's trapped in an endless cycle, unable to break free and instead forced to help in causing the suffering. So, when given an opportunity to escape, she takes it, only hoping that in death she can get through to N. She'll be gone from the world, but maybe then she'll finally get N to return to who he once was, a step away from who he is now, and who maybe he can be again

No submitted propaganda for Agniratha, Mechonis Capital (Night)

[xenoblade-chronicles-brackets]

Last round saw the fall of the Bionis, or well, at the very least its Monado.

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The life is ever so barely sent on rather than getting hyper regenerated.

Submitted propaganda for A Life Sent On

It’s like the whole game. That’s it right there. The connection between the living and the dead - and the way in which the dead leave their hopes and the future in the hands of the next generation…

Submitted propaganda for Kaleidoscopic Core

THEY TOOK THE SONG ABOUT BEING SCARED OF SHOWING YOUR TRUE SELF AND TURNED IT INTO A BATTLE THEME THAT GOES SO HARD THE TRANSGENDER THEME OF ALL TIME!!!!!!!!!!!

The OG catgirl finally gets her happy ending.

Flora heals an aching soul

How did they turn the most emotional song from Xenoblade 2 into a battle theme and make it work????

[xenoblade-chronicles-brackets]

Last round saw the fall of the Bionis, or well, at the very least its Monado.

[xenoblade-chronicles-brackets]

Submitted propaganda for A Life Sent On

It’s like the whole game. That’s it right there. The connection between the living and the dead - and the way in which the dead leave their hopes and the future in the hands of the next generation…

Submitted propaganda for Kaleidoscopic Core

THEY TOOK THE SONG ABOUT BEING SCARED OF SHOWING YOUR TRUE SELF AND TURNED IT INTO A BATTLE THEME THAT GOES SO HARD THE TRANSGENDER THEME OF ALL TIME!!!!!!!!!!!

The OG catgirl finally gets her happy ending.

Flora heals an aching soul

How did they turn the most emotional song from Xenoblade 2 into a battle theme and make it work????

[xenoblade-chronicles-brackets]

Submitted propaganda for A Life Sent On

It’s like the whole game. That’s it right there. The connection between the living and the dead - and the way in which the dead leave their hopes and the future in the hands of the next generation…

Submitted propaganda for Kaleidoscopic Core

THEY TOOK THE SONG ABOUT BEING SCARED OF SHOWING YOUR TRUE SELF AND TURNED IT INTO A BATTLE THEME THAT GOES SO HARD THE TRANSGENDER THEME OF ALL TIME!!!!!!!!!!!

The OG catgirl finally gets her happy ending.

Flora heals an aching soul

How did they turn the most emotional song from Xenoblade 2 into a battle theme and make it work????

[xenoblade-chronicles-brackets]

Submitted propaganda for Drifting Soul

Nia :,(

Submitted propaganda for A Moment of Eternity

This song is so beautiful and so tragic at the same time.

[xenoblade-chronicles-brackets]

Submitted propaganda for Drifting Soul

Nia :,(

Submitted propaganda for A Moment of Eternity

This song is so beautiful and so tragic at the same time.

[xenoblade-chronicles-brackets]

Submitted propaganda for A Life Sent On

It’s like the whole game. That’s it right there. The connection between the living and the dead - and the way in which the dead leave their hopes and the future in the hands of the next generation…

Submitted propaganda for Kaleidoscopic Core

THEY TOOK THE SONG ABOUT BEING SCARED OF SHOWING YOUR TRUE SELF AND TURNED IT INTO A BATTLE THEME THAT GOES SO HARD THE TRANSGENDER THEME OF ALL TIME!!!!!!!!!!!

The OG catgirl finally gets her happy ending.

Flora heals an aching soul

How did they turn the most emotional song from Xenoblade 2 into a battle theme and make it work????

[xenoblade-chronicles-brackets]

Submitted propaganda for Engage the Enemy

I will *never* get over Adam Howden’s scream

Submitted propaganda for Zanza the Divine

God-Slaying Sword is great, but can we get some love for how haunting and god-like this song is?

An absolute banger of a boss theme, the guitar is so punchy and the piano accompaniment gives it a unique flair that gives off a distinctly memorable vibe. I personally prefer the original version, as in the DE recording the guitar sounds more subdued.