ecoreader

[ecoreader]

[ecoreader]

Gregory Bateson, (1972), Metalogue: About Games and Being Serious [«ETC.: A Review of General Semantics», Vol. X, 1953], in Steps to an Ecology of Mind, Ballantine Books, New York, NY, 1975, pp. 14-20

[ecoreader]

Lando Calrissian is just Space Willy Wonka.

[ecoreader]

I think the whole "guys who are recreationally into history only know about the technical details of war, and that's bad for some reason" take is bad for the obvious reason that it's unnecessarily shitty about something harmless but also very strange in that the people saying this are invariably also recreational history people whose knowledge of history consists only of whatever random bits interest them, which, of course, is fine, but like. It's so strange to try to problematize something you actively do yourself, and which is harmless regardless. Fucking narcissism of small differences

[ecoreader]

😭

[ecoreader]

every time i think about fredrick ii of prussia…..oh man

[ecoreader]

Alright. There's a lot that I'd like to challenge here, but I think the first thing is the implication that all of this was the intention of J.J. Abrams and Rian "It's my turn to fuck the prom queen" Johnson. I mean ....

I swear I’m not asking this as a fanboy who calls Rey a Mary Sue, I’m just genuinely curious about her character in a mythological perspective... was Rey ever wrong? Has she ever messed up? Will she ever do something that isn’t motivated by the best of intentions? Because if not... how she’s the protagonist of this story if it solves around Ben Solo’s life and conflicts?

Ok I’ll take this question like you’re genuinely asking. But I think we need to clear up some things if you genuinely want to understand. This question of “did she do anything wrong” makes me think you’re coming from a video like “Rey is the worst Mary sue” and you might have internalized that. Please try to leave that at the door bc it’s not the point of these movies. Also a lot of times, people who disliked these movies watched them only once and then talked about them for years, remembering them in a skewed way. But especially TLJ is incredibly rich with mythic imagery and deserves multiple viewings. Watch all of her scenes in a row carefully, openly, and really look at what her story in particular is. It’s something different, something we’re not used to watching, something exciting and gratifying to women, and it’s place on screen is very important to both women and men. If you don’t understand her story, it’s because half of humanity’s experience has been sequestered away from you for your whole life. You deserve to know about the internal lives of women, and if you are open to it, it will help you in your own life. Don’t let YouTube bros keep you from understanding a story meant for half of humanity.

Rey’s story is that of the Heroine’s Journey, which is a deeper and more internal dive than the Hero’s Journey. It isn’t about overcoming outward dangers like slaying a dragon, it’s about accepting who you are internally as a woman. To find the True Self in the Heroine’s Journey is Balance, which is why they keep talking about balance. The reward of the Heroine is internal and spiritual, not great outward riches or accolades. That’s why TLJ is so internal and contemplative.

Her “failures” are that of the failures of the Heroine’s Journey. Her spiritual aridity at the beginning of TFA, treading water because she is “separated from the feminine” aka has no mother, is alone and living a ‘masculine’ life in a barren world. That’s an image that women resonate with.

Feelings of abandonment, feelings of alienation, looking outside herself to be told what to do, feelings of being denied a male role, her “searching everywhere for a father,” searching for outward validation and training, getting things wrong, even looking inside her own deep unconscious (the cave) and bravely traveling to the underworld in a coffin in search of answers outside herself… before ultimately realizing that the power and answers lie within herself and not outside? All of these images and struggles resound in women’s experience. These are the next few steps in the Heroine’s Journey, mapped out perfectly. This will continue in the next movie.

So those are the 3 things to clear up:

1) her story is for women (but will deeply help men as well if they are open to it, just as women have been inspired by male protagonists for hundreds of years)

2) She is on the Heroine’s Journey, which is a story specifically about helping girls grow into women. If it seems alien to you, it’s because you’ve been taught (to your own harm) that this is a lesser story. It is not. If you read the last steps of the Heroine’s Journey, it spoils the plot of IX.

3) Rey and Kylo are “two halves of one protagonist” — this is not just some side love story in an Indiana Jones movie, this is the plot. This relationship is a mythic, psychological metaphor for a woman accepting and integrating the Wounded Masculine within herself, and a man integrating the Feminine within himself, to become stable people. This is a very internal and psychological story, partly about growing into adulthood and accepting devalued parts of our own selves to become whole. It will be more obvious after the last movie.

