aninconvenientduck
aninconvenientduck
InconvenientDuck
785 posts
Got uncursed by a catI'm mostly inconveniencing myself HarrumphISay on Ao3
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aninconvenientduck · 21 days ago
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Surely, one of my other posts that I’ve reblogged is the one that got reblogged today!
*It was the sword post again*
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aninconvenientduck · 6 months ago
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aninconvenientduck · 6 months ago
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you fuckers thought i forgot about elf practice didn’t you?
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aninconvenientduck · 7 months ago
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“For some time, Hollywood has marketed family entertainment according to a two-pronged strategy, with cute stuff and kinetic motion for the kids and sly pop-cultural references and tame double entendres for mom and dad. Miyazaki has no interest in such trickery, or in the alternative method, most successfully deployed in Pixar features like Finding Nemo, Toy Story 3 and Inside/Out, of blending silliness with sentimentality.”
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“Most films made for children are flashy adventure-comedies. Structurally and tonally, they feel almost exactly like blockbusters made for adults, scrubbed of any potentially offensive material. They aren’t so much made for children as they’re made to be not not for children. It’s perhaps telling that the genre is generally called “Family,” rather than “Children’s.” The films are designed to be pleasing to a broad, age-diverse audience, but they’re not necessarily specially made for young minds.”
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“My Neighbor Totoro, on the other hand, is a genuine children’s film, attuned to child psychology. Satsuki and Mei move and speak like children: they run and romp, giggle and yell. The sibling dynamic is sensitively rendered: Satsuki is eager to impress her parents but sometimes succumbs to silliness, while Mei is Satsuki’s shadow and echo (with an independent streak). But perhaps most uniquely, My Neighbor Totoro follows children’s goals and concerns. Its protagonists aren’t given a mission or a call to adventure - in the absence of a larger drama, they create their own, as children in stable environments do. They play.”
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“Consider the sequence just before Mei first encounters Totoro. Satsuki has left for school, and Dad is working from home, so Mei dons a hat and a shoulder bag and tells her father that she’s “off to run some errands” - The film is hers for the next ten minutes, with very little dialogue. She’s seized by ideas, and then abandons them; her goals switch from moment to moment. First she wants to play “flower shop” with her dad, but then she becomes distracted by a pool full of tadpoles. Then, of course, she needs a bucket to catch tadpoles in - but the bucket has a hole in it. And on it goes, but we’re never bored, because Mei is never bored.”
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“[…] You can only ride a ride so many times before the thrill wears off. But a child can never exhaust the possibilities of a park or a neighborhood or a forest, and Totoro exists in this mode. The film is made up of travel and transit and exploration, set against lush, evocative landscapes that seem to extend far beyond the frame. We enter the film driving along a dirt road past houses and rice paddies; we follow Mei as she clambers through a thicket and into the forest; we walk home from school with the girls, ducking into a shrine to take shelter from the rain; we run past endless green fields with Satsuki as she searches for Mei. The psychic center of Totoro’s world is an impossibly giant camphor tree covered in moss. The girls climb over it, bow to it as a forest-guardian, and at one point fly high above it, with the help of Totoro. Much like Totoro himself, the tree is enormous and initially intimidating, but ultimately a source of shelter and inspiration.”
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“My Neighbor Totoro has a story, but it’s the kind of story that a child might make up, or that a parent might tell as a bedtime story, prodded along by the refrain, “And then what happened?” This kind of whimsicality is actually baked into Miyazaki’s process: he begins animating his films before they’re fully written. Totoro has chase scenes and fantastical creatures, but these are flights of fancy rooted in a familiar world. A big part of being a kid is watching and waiting, and Miyazaki understands this. When Mei catches a glimpse of a small Totoro running under her house, she crouches down and stares into the gap, waiting. Miyazaki holds on this image: we wait with her. Magical things happen, but most of life happens in between those things—and there is a kind of gentle magic, for a child, in seeing those in-betweens brought to life truthfully on screen.”
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A.O. Scott and Lauren Wilford on “My Neighbor Totoro”, 2017.  
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aninconvenientduck · 7 months ago
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Couldn’t you have done some more weighing to safely determine which pill was poisoned? Or is the weight difference so minute that just two pills could not display it?
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aninconvenientduck · 7 months ago
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aninconvenientduck · 7 months ago
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Nodding my head at this new shit post.
Shaking my head to indicate I do not condone smoking.
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Item: in the 1950s research was starting to suggest smoking cigarettes might be bad for you, so one company beefed up their filter with asbestos
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aninconvenientduck · 7 months ago
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Connected two dots that absolutely are not there and now I inflict it on all of you:
I was thinking about the White Gloves and how they have cooks in their basement kitchen blasting Brahmin with flamers to roast them
Then I thought about how the White Gloves were, historically, cannibals
Which made me realize, there’s only one other NPC in the game who both uses a flamer to cook shit and is also an aggressive cannibal:
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Cook-Cook.
So now I’ve all but convinced myself that Cook-Cook very well could’ve been a member of the Proto-White Gloves before House took the strip back over and banned them from cannibalism, which caused him to fuck off to the west and join up with the Fiends so he could keep indulging in human meat
(My other piece of evidence is admittedly flimsier, but it’s the fact that he’s the only Fiend in the game who, instead of wearing the fiend helmet, wears a mask that covers his whole face (much like the modern White Gloves and possibly Proto-White Gloves))
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aninconvenientduck · 7 months ago
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Messaging people for the first time is so hard. What am I supposed to say? Like, "You seem really odd and your blog intrigues me. Do you want to have philosophical conversations or perhaps talk about fictional characters?" What! Whatever. I will just follow you back and stare at your blog with my big beautiful brown eyes.
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aninconvenientduck · 8 months ago
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Y'all have,,, NO idea how much I want a pizza rn. It is taking all of my willpower to save my money and not order one this instant to celebrate getting stuff done today
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aninconvenientduck · 8 months ago
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satisfying
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aninconvenientduck · 8 months ago
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Actual image of me fighting for my fucking life on discord
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aninconvenientduck · 8 months ago
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Damn. I dropped something.
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aninconvenientduck · 8 months ago
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The thing about low hanging fruit is that the ability to make the same joke can make itself really tempting.
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aninconvenientduck · 8 months ago
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If you’re an introvert, follow us @introvertunites​
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aninconvenientduck · 8 months ago
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Hold on, hold on.
We aren’t *lying*. We’re just…presenting an alternative set of facts…from a certain point of view.
The republicans have the senate but not a supermajority so as usual nothing is going to happen
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aninconvenientduck · 8 months ago
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Are you good?
think my mum just sent me a whole buncha weed butter in the mail??
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