Artist / Author. Usually stays quietly on the sidelines. Happy to talk Demisexual / Panromantic / Genderfluid / 30+
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STUDIO GHIBLI + flowers 🌼🌸
Spirited Away (2001) Pom Poko (1994) From Up on Poppy Hill (2011) The Tale of Princess Kaguya (2013) Kiki's Delivery Service (1989) Howl's Moving Castle (2004) The Cat Returns (2002) Ponyo (2008) My Neighbor Totoro (1988) Grave of the Fireflies (1988) The Secret World of Arriety (2010) Castle in the Sky (1986) Porco Rosso (1992) Only Yesterday (1991) When Marnie Was There (2014) The Wind Rises (2013) Princess Mononoke (1997) Whisper of the Heart (1995)
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this reddit thread of living your silliest life is so so good
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I think Leverage has a really neat take on the concept of revenge.
Because a lot of times, revenge gets framed as this inherently immoral act, like it doesn't matter how evil the person you want revenge on is, it doesn't matter that stopping them is a net positive for the world, revenge is just bad and wanting it makes you bad.
But I think that a lot of the problems with most revenge narratives come from the fact that the person/people seeking revenge put too much importance on getting revenge, but there's not enough catharsis in the actual act of taking revenge. They end up left with a whole lot of left-over righteous anger, and no acceptable targets left to vent it on. That way lies the bloodline ending feuds of greek tragedy and the like.
But Leverage says "No, actually you're right, that guy is absolutely terrible, he does need to be stopped and his victims should be awarded the catharsis of revenge." But then, instead of taking the easy way out of having Hardison siphon all the money out of their accounts, or sending Elliot over to their house with a baseball bat, they complicate the revenge plot. Instead of walking the easier path of the quick and unsatisfying revenge, they insist on poetic justice and dramatic irony and the complete and utter, very public destruction of the worst people in the world.
That's why I think Leverage feels different to, say, The Count of Monte Cristo, or other revenge-centric stories. They go the extra mile to tailor their revenge to the target, and give them Exactly what they deserve.
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reblog if you’ve read fanfictions that are more professional, better written than some actual novels. I’m trying to see something
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If you have achieved something, please remember to observe a mandatory period of basking in the warm glow of your achievement like a lizard on a stone, lest you teach your brain that effort is futile, actually, because it didn't get to enjoy its happy chemicals, so, naturally, nothing good ever comes of trying. (And no, avoiding punishment is not a reward!)
I recommend, like, 5% of basking time in relation to whatever time you invested into achieving the thing minimum. And if you can't make your own bask, friend-brought is fine (= tell your friends!).
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shorthands for dumbassery that i have grown to love deeply
"how dare you say we piss on the poor" in response to someone misinterpreting your post
"_ isnt gonna fuck you" for suck up behavior
"woah. should we tell everyone? should we throw a party?" for who the fuck cares
"and what if the world was made of pudding" for when would this ever matter.
"and sharks are smooth both ways" for a group of people heatedly arguing with 1 guy who is fucking with them all
".. but its about a witch in the alps finding her lost cat" for someone trying to sanitize something to the point of absurdity
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"autistic people need instructions for every simple task" okay how about we talk about the neurotypicals not following clear instructions. what do you mean it didn't work the way you wanted, i gave you the instructions. oh you didn't follow them? you didn't see where i clearly indicated the directions you were supposed to follow for this task? and you're shocked it didn't turn out right? you decided to pull a Jared I'm 19 and go rogue? you're surprised the road less travelled isn't fucking paved because no one travels it? do you get off on this
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Reading my own fanfiction is basically just a rollercoaster of emotional whiplash.
20% of the time: “Hold on. I wrote this? This is fire. This is emotionally devastating in the best way. This scene is dripping with tension. I’m a literary perfectionist. Someone give me a book deal.”
80% of the time: “Straight to jail. Immediate prison. Why is everyone’s breath hitching?. I used the word ‘gaze’ three times in one paragraph like I was possessed. Did I think 'his eyes darkened' was profound? Why is everyone clenching their jaws? Why is someone whispering 'their name like a prayer' again?? No one talks like this. What is this dialogue. Why are there so many weird metaphors and em-dashes…”
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I’ve been tinkering with the idea of an urban fantasy “All Fairy Tales Are True” setting where some fairy tale characters are mortals who reincarnate and live through their story again and again with no memory of their past lives, but other characters are immortal, carrying over biases and grudges and regrets from the last time they went through this.
Snow White’s dwarves keep her room exactly as she left it, and keep a wary eye on the horizon for the day she returns. When she does they treat her like a beloved daughter come home, cook her favourite meals, warn her to stay away from apples this time, and keep calling her the wrong name.
Cinderella’s Fairy Godmother found her a touch ungrateful last time, and has decided not to appear to her this time around to teach her a lesson in gratitude. This Cinderella, without the memory of the last time, is still a terrified, miserable woman desperate to escape her awful situation.
The Witch in the gingerbread house has developed a thousand traps to eat those goddamned kids. She’s failed every time. She lives a life of Sisyphean torment previously known only to cartoon coyotes.
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