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2025國立臺北藝術大學戲劇學系佰拾壹級導演四期末呈現
《北藝炎選》 ————————————————————— B-1 (06/20(五)19:30、06/21 (六)14:30)
《服妖之鑑》 劇 作 家|簡莉穎 導 演|陳嘉駿 舞臺設計|陳姿蓉 燈光設計|郭珮夤 服裝設計|郭亮威 音樂設計|陳威廷 技術設計|陳柏綸 演 員|吳品霏、關唯、羅家祥、喬駿杰、陳美辰、張唯鈺
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【演出須知】 *演出全長約100分鐘,含中場休息15分鐘。 *演出過程中請勿飲食、飲水,同時也禁止錄影、錄音及拍照;遲到觀眾將於中場休息時間入場。 *因應劇情需求,演出中涉及成人議題,可能包含性愛、裸露、暴力、髒話等不雅字眼,敬請觀眾斟酌入場。建議觀賞年齡 12歲(含)以上。
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makeup- project <Bird bride>
model- LI PIN RUNG
makeup- CHEN ZIH RONG
material-
Alginate Impression Material 海藻膠
Gypsum powder 石膏粉
Modeling Clay 雕塑土
Flesh Latex 液態乳膠
Spirit Gum 黃膠
Palette Liquids Aged Blood 酒精基底顏料
Cream Makeup Palette 油彩
Badminton 羽毛球
2025. 06. 09
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makeup- project <Goblin>
model- LIN YIN JHE
makeup- CHEN ZIH RONG/ CHEN YU LUN
material-
Latex Bald Cap 光頭套
Flesh Latex 液態乳膠
Spirit Gum 黃膠
Palette Liquids Aged Blood 酒精基底顏料
Cream Makeup Palette 油彩
Crepe Wool 羊毛辮
Prosthetics Adhesive 特效白膠
2025. 04. 08
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SCENIC DESIGN- project<Peer Gynt>
Concept:
This is an immersive theatre and I set the scene at a corner of Peer Gynt's house. My motivation is to create a version angle from children, which is quite different from adults. In the world full of imagination, every set is taken by the house stuff, ex: towel, bowl, eggs box etc, which built up the world of Peer Gynt's adventure. Those stuff are so large comparing with the audiences. I wish that people in this immersive theater can enjoy it with kids mind and throw away discipline and serious thought. Play and do it! 2024.12.24
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SCENIC DESIGN- project<Hoffman- Giulietta>
Concept:
It was a story of the characters' desires.
Hoffman's desire for love, Giulietta's lust for money, the devil's plot to capture the shadow, and the other guests' desire for a glance from Giulietta. The balance between supply and demand would lose control if any character were absent in the story.
Therefore, I set the location in the red light district which was situated in Venice, a place where desires are gathered, as long as the song be heard from the gondola, the world of lights and wine began to work……
2024.12.21






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SCENIC DESIGN- project<ELEKTRA>
Concept:
Agamemnon, a king of Mycenae, often went on an expedition. He always brought the photos which he took in different countries back, and share the scenery with his daughter, ELEKTRA, inside the dark room. The space was extremely small and low but filled with the sweetest memories of a father and a daughter. However, it became a storage room after Agamemnon had passed away. It turned out to be a space that maids avoided entering, but Elektra regarded it as the most important place. Darkness acted as camouflage and light acted as an intruder, Elektra stayed in the dark room waiting for an opportunity to take revenge on her mother for cheating and bloodless.
2024.06.03







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