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“This chapter shows how Kaneki isn’t lonely anymore”

what? cause he got to nut???? he still thinks hide’s dead and he’s still suicidal. shut the fuck up???

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Even if you don’t like this even if you think it’s toxic (like I kinda do) as shit just… Don’t go yelling at Ishida that’s just… Don’t okay… I’m not saying ever do that.

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An old but still adorable drawing from Yusuke Murata’s Twitter when the MP100 TV anime was originally announced

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Working hard.

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Paint-on-glass animation is a technique for making animated films by manipulating slow-drying oil-paints on sheets of glass as the animator gradually alters the shapes they create, and during this process, a camera records each finished ‘frame’.

When adapting ONE’s Mob Psycho 100, director Yuzuru Tachikawa wanted to adapt the source material in fantastic ways. And so, by combining the talents of a skilled staff, an anime with an incredible mix of animation techniques was born. 

Mob Psycho’s ending, and a good portion of the paranormal scenes are a complex product of paint-on-glass animation, done by Miyo Sato, a Tokyo University of Arts graduate and animator who has had her work nominated for multiple international animation awards. 

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good argument: white passing people have privilege because they are not effected by colorism and they should use this advantage to help others but we shouldn’t invalidate their identity + even though they may look white and their experiences aren’t akin to those who don’t that doesn’t make them exempt from all forms of racism especially even within their own communities

bad argument: white passing poc are white

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ICHIMATSUSAMA!!!!!!!!!

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Other teenagers: *sneaks out of the house to go to a party, to do hardcore drugs.*

Me: *sneaks out of my bedroom to make a sandwich at 3am, without getting caught.*

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💎💎💎 josukeeeeee 💎💎💎

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could i use your art of hide as an icon if i credit you??

Of course!

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god is real

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