zanjirani - Tumblr blog

[zanjirani]

Hassan Zanjirani Farahani's photostream

[zanjirani]

Blind Sweeper 2 choreographies with piano and live-electronics inspired from Elias Canetti's "Ohrenzeuge" & William Blake's "Chimney Sweeper" The main concept of the piece has bin designed and premiered by Hannes Löschel, Sarah Schuster, Hassan Zanjirani Farahani and Gabriele Marchettini on 7.05.2014 in Anton Bruckner Privatuniversität. This performace is an another edition of the piece with a similar concept but the music and lights has been changed completely. Paula Dominici, Marie Mossu, Bartek Sawicki, choreography and dance Michaela Bäck, piano Hassan Zanjirani Farahani, live-electronics __________________________________________ Szenen VII 27. May 2014 19:30 Kleiner Saal Anton Bruckner Privatuniversität Anton Bruckner University Linz, Austria

[zanjirani]

Du bist nicht einer von uns... (2014) (You are not one of us...) ca. 22 Min. for 24 instruments und Elektronics Hassan Zanjirani Farahani (1987) Julia Russer, Elisabeth Tomani, Florian Brandstetter, recorders David Lehner, clarinet Julia Lenzbauer, bass clarinet Evelyne Leeb, Rok Kotnik, Ziga Vesligaj, saxophones Timo Kapelari, trumpet Andreas Kapellner, bass trombone Voland Szekely, percussion Petra Schmidinger, piano Carina Wimmer, Tanja Glinsner, violins Irene Tardajos Ayllon, viola Terezia Vargova, cello Hassan Zanjirani Farahani, laptop and light Conductor: Alexander Quasniczka ___________________________________________________________________ Du bist nicht einer von uns... (2014) (ca. 22 Min.) Für 24 Instrumente und Elektronik Hassan Zanjirani Farahani (1987) Julia Russer, Elisabeth Tomani, Florian Brandstetter, Blockflöten David Lehner, Klarinette Julia Lenzbauer, Bassklarinette Evelyne Leeb, Rok Kotnik, Ziga Vesligaj, Saxofone Timo Kapelari, Trompete Andreas Kapellner, Bassposaune Voland Szekely, Schlagzeug Petra Schmidinger, Klavier Carina Wimmer, Tanja Glinsner, Violine Irene Tardajos Ayllon, Bratsche Terezia Vargova, Cello Hassan Zanjirani Farahani, Laptop und Licht Dirigent: Alexander Quasniczka ------------------------------------------------------------------ (premiere) 2. April 2014 "Spektrum neue Musik" Großer Saal Anton Bruckner Privatuniversität, Linz

[zanjirani]

Du bist nicht einer von uns... (2014) (You are not one of us...) ca. 22 Min. for 24 instruments und Elektronics Hassan Zanjirani Farahani (1987) Julia Russer, Elisabeth Tomani, Florian Brandstetter, recorders David Lehner, clarinet Julia Lenzbauer, bass clarinet Evelyne Leeb, Rok Kotnik, Ziga Vesligaj, saxophones Timo Kapelari, trumpet Andreas Kapellner, bass trombone Voland Szekely, percussion Petra Schmidinger, piano Carina Wimmer, Tanja Glinsner, violins Irene Tardajos Ayllon, viola Terezia Vargova, cello Hassan Zanjirani Farahani, laptop and light Conductor: Alexander Quasniczka ___________________________________________________________________ Du bist nicht einer von uns... (2014) (ca. 22 Min.) Für 24 Instrumente und Elektronik Hassan Zanjirani Farahani (1987) Julia Russer, Elisabeth Tomani, Florian Brandstetter, Blockflöten David Lehner, Klarinette Julia Lenzbauer, Bassklarinette Evelyne Leeb, Rok Kotnik, Ziga Vesligaj, Saxofone Timo Kapelari, Trompete Andreas Kapellner, Bassposaune Voland Szekely, Schlagzeug Petra Schmidinger, Klavier Carina Wimmer, Tanja Glinsner, Violine Irene Tardajos Ayllon, Bratsche Terezia Vargova, Cello Hassan Zanjirani Farahani, Laptop und Licht Dirigent: Alexander Quasniczka ------------------------------------------------------------------ (premiere) 2. April 2014 "Spektrum neue Musik" Großer Saal Anton Bruckner Privatuniversität, Linz

[zanjirani]

Du bist nicht einer von uns... (2014) (You are not one of us...) ca. 22 Min. for 24 instruments und Elektronics Hassan Zanjirani Farahani (1987) Julia Russer, Elisabeth Tomani, Florian Brandstetter, recorders David Lehner, clarinet Julia Lenzbauer, bass clarinet Evelyne Leeb, Rok Kotnik, Ziga Vesligaj, saxophones Timo Kapelari, trumpet Andreas Kapellner, bass trombone Voland Szekely, percussion Petra Schmidinger, piano Carina Wimmer, Tanja Glinsner, violins Irene Tardajos Ayllon, viola Terezia Vargova, cello Hassan Zanjirani Farahani, laptop and light Conductor: Alexander Quasniczka ___________________________________________________________________ Du bist nicht einer von uns... (2014) (ca. 22 Min.) Für 24 Instrumente und Elektronik Hassan Zanjirani Farahani (1987) Julia Russer, Elisabeth Tomani, Florian Brandstetter, Blockflöten David Lehner, Klarinette Julia Lenzbauer, Bassklarinette Evelyne Leeb, Rok Kotnik, Ziga Vesligaj, Saxofone Timo Kapelari, Trompete Andreas Kapellner, Bassposaune Voland Szekely, Schlagzeug Petra Schmidinger, Klavier Carina Wimmer, Tanja Glinsner, Violine Irene Tardajos Ayllon, Bratsche Terezia Vargova, Cello Hassan Zanjirani Farahani, Laptop und Licht Dirigent: Alexander Quasniczka ------------------------------------------------------------------ (premiere) 2. April 2014 "Spektrum neue Musik" Großer Saal Anton Bruckner Privatuniversität, Linz