It is a mistake to think that Rey is undermined by Ben Solo’s plot importance. The story is her POV, this is from her gaze. Like in the Hero’s Journey, as he gains strength, she only gets stronger. They are tied to each other as characters, and can only succeed together. (metaphorically, she cannot succeed until she finds her place in the world, accepts and forgives the feminine part of herself and heals the masculine part (embodied in her animus Kylo Ren)). So she does need him, but it’s metaphorical and a guide for our own lives.

Also, if you (as a man) are looking for the Hero’s Journey as a guide for young boys growing up in the ST? That’s what Finn and Kylo are for. Young boys have many examples to identity with as they overcome their fathers and kill dragons and win love. They are writing very lovingly for young boys in this ST as well, and especially after IX and the full story of the Healed Masculine is unveiled, Kylo will be a very helpful cathartic character for young boys to identify with.

Hope that helped. Listen to the episode on the Heroine’s Journey by What the Force podcast to understand more of these Feminine Mysteries. Read Maureen Murdocks’s book The Heroine’s Journey, or read some articles about it. It’s good stuff, and it’s important for Star Wars to become a universal cultural touchstone for everyone.

[ecoreader]

Meeting on Tinder then hooking up on LinkedIn: clearly a well thot-out plan...

[ecoreader]

Perhaps it's time to become a brain for a few weeks...

[ecoreader]

Ha, a sociopathic salaryman arguing with God about marketing flaws

[ecoreader]

you are all out here.. kinning things….having ‘comfort characters’. why don’t you try kinning success. my only comfort character is cold hard cash

[ecoreader]

This is the ONLY question that matters.

Dinner Party Guests

For those of you who missed my oh so prestigious dinner party guest list post on the gram, you’re no longer in the dark haha.

I got asked once if I were to throw a dinner party and could choose any five people to invite, who would they be? For many, this is casual but for me it’s serious business and I’ve just filled the third place (and that alone has taken me years haha). The first two people, of course, have to be Nizar Qabbani and Mads Mikkelson, I wouldn’t be myself if I said otherwise. The third and more recent party attendee is Larry Adler, perhaps the most famous harmonica player… Of all things. But it’s not the harmonica playing that graces him with the privilege of getting an invite but the life he’s lived. Adler was born in 1914 to Jewish parents, and may be the coolest guy to have lived. Here we have a few examples: At the age of two, Adler wandered away from home and was later found in a bar; he was stood on top of a pool table singing I’ve Got the Profiteering Blues at the top of his lungs with a crowd around him, and by the age of fourteen was already on Broadway. In his adult life, Adler got a call one day from Charlie Chaplin (because they’re friends, of course) and Chaplin wanted to know if Adler fancied a game of tennis because their fourth player had dropped out… this fourth player being none other than Bill Tilden. Turning up for his game, he played with Chaplin, a beautiful woman with very scruffy hair and a man with a funny moustache; only when he got home did he realise that he’d been playing tennis with Greta Garbo and Salvador Dali. Who else would that happen to other than Adler? And finally, Adler was part of an exclusive club called the Thursday Club, where he and ten of his friends would meet up for lunch and drink more than they ate. One day, following a Thursday Club meeting, Adler brought a friend home to continue their drinking session, both completely off their faces, laughing and shouting. His wife never forgave him for not warning her that he’d be bringing Prince Phillip home. And there we have my third member. I thought about inviting Van Gogh but I feel like he would bring the group down, so perhaps we’ll keep that just between him and I 😉 Now only two places left… The stress!

N.B. I’ve always been interested in who people would pick if they could, feel free to let me know!!

[ecoreader]

Legolas pretty quickly gets in the habit of venting about his travelling companions in Elvish, so long as Gandalf & Aragorn aren’t in earshot they’ll never know right?

Then about a week into their journey like

Legolas: *in Elvish, for approximately the 20th time* ugh fucking hobbits, so annoying

Frodo: *also in Elvish, deadpan* yeah we’re the worst

Legolas:

[ecoreader]

Anakin, my allegiance is to the Republic, to DEMOCRACY!!

I have brought peace

[ecoreader]

...Your new empire?!

I have brought peace

[ecoreader]

If you're going to imagine a capitalist dystopia, the least you could do is not repackage the mass marketed one from the 80's.