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[xenoblade-chronicles-brackets]

BLADE comes through now and simply flies over the Marsh.

Submitted propaganda for Satorl Marsh (Night)

The most beautiful, ethereal track. XC1 is a fantasy epic, and once you step foot onto Satorl and watch the sun set, you're transported to a realm completely unlike our own. The music is soothing and haunting, and matches the foggy marsh so well. I don't care that the enemies are worse at night, if it's day time, I switch it back to night immediately.

One of the most calming and ethereal pieces of XC1. I will literally listen to this is calm down and fall asleep some nights because it is so damn beautiful.

No submitted propaganda for Wir fliegen

[xenoblade-chronicles-brackets]

The circle comes complete, and the end of the saga triumphs over the beginning.

Submitted propaganda for The Decision

Xenoblade 2’s biggest oh sh*t moment

let’s begin the experiment

When you first start Xenoblade 2, you assume it is going to be disconnected form the first one. It's a spiritual successor really, not a sequel. But then, you notice something. Small at first, ever so small. Maybe a line of dialogue, maybe a familiar enemy type. You have the barest hint of what is going on, thinking maybe there might be something more there, but you leave in the back of your mind. So you continue on playing, and more and more inconsistencies start adding up. You see things that shouldn't be. Malos has a monado, and the then there is the vision in Spirit Crucible Elpys, seeing the world engulfed in light only as you have but once before. The gears are turning, but still you don't quite know yet. Then, you venture through Morytha, and up the World Tree. More and more, a picture is forming in your mind that scares you. The reeks of implications you can't quite comprehend and are not sure if you want to, and then finally, after you kill Amalthus, there is but one place to go. You enter the elevator, and head up. The scene dims, and suddenly you see a set unlike any before in the game. People, dressed so out of place for Alrest, but would fit right in on Earth. They are rushing, panicking, and desperate. You don't know who they are or what they want, but because only one thing they say stands out. "We've been locked out by Professor Klaus" Suddenly, you understand. You see what you have seen before, on another side of the story. Everything that has been building this entire game leads to this point. This one moment where all becomes clear. And throughout this revelation, where you see the world killed in light and born anew, knowing what will come from this choice, the music continues on, desperate and pleading telling the story of this fateful choice. The strings and piano beg you listen, but can't change anything. All they can do is draw you in further, to watch this fateful "Decision"

I adore this song mannn

Submitted propaganda for Redeem the Future

Perfect throwback to the final bosses that have come before. Truly, the final boss theme of the Xenoblade trilogy

Truly, this is what it should sound like to fight a god.

[xenoblade-chronicles-brackets]

Agniratha's destruction is saved off ever so slightly, as its threats remain imprisoned.

Submitted propaganda for A Step Away

What isn't there to say about this song. It's so sad and desperate, played to you when you are at your lowest. What I love though, is how the song plays with perspective. When you first hear it, you think it's between Noah and Mio, with either being able to make sense as the singer. Upon a re listen though, the true singer becomes apparent. It's M. M singing to N, about how close they are but how far. She didn't want forever with him. She only wanted one lifetime, but his greed cursed them to live forever, and now she can't even recognize the man she loves. But still, she does love him. M doesn't want to die, but what other option is left. She's trapped in an endless cycle, unable to break free and instead forced to help in causing the suffering. So, when given an opportunity to escape, she takes it, only hoping that in death she can get through to N. She'll be gone from the world, but maybe then she'll finally get N to return to who he once was, a step away from who he is now, and who maybe he can be again

No submitted propaganda for Agniratha, Mechonis Capital (Night)

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Submitted propaganda for Shulk and Fiora

You know what? Some straight people are okay and your honor I love them.

Submitted propaganda for Future Awaits

The fact that they got Joanne Hogg to sing the final track is very nostalgic

[xenoblade-chronicles-brackets]

Submitted propaganda for A Step Away

What isn't there to say about this song. It's so sad and desperate, played to you when you are at your lowest. What I love though, is how the song plays with perspective. When you first hear it, you think it's between Noah and Mio, with either being able to make sense as the singer. Upon a re listen though, the true singer becomes apparent. It's M. M singing to N, about how close they are but how far. She didn't want forever with him. She only wanted one lifetime, but his greed cursed them to live forever, and now she can't even recognize the man she loves. But still, she does love him. M doesn't want to die, but what other option is left. She's trapped in an endless cycle, unable to break free and instead forced to help in causing the suffering. So, when given an opportunity to escape, she takes it, only hoping that in death she can get through to N. She'll be gone from the world, but maybe then she'll finally get N to return to who he once was, a step away from who he is now, and who maybe he can be again

No submitted propaganda for Agniratha, Mechonis Capital (Night)

[xenoblade-chronicles-brackets]

The third Aegis Sword is out.

Last round saw the fall of the Bionis, or well, at the very least its Monado.

[xenoblade-chronicles-brackets]

Submitted propaganda for Shulk and Fiora

You know what? Some straight people are okay and your honor I love them.

Submitted propaganda for Future Awaits

The fact that they got Joanne Hogg to sing the final track is very nostalgic

[xenoblade-chronicles-brackets]

Overt amounts of healing foil the assassination ploy.

Submitted propaganda for Drifting Soul

Nia :,(

Submitted propaganda for A Moment of Eternity

This song is so beautiful and so tragic at the same time.