[zanjirani]

Tibet 2013, Hassan Zanjirani Farahani (by Hassan Zanjirani Farahani)

[zanjirani]

The latest from Hassan Zanjirani (@HassanZANJIRANI). Musician, composer of contemporary music, electronic music, spectral music, algorithmic music. Austria

[zanjirani]

Hassan Zanjirani Farahani is on Facebook. Join Facebook to connect with Hassan Zanjirani Farahani and others you may know. Facebook gives people the power to share and makes the world more open and connected.

[zanjirani]

Listen to Hassan Zanjirani Farahani | Explore the largest community of artists, bands, podcasters and creators of music & audio.

[zanjirani]

I've only programmed the algorithm of the form, and the patch follows the form of the piece. In AAP2 I've used an algorithm which generates overtones and subharmonics. The rhythmic structures and serie of overtones and subharmonics have been choosed randomly by computer but very controlled.

[zanjirani]

Destruction (2013) 9' 17" for 2 flutes, alto saxophone, french horn, bass drum, tam-tam & live-electronics  "Destruction" is a spectral composition with real- time live processing. My model for the form of the piece was a poem with a similar name, but I didn't want to inform the audience about the content of the poem, to give them any prototypical , because I wanted to contact the audience just through the sounds and noises . The structure of the composition is so solid that the chance has almost no role in composition and playing. The piece could be analyzed from each dimension (pitch, timbre, intensity and duration).  *The whole score for the intruments and live-electronics has been notated exactly in real-time.(without any graphic notation and improvisation).  *All harmonies are based on the overtones of 3 notes (C-E-F#) and there are just a few inharmonic and subharmonized tones (except the noises from percussion instruments).

Performances: 21 May 2013 (premier) „Szenen VI" Anton Bruckner Privatuniversität, Linz

07 June 2013 "Sound & Vision 7" Anton Bruckner Privatuniversität, Linz Cornelia Fiechtl : flute I Lisa Freudenthaler :flute II Philipp Haider: alto saxophone Sun Yi: percussion Raya Panova: french horn Hassan Zanjirani Farahani: live-electronics conducted by Julia Sitter

"special thanks to Andreas Weixler and Erland Maria Freudenthaler"

All the processing has been programmed in the software Max / MSP (Max 6.1)  Specs of used equipment:  * Acer Aspire V3-571G laptop with windows 8 , CPU Intel Core i7 3630QM 2.4 GHz (turbo up to 3.4 GHz), 8 GB DDR3 Ram memory * AKG C 391 B microphone * 6 for intruments + 2 overhead microphones * Roland octa-capture audio interface * Korg nanoKONTROL 2 midi controller * Palmer DI Box * 4

[zanjirani]

Destruction (2013) 9' 17" for 2 flutes, alto saxophone, french horn, bass drum, tam-tam & live-electronics  "Destruction" is a spectral composition with real- time live processing. My model for the form of the piece was a poem with a similar name, but I didn't want to inform the audience about the content of the poem, to give them any prototypical , because I wanted to contact the audience just through the sounds and noises . The structure of the composition is so solid that the chance has almost no role in composition and playing. The piece could be analyzed from each dimension (pitch, timbre, intensity and duration).  *The whole score for the intruments and live-electronics has been notated exactly in real-time.(without any graphic notation and improvisation).  *All harmonies are based on the overtones of 3 notes (C-E-F#) and there are just a few inharmonic and subharmonized tones (except the noises from percussion instruments). Performances: 21 May 2013 (premier) „Szenen VI" Anton Bruckner Privatuniversität, Linz 07 June 2013 "Sound & Vision 7" Anton Bruckner Privatuniversität, Linz Cornelia Fiechtl : flute I Lisa Freudenthaler :flute II Philipp Haider: alto saxophone Sun Yi: percussion Raya Panova: french horn Hassan Zanjirani Farahani: live-electronics conducted by Julia Sitter "special thanks to Andreas Weixler and Erland Maria Freudenthaler" All the processing has been programmed in the software Max / MSP (Max 6.1)  Specs of used equipment:  * Acer Aspire V3-571G laptop with windows 8 , CPU Intel Core i7 3630QM 2.4 GHz (turbo up to 3.4 GHz), 8 GB DDR3 Ram memory * AKG C 391 B microphone * 6 for intruments + 2 overhead microphones * Roland octa-capture audio interface * Korg nanoKONTROL 2 midi controller * Palmer DI Box * 4