[xenoblade-chronicles-brackets]

Submitted propaganda for Words That Never Reached You

the title alone is so insanely good, it should win for just the title! (the song is a banger too ig...)

No submitted propaganda for no2=THEMEX

[xenoblade-chronicles-brackets]

In need of a bigger gun, Moebius is forced to retreat.

Submitted propaganda for Black Tar

The greatest lyrics in all of Xenoblade I could choose any section and it'd be gold; "We're stuck on a whole different planet", "Shoot them with your guns" "Just like the endless war (WAR) (WAR)" But can anything top, HELLO? IS THIS THING ON? AM I ALL ALONE? IS ANYONE THERE? I NEED A BIGGER GUN. HELP IF YOU CAN PLEASE WAKE ME UP NOT TO SOUND CLICHE BUT THIS WORLD SUCKS!

HELLO? IS THIS THING ON? AM I ALL ALONE? IS THERE ANYONE THERE? I NEED A BIGGER GUN. PLEASE HELP IF YOU CAN. PLEASE WAKE ME UP. NOT TO SOUND CLICHÉ, BUT THIS WORLD SUCKS! WE'RE STUCK ON A DIFFERENT PLANET WE'RE STUCK ON A DIFFERENT PLANET WE'RE STUCK ON A DIFFERENT PLANET WE'RE STUCK ON A DIFFERENT PLANET WE'RE STUCK ON A DIFFERENT PLANET

Literaly the best and the worst song at the same time

Submitted propaganda for Moebius Battle

Starting out with just choir yelling, and it staying wiht it the whole song. even as it ramps up. It souns like a horror movie at the start, and it feel like a song for a final boss, but its like the 6th one you hear in the game. I have no clue what they are singing about, but its also one of the few songs that have lyrics in it (not counting x) and are not like end credit song!!! its cool!!!!

This goes so hard man. This is how you know you are COOKED.

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No submitted propaganda for A Tragic Decision

Submitted propaganda for Unfinished Business

Heard only once, it's SUCH A BANGER. It kicks, it moves, and it makes you want to punch Metal Face right in the knee joint. It deserves more justice than what it got.

It perfectly encapsulates th3 moment when it plays in XC1. All the rage, sadness, futility, everything. It's beautiful and sorrowful. Always in the argument for best Xenoblade track for me personally

[xenoblade-chronicles-brackets]

No submitted propaganda for A Tragic Decision

Submitted propaganda for Unfinished Business

Heard only once, it's SUCH A BANGER. It kicks, it moves, and it makes you want to punch Metal Face right in the knee joint. It deserves more justice than what it got.

It perfectly encapsulates th3 moment when it plays in XC1. All the rage, sadness, futility, everything. It's beautiful and sorrowful. Always in the argument for best Xenoblade track for me personally

[xenoblade-chronicles-brackets]

Submitted propaganda for Satorl Marsh (Night)

The most beautiful, ethereal track. XC1 is a fantasy epic, and once you step foot onto Satorl and watch the sun set, you're transported to a realm completely unlike our own. The music is soothing and haunting, and matches the foggy marsh so well. I don't care that the enemies are worse at night, if it's day time, I switch it back to night immediately.

One of the most calming and ethereal pieces of XC1. I will literally listen to this is calm down and fall asleep some nights because it is so damn beautiful.

No submitted propaganda for Wir fliegen

[xenoblade-chronicles-brackets]

Submitted propaganda for Drifting Soul

Nia :,(

Submitted propaganda for A Moment of Eternity

This song is so beautiful and so tragic at the same time.

[xenoblade-chronicles-brackets]

No submitted propaganda for A Tragic Decision

Submitted propaganda for Unfinished Business

Heard only once, it's SUCH A BANGER. It kicks, it moves, and it makes you want to punch Metal Face right in the knee joint. It deserves more justice than what it got.

It perfectly encapsulates th3 moment when it plays in XC1. All the rage, sadness, futility, everything. It's beautiful and sorrowful. Always in the argument for best Xenoblade track for me personally

[xenoblade-chronicles-brackets]

M cleans house against the UM's.

Submitted propaganda for You Will Know Our Names

We do, infact, know their names. I think that makes it a track worth remembering (and voting for? 👀)

Submitted propaganda for Moebius Battle/M

A frantic flute cover of the Mobeius theme, the flute sticks out almost like it’s not supposed to be there, like it’s only playing along because it has to. As far as we know, M was never an offseer.

So of course you have the normal Moebius theme. Powerful chanting and overwhelming force, and this one is nearly the same. The only difference is that a flute is added to music, desperately playing to keep up with the pace and melody. It seems simple, we're fighting a consul version of Mio, of course there's a flute to signify this. Then you remember, M was never an ofseer. The flute in this song is desperate to play along, to keep up the facade as the part of a monster, hoping both the consuls and you don't realize that this is OUR Mio.

I love the addition of the flute. It makes it sound so… Mio. A great song by itself made perfect with an instrument that’s so deeply intwined with Xenoblade 3. Peak

[xenoblade-chronicles-brackets]

Zanza is successfully engaged.

Submitted propaganda for Engage the Enemy

I will *never* get over Adam Howden’s scream

Submitted propaganda for Zanza the Divine

God-Slaying Sword is great, but can we get some love for how haunting and god-like this song is?

An absolute banger of a boss theme, the guitar is so punchy and the piano accompaniment gives it a unique flair that gives off a distinctly memorable vibe. I personally prefer the original version, as in the DE recording the guitar sounds more subdued